Phoenix Ancient Art

Helen Clay Frick, always an art enthusiast, founded the Frick Art Reference Gallery in 1920 as a public reserve and in loving memory of her father, Henry Clay Frick. Originally housed in the basement bowling alley of the Frick Collection, the library moved to its current location in 1935, transformed from its previously residential identity by Russell Pope. To date, the library offers access to comprehensive collections of photographs with complementing texts as well as other resources to better understand Western Art, adhering to the intentions of both Helen and Henry.

The Anita Shapolsky Gallery is named for its founder, whom I had the pleasure of meeting when she invited me to No. 152. Having first opened in SoHo in 1982, by the late nineties, Mrs. Shapolsky told me that by the late nineties she was ready for a change, and so she moved the gallery closer to home – in fact, into the building on 65th Street where she had been living for twenty-two years. Since 1997, the gallery and Mrs. Shapolsky have shared a home. The relationship is truly a symbiotic one. "What would you do in a house without art? " she exclaimed. "They take the paintings down between shows, and I'm sick with nothing on the wall. " Her bedroom is tucked into the second floor of the building, concealed behind accordion doors, and in another room of the gallery, a shoe closet is just ajar. On the day that I sat down to speak with Mrs. Shapolsky, the feature exhibit, , was by the artist Russell Connor, whose art riffed on classic painters, pairing them and their masterworks with references to other, more modern pieces. Mrs. Shapolsky said that she thinks of it as an educational show, as it exposes visitors to art history, and brings the old and the new together. Having been invited to a lecture by the artist, I had the pleasure of meeting Russell Connor, and listened as he elaborated on a number of the paintings; each one has a hidden joke for the seasoned art historian. This exhibit was a change from Russell Connor's accustomed style; he usually prefers abstract art for which the Anita Shapolsky Gallery is best known. When Mrs. Shapolsky opened her gallery, she decided to focus on the Abstract Expressionists of the fifties, especially those of the New York school. She had no experience at the time working in or running a gallery, only a great passion for art. "It was madness, sheer madness, " she told me. But despite the mad ambition of the project, the gallery has been a great success. Mrs. Shapolsky drew on her connections to other artists and friends in order to bring the appropriate pieces into her space. Although she knew that the aesthetic was not popular at the time, Mrs. Shapolsky told me that she had grown up with the abstract expressionists, and felt that they represented an important artistic avante garde. The Anita Shapolsky Gallery excels not only at exhibiting important art, but also at connecting that art to people. To be both in a gallery and a home is a unique experience, and meeting Mrs. Shapolsky was a privilege. She is as much a part of the gallery as is the art. On the day that I met her, she was wearing a piece of art around her neck. Her jewelry was made by Ibram Lassaw, whose work can also be seen at the Guggenheim.

The Roosevelt House is primarily an educational institution, housing two of Hunter College's undergraduate programs and hosting a number of book talks, panels, and other public events. But, as the name reveals, it began as a family home. The Roosevelt's moved into this double townhouse in 1908, with matriarch Sara Roosevelt living on one side, and Franklin and Eleanor on the other, along with their five children. On my visit to the Roosevelt House, I participated in a guided tour that illuminated some of its history for me. The building itself, was designed by architect Charles Platt, who also made the plans for the nearby mansion that was home to The China Institute for almost seventy years. This elegant townhouse among the rows of brownstones would set the tone for many of the other structures in the area to be renovated or replaced. Deborah, the tour guide, took us through the many rooms and their pasts. I was surprised to learn that the house was built with two elevators, one on each side, a rare architectural choice for the early twentieth century. The elevators became especially important after 1921, when Franklin Delano Roosevelt fell ill with polio and was confined to a wheelchair. One of the elevators has been retained in its original state, and is shockingly small – the wheelchairs we use today would never fit - but Roosevelt's had a profile similar to that of a dining chair, and so was able to wheel in and out without difficulty. The second elevator has been expanded to allow full accessibility to Hunter College. Upstairs, the library functions as a little museum, containing a selection of books on the Roosevelt's, along with some historic artifacts. The real history though, is in the building itself. "A lot came out of this house, " Deborah explained. President Roosevelt appointed his initial cabinet members in the upstairs library, and among them, the first woman. That same library is where President Roosevelt practiced tirelessly on crutches until he could stand and move sans a wheelchair during political gatherings. A few steps away, the drawing room was the site of Roosevelt's first radio address as president. One floor up is the bedroom where he recovered from polio, and where he often held meetings so that he could continue working minus the discomfort of his leg braces. I found myself lingering close to the walls, hoping they might whisper some of the things they overheard all those years ago. In 1941, Sara Roosevelt died, and the family put the townhouse up for sale. It was a difficult time to sell a house – everybody was at war except the United States, and the whole country knew that conflict was in the immediate future. The Roosevelt's still managed to find a buyer. Eleanor had a strong relationship with Hunter College, and so when they expressed interest, the family lowered the price, making it possible for Hunter to acquire this historic home in 1943. It was dedicated as the Sara Delano Roosevelt Memorial House. Today, the Roosevelt House works to balance its legacy and contemporary function. The house retains all its original crown molding, but the furniture is new, allowing Hunter students and visitors to sit comfortably and not worry about causing damage to antique sofas or rugs. Students at the Roosevelt House study Public Policy and Human Rights, a fitting tribute to the Roosevelt family's influence on this country.

Specializing in nineteenth and twentieth century masterpieces, Achim Moeller opened his first gallery in London in 1972 followed by his New York gallery in 1984. On the day that I visited, I was able to view sketches by Lyonel Feininger. The exhibit focused on his early years, and was mainly composed of studies of houses and landscapes. I was especially drawn to a picture of a small cottage covered in snow, which was delicately mapped out using only charcoal.

Aaron gallery was founded in 1923 Paris by Jean Aaron. Just after World War II, it was taken over by her son, Didier, and formally renamed Didier Aaron. This 67th Street location was opened in 1977. Dating between the seventeenth and nineteenth centuries, the gallery's art is comprised of paintings, sketches, and a sprinkling of antique furniture. "Just look at it, it is a beautiful space, " explained Alan Salz, director and head of paintings and drawings, and an art history admirer. He was referring to the space and the natural light that the windows allow. Alan was pleased to share with me that he lives only a seven-minute walk from the gallery, enjoying his time in this part of the Upper East Side. "I look for what clients will like, " he told me, "Something high-quality, with an interesting provenance. "

Walking into Java Girl feels like coming home. In addition to the cafe being host to a friendly assortment of mismatched cushions, a cuckoo clock, an antique mirror, and other objects of curiosity, this was my go-to shop when I lived on East 67th Street. My friends and family members knew that I did not own a coffee pot and therefore we always had to stop by this neighborhood favorite. I was thrilled to be revisiting an old haunt, and on this particular day, I chose a seat in the window nook, settling in for a chat with Java Girl herself. In the mid-nineties, Linda Rizutto was working for a major retailer, wondering what it was that she wanted to do next. She would sit in a coffee shop with her journal and contemplate her options. "And then the opportunity came, " Linda told me. In 1998, the west half of Java Girl became available for rent. Linda decided to take her own journey as inspiration, and create a coffee shop that would give other people the space and time to think about their lives. In 2001, Linda expanded into the second half of the cafe. "It created what I was dreaming of, and that was a place to let people come and decompress, whether it's for twenty minutes or two hours. "Linda truly is the "Java Girl. " She has crafted an amazingly diverse selection of coffee offerings, each 100% Arabica and hand-picked, from the volcanic soil of Mount Kilimanjaro to the fertile Costa Rican rainforest. Java Girl's exotic beans are all roasted locally by third generation roasters in Long Island City and the flavored coffees are done so by hand without any chemical processing. Not only does Linda know coffee, she also has a well-curated and enticing selection of gourmet loose-leaf teas, some of which are blended in-house. In the mornings, her oatmeal smoothie is a popular choice and hearty kickstart to the day. Over the years, Linda's customers have become regulars, allowing her to develop strong relationships with many of them. On the day that I stopped by, Linda had purchased flowers for someone who had recently lost a family member. "We've also celebrated marriages and babies, " Linda proudly shared. Clearly more than just a coffee shop - Java Girl is a community. And a community is really what Linda set out to create. "I didn't have a business plan, I just had this idea... and it worked. "

Lovely classical music plays in the background of The Juilliard Store, home to official apparel, recordings, and books on all things drama, dance, and music. A children’s section is dedicated to recognizing the potential of young artists with baby bibs reading “little soprano” or “little tenor. ” The fun and whimsy continues with bags of music note-shaped pasta surrounded by an array of notebooks and coffee mugs. However, the gift shop is most recognized as being one of largest brick and mortar sheet music stores in the world. It is frequented by tourists, music-appreciators, and, of course, students of the Juilliard School.

In 1895, Slovakian immigrants originally founded the St. John Church on East 4th Street to be both a community center and a place of worship. However, as its congregation continued to grow and move uptown, it made sense for the Roman Catholic church to do the same. Since 1925, the Church of St. John Nepomucene has taken residence on 66th Street.

A Roman Catholic parish dedicated in May of 1918, the Church of St. Vincent is considered to be one of the most spectacular architectural buildings in Manhattan. In 1867, the first Cardinal in America, John McCloskey, requested that the Dominican Fathers and Brothers find a home in Manhattan. Mass was held in a small building on East 66th Street in that same year. A few months later, work began on the Gothic church that was completed in 1879. In 1914, however, it was decided to construct a new building, which stands here today. Above the main entrance is a magnificent carving of a crucifixion scene by Lee O. Lawrie. Guastivino acoustic tiling allows the preacher’s voice to project, and each glass window was placed opposite one of complementary colors so as to be highlighted fully in the sunlight. In August of 2015, the Parish of St. Vincent Ferrer and St. Catherine of Siena was established, forming a connection between this church and the Church of St. Catherine of Siena on East 68th Street.

Although the Lotos Club has only been on East 66th Street since 1947, it began in 1873 as a club devoted to literature and the arts. Among its first members was Mark Twain.