Busy Bee Place

I would not have guessed, walking through the room hung with sparkly princess dresses and pink china, that Judy Famigletti used to be a hockey mom. The owner of Let's Dress Up, an event center for little girls, told me that she has two sons who both played ice hockey through college. She would go with them to their different games and formed her own business while traveling: she designed sports-themed Christmas ornaments, which developed into a broader home accessories business. While she greatly enjoyed painting, sewing, and decorating, most of Judy's creative power was directed towards sports and practicality. She had no use for frills and sparkles. Once her sons were grown, Judy moved to the city and set off on a new path. She knew that she wanted to have her own business that involved home decorating and that she wanted to work with little girls, since she was already very familiar with the world of boys. She reminisced about how she used to walk around her neighborhood when she was little, asking people for old jewelry and wearing her big sister's dresses. Judy began designing the concept for Let's Dress Up, meanwhile getting in touch with her feminine side. Needing to be resourceful in her first few years, as she no longer had a house in which to hold Let's Dress Up, she decided to barter with a restaurant. They allowed her to use their private room in return for decorating the eatery for the holidays. In 2005, she began holding events in the restaurant's back room, decking it out with her old hats and dolls. Shortly thereafter, Judy was able to move into her own space on 85th Street, followed by another location in Connecticut in 2010 - in an effort to be closer to her son and three of her grandchildren. "My granddaughter practically lived in the store until Kindergarten, " she said with a smile. Her sons also helped her with the business. In 2015, tragedy struck. Because the traveling was starting to become a hassle, Judy decided to close the Connecticut location and focus on the 85th Street spot. Shortly after making that decision, however, a fire broke out, ruining all of her old hats and dolls, and causing the space to require a complete overhaul. When I had the pleasure of meeting Judy at the end of 2015, her feathers did not appear to be ruffled. She had just finished renovating and moving her Connecticut dress-up things into the store. "After the fire, I decorated it based on the new girl, " Judy shared, showing me a wall hung with Disney princess outfits. Instead of her classic, vintage items, she had bright, shiny new things, with an emphasis on Disney's Frozen. "Elsa has replaced Ariel as the favorite princess. "Judy was inspired by the number of little girls who stopped by when she was renovating to ask, "When are you going to open? " She began thinking of new ways to expand Let's Dress Up, beyond the tried-and-true birthday parties. When I visited, she had just started offering special "Classes in the Castle" that little girls could come to with a play date. During these classes, the girls do craft projects, play with the dress-up items and learn the rules of princess etiquette from "Lady Judith" - Judy's persona in her shop. Judy showed me an example of one craft, in which little girls dressed a Pinkalicious dress-up doll after listening to one of the stories in the series by Victoria and Elizabeth Kann. Judy has now expanded into a summer camp and occasionally holds seasonal workshops; however, she assured me that her main passion will always be the parties. Each of the parties is all-inclusive, beginning with a special tea party invitation that is sent to the guests. On the day of the event, the hosting family arrives fifteen minutes early so that the birthday girl can select her favorite dress and be ready to greet her guests. Once all of the girls are dressed in the various gowns, purses, tiaras, wands, and jewelry, they get glitter nail polish and sparkly, clear lip gloss. Judy then puts a pink screen up so that the girls can take group and individual photos. The various parts of the party last only fifteen minutes, which Judy feels is the perfect amount of time for short attention spans. When I inquired about the age range, Judy told me, "The most common age is five. I can tell when they outgrow it because they start asking why there's no prince. "Once the pictures are taken, all the little princesses sit down to their tea party, set with proper china. I asked if any of the china ever breaks and Judy shook her head vehemently, saying, "When they dress like princesses, they act like princesses. " Judy took all the tea party equipment out of pretty striped hatboxes, laying everything out on a doily. "The piece de resistance is the glass slipper, " she said, putting a tiny slipper at the top of the place setting. She also showed me the little party favors, composed of sparkly bracelets in a mesh bag. Judy has used the same party favor throughout the years "because it's the right one. "Each tea party is comprised of the same ingredients: a bagel with cream cheese or butter, strawberries, cheese sandwiches cut in the shape of a heart, and cupcakes or cake. After listing the different courses of the princess feast, Judy informed me that she used to do her parties for the Museum of the City of New York. They requested that she hold high-end birthday parties in their Dollhouse Room. Though the parties were fun and the room was beautiful, it was a massive undertaking. Today, Judy sticks to her spot on 85th Street. Judy has also allowed others to take over her space, as there is enough room for a long table. She is looking forward to the day when someone chooses to have a baby shower in her space. Until then, Judy already has a lot on her beautiful pink china plate, with as many as four parties in one day. On my way out the door, I saw a wall full of knightly coats of armor, often used by little boys who are invited to the parties (although there are times when the boys are perfectly content to wear the dresses). I asked if the girls could be knights, instead of princesses. Judy answered with a benevolent smile, "They can be anything they want to be. "

The Loop of the Loom, tucked below street level on 87th Street, is a center for SAORI weaving, a special practice that combines the art of weaving with the principles of Zen. The founder of Loop of the Loom, Yukako Satone, began her career as a graphic designer for fifteen years in both Japan and New York. She claims that she did not consider herself a “craft person” until she was introduced to SAORI weaving when her daughter was five years old. She became a certified SAORI instructor in Japan, thanks to a talented teacher, Misao Jo. Shortly thereafter, Yukako made the decision to open a studio in Manhattan, hoping to introduce this specific type of weaving to New Yorkers. The Loop of the Loom encourages anyone who walks through the door to find their own unique style while embracing earthy materials and the Japanese idea of “Mottainai" ("non-waste”). The threads are made from natural fibers and many of the tools are created from recycled materials. The repetitive, calming nature of the work is said to introduce mindfulness and healing to the weaver. When I visited Loop of the Loom, a group of young children were gathered for a special children’s class, celebrating a child's eighth birthday. It was a special sight to watch them calmly sitting at their looms, eager for their next instruction. In addition to her studio, Yukako often takes her portable loom out into the city to do demonstrations. She loves that her “happy weaving” can bring smiles and a sense of calm to passersby.

The Church of Saint Thomas More has only been known by that name since 1950. However, the church that it resides in is much older. The religious structure on 89th Street was built in 1870 using sandstone from Nova Scotia. It was inhabited by the Episcopalians and a Dutch Reformed congregation before it became a Roman Catholic church and was rededicated to Saint Thomas More. In the summer of 2015, the parish merged with Our Lady of Good Counsel on 90th Street.

With velvet curtains, old art, and gilded mirrors, the Auction House resembles a centuries-old salon. Although regal and classic, I found it to be very approachable. The exposed brick walls – now a common feature of New York City bars – and warm, low lighting makes the space seem more like someone’s living room than a museum. The cozy drape-enclosed rooms attract locals who enjoy huddling around the fireplaces in the cooler months. The bar calls itself a “diamond in the rough, ” a term with which I heartily agree. I spoke to Johnny B. Barounis, who explained that when he first opened the bar in 1993, it was the only one of its kind. Johnny got his start in 1978 working the door at places like the China Club. He prided himself on being “the first person somebody sees on the way in, and the last on the way out. ” After a while, he became tired of the “big, loud, schmaltz-filled nightclubs” and wanted to open a place where people could have conversations and escape the chaos of the city. He opened the Auction House, which earned its name because most of its furniture and art came from the auction houses that Johnny scoured throughout the Northeast. The reproductions of old paintings, especially by Rembrandt and De Goya, fit very well in the space, which, being an old carriage house, has fifteen foot ceilings. As for the furniture, “the turn of the century motif will never go out of style, ” Johnny said while discussing the timelessness of his design choices. At the time, the only real bars were traditional Irish ones, so Johnny was a true innovator in creating something more like a drawing room or a parlor – “a lounge. ” “We were one of the first lounges in the city. Now everyone has a lounge, ” Johnny stated, adding that many policies that are now commonplace were first set into motion by the Auction House. For example, after spending many years running the doors of nightclubs and seeing the damage that people fresh out of college (“In their fifth year of college, ” as he put it) could do, Johnny implemented an over-25-only rule, which was enforced with ID checks at the door. He also did not allow baseball hats: “It’s always the kid with the baseball cap that causes problems. ” As a big animal rights activist, he does not allow fur to be worn in his establishment. The Auction House also has never had any signage. When the lounge first opened, not having a sign was a very risky move. It soon leant the place a sense of mystery and privacy, however, suggesting that patrons of the bar “had to know about it. ” The policy attracted quite a few celebrities, including many SNL cast members. These days, however, many bars opt to have no sign. Johnny suggested that he has considered adding a sign to the auction house, just because the idea of having no marking on a bar has become so mainstream. Johnny is very proud to have been continually running a bar for over twenty years. “In this city, four years is considered a long run. ” More specifically, however, Johnny is happy to have designed a space where people can make connections. “Five different people met their spouse here in our first year, ” he said, proudly. “We’re putting people together. ”

Some of the most beautiful tulips in the city can be found between Amsterdam and Columbus Avenue at the West Side Community Garden. The small green patch of urban wildlife was begun in a vacant lot in 1987. It is entirely run by volunteers. Along with the impressive flower garden, which is the center of a neighborhood Tulip Festival each April, the space features a vegetable garden and a small amphitheater. The public is invited to help plant bulbs each November and watch them blossom in an array of dazzling colors in the spring. The Garden boasted 13, 000 bulbs in the spring of 2016. And oh what an exquisite display they make. My first time stopping by the garden was in February. The gates were shut tight; however, even in the heart of winter, this charming park was filled with chirping birds. (There is an entrance to the park on both 89th and 90th Streets. )

A breathtaking cylindrical monument sits on the edge of Riverside Drive, overlooking the Hudson River. On Memorial Day in 1902, it was dedicated to the soldiers and sailors who fought with the Union Army during the American Civil War. President Theodore Roosevelt oversaw the ceremony, after which veterans paraded up Riverside Drive. Though now locked, the large bronze door at its base was originally left open for visitors. The monument was given landmark status in 1976.

The Loop of the Loom, tucked below street level on 87th Street, is a center for SAORI weaving, a special practice that combines the art of weaving with the principles of Zen. The founder of Loop of the Loom, Yukako Satone, began her career as a graphic designer for fifteen years in both Japan and New York. She claims that she did not consider herself a “craft person” until she was introduced to SAORI weaving when her daughter was five years old. She became a certified SAORI instructor in Japan, thanks to a talented teacher, Misao Jo. Shortly thereafter, Yukako made the decision to open a studio in Manhattan, hoping to introduce this specific type of weaving to New Yorkers. The Loop of the Loom encourages anyone who walks through the door to find their own unique style while embracing earthy materials and the Japanese idea of “Mottainai" ("non-waste”). The threads are made from natural fibers and many of the tools are created from recycled materials. The repetitive, calming nature of the work is said to introduce mindfulness and healing to the weaver. When I visited Loop of the Loom, a group of young children were gathered for a special children’s class, celebrating a child's eighth birthday. It was a special sight to watch them calmly sitting at their looms, eager for their next instruction. In addition to her studio, Yukako often takes her portable loom out into the city to do demonstrations. She loves that her “happy weaving” can bring smiles and a sense of calm to passersby.