Panda Express

Aldo Sohm Wine Bar, which opened in the late summer of 2014, pairs ease with elegance as a welcome addition to 51st Street. “We live in a very fast-paced world. ” In midtown Manhattan, these words resonate. But spoken by Aldo Sohm, seated at a table in his eponymous wine bar, they seem incongruous. “The idea is basically that when you walk in here, you walk into my living room. To me, it’s always important that you be in a place where you feel comfortable. ”Sohm continues his role as wine director at Le Bernardin, the four-star restaurant located across the 6½ Avenue pedestrian plaza. At the wine bar, however, he and Le Bernardin’s co-owners, Maguy Le Coze and Eric Ripert, have created a setting distinct from the formal restaurants in Manhattan, in its simplicity and lack of pretense. To be clear, it shares the elegance and attention to quality of its neighbors. But upon entering, an open arrangement of sofas beckons patrons to sit down. Sohm has noticed guests who arrived separately conversing across tables - sometimes even discussing their choice in wine. And wine is the focus at Aldo Sohm. Eric Ripert, Le Bernardin’s acclaimed chef, oversees the food menu; so, whether wine accompanies lunch, dinner, or a snack, it promises to impress. Guests can order bites to complement a glass of wine, like a grilled foie gras “lollipop” or a warm skewer of baby beets. Shareables include a whole baked cauliflower and a plate of Murray’s cheese with a Maison Kayser baguette. Sohm emphasizes the flexibility of the experience. If not in the lounge area, there are tall square tables for seating. The thick oak “sommelier table” incorporated into the bar seats guests on both sides, ensuring that no one is excluded from conversation. Sohm chose these arrangements intentionally. The wine bar endeavors to be unpretentious, relaxing and fun. Evoking this sensation, the architectural firm Bentel & Bentel incorporated clean lines and bold color in designing the interior. Sohm and his co-owners deliberated considerably in choosing the art in their “living room. ” Ample shelves extend to the double height ceiling, featuring artifacts meaningful to Sohm. Having grown up in Austria, Sohm points out, “I like things very very clean, very European. I like colors on top of it. ” A stack of Interior Design magazines becomes a design object itself as a cube of rainbow spines. The curves of miniature Panton S-chairs, each a different color, mirror the charred wood molds of the delicately hand-blown Zalto glasses in which each wine is served. Sohm is the brand ambassador for Zalto, an Austrian-based glassware manufacturer. To learn more about the varied wine offerings, visitors can reserve the tasting room. Aerial photographs of wine growing regions flank the eight-person table, allowing the sommelier to incorporate a visual element and story of provenance to the tasting. Sohm - once designated the “Best World Sommelier” by the Worldwide Sommelier Association - maintains humility despite his accomplishments. He wants the wine bar to be just as down to earth; an antidote to a demanding day, it exudes precision and sophistication.

While the lineups at Radio City Music Hall have changed dramatically over the years, the "Showplace of the Nation" has long been at the center of the city's entertainment scene. Opened to the public in 1932, the Art Deco building, with almost six thousand seats, was initially intended to "house high-class variety entertainment. " However, the space was later converted to a movie hall, with films accompanied by stage shows. This lasted until 1979 when, for a variety of reasons, Radio City began transitioning into a concert hall. Besides consistently booking some of music's hottest stars, Radio City has also hosted numerous award shows, including The Grammys and The Tony Awards and is the home to the Radio City Christmas Spectacular featuring the Rockettes, a tradition that commenced in 1933.

Saar, which translates to “the essence of something, ” has a double meaning for Pastry Chef Surbhi Sahni. It represents the essence of Indian food, as well as the essence of her relationship with her husband, Chef Hemant Mathur. Although Surbhi has been in the industry with Hemant for years, the two have not worked together on a daily basis since their days at their Michelin-starred restaurants, Devi and Tulsi, both of which are now closed. Saar represents their fresh start while also staying true to their culture and roots. When Surbhi and Hemant met in 2000, Hemant was teaching Indian cooking classes at New York University as he was getting ready to open Tamarind on Park Avenue. Surbhi joined the opening team at Tamarind, designing the tearoom and promoting quick lunches. He went on to operate five different spaces, including Sahib, Haldi, Chote Nawab, Malai Marke, and Chola, while Surbhi helped manage events. During that time, she also launched Bittersweet NYC, a pastry business focusing on wedding cakes and Indian style desserts for larger corporate events. Surbhi’s relationship with cooking is unlike the typical love story of most chefs. Her experience in the kitchen started at the age of ten in New Delhi as more of a responsibility and chore when her mother’s health declined. She explained to members of the Manhattan Sideways team, “It was not something I could ever imagine myself doing for the rest of my life. I wanted to do art and write and paint or sing and dance - every other activity in the world but cook. ” Notwithstanding these sentiments, Surbhi was encouraged by her father to take a job in hotel management in New Delhi. She was part of the Sheraton Group’s revolutionary all-female kitchen and restaurant at a time when there were only approximately twenty female chefs in all of New Delhi. At age twenty-five, however, Surbhi chose to move to the United States to pursue her Masters in Anthropology and Food at New York University. Despite never getting to study writing and painting at university, these endeavors have always been an integral part of Surbhi’s life. Her father is an accomplished artist exhibiting in both India and the US. Today, she is proud of her own teenage daughter, Soumyaa. "She is the true artist of the family. " When entering the dining room on 51st Street, Surbhi’s artistic aptitude is obvious. The modern space is both clean and dramatic, with natural light and bright pops of color. Saar was a particularly exciting project for her, as she was given free rein in its design. In a mere five months, she turned what she described as a dingy, confused room into an open, tasteful dining space. Saar has also allowed Surbhi and Hemant to completely reinvent their menu. They focus on regional food, staying authentic to the specific flavors of each area. For example, Surbhi told us that the Turbuj Pachadi - a tomato and watermelon salad with a fennel and ginger dressing - is a Rajasthani staple, as watermelon is a fruit that is readily available there, and is usually consumed with freshly baked bread. She has also made an effort to challenge conventional conceptions of Indian cuisine. The Mango Coconut Soup is a light and sweet palate opener, proving that Indian food is not always too spicy or a combination of too many flavors. She believes that Indian food is actually very demarcated in the way flavors are put together. “Just how in Japanese food they have many different layers of flavors they add as they’re cooking, we do the same with Indian food. ” While cooking can serve as a creative outlet, Surbhi still tries to write and paint whenever she can. In ending our conversation, Surbhi emphasized the importance of food’s role in building a community - something she looks forward to creating on West 51st Street.

“We are definitely a neighborhood restaurant — a place for New Yorkers to come and have a good meal. ” The staff at Shun Lee Palace have been working there for some twenty to thirty years. They have watched the restaurant evolve over time, but according to them, not much has changed since the beginning. It opened as Shun Lee Dynasty on 49th Street. When they moved to their current address in 1971, they changed their name. Michael Tong, the original owner, sold the business to a gentleman in 2005 who resides in China. For the most part, it is the dedicated staff that runs this establishment.

Alex Low climbed every rung on the restaurant ladder before becoming a partner at Peking Duck House. Upon leaving Malaysia, he began as a dishwasher in New Jersey, did food prep and delivery orders, and then worked his way into the dining room. “I wanted to learn how to cook, but they kicked me out of the kitchen, ” he joked. Yet he has no regrets, as he joined Peking Duck as a waiter in 1980 and was named a partial owner fifteen years later. He is now satisfied with his position at the front of the house. “You get to meet a lot of people. Customers have become friends, and everybody who comes in knows me very well. ”Alex runs Peking Duck with Wun Wu, who trained at a hotel restaurant in Hong Kong before coming to the States to open a business of his own — one in Chinatown and then a second in Midtown a year later. When asked about their most popular item, the answer is in the name: “Everyone remembers us for our Peking duck, first and foremost. ” However, Alex urges customers to sample other dishes that the restaurant has perfected, which draw inspiration from Beijing, Shanghai, and Szechuan. He laments that the art of Chinese cooking may soon be lost in the U. S., as there is a dearth of young chefs who are willing to come to America and be restaurateurs. As such, he believes it makes the places that have endured all the more precious.

The specialty at Kung Fu Little Steamed Buns is not the Japanese ramen with which most people are familiar. Peter Song, the chef at Kung Fu, is best known for la mian, a hand-pulled noodle from China that is considered the ancestor of broth bathed noodles. The noodles are also what keep him on his feet: “This is real Chinese food. Real home food, ” said Chef Song. Peter excitedly showed me to the kitchen, put his cap on backwards, and prepared to demonstrate the art of making la mian. He slammed, slapped, stretched and even swung dough like a jumping rope before twisting and pulling delicate strings of noodle from the mound. Not only does it look impressive; the taste is what keeps bringing regulars back to the restaurant. “I come in here every day. I am not kidding. The flavor of the noodles is nothing like I have ever had, they are a lot thicker, " said Ali, a local businessman and one of Kung Fu’s frequent visitors. At twenty-three years old, Peter immigrated to New York City with little money but a big dream: to own a restaurant that had true cultural Chinese food. Against his mother’s wishes to use the money he had towards an education at NYU, Peter started work at Lan Zhou Handmade Noodle in Flushing, Queens. His boss, Mr. Liu, helped Peter gain traction in the restaurant business and eventually became his financial partner when he established Kung Fu. “I bring 'home' to my restaurant. My mom understood it was my dream, but I had to work hard. ” Peter, originally from Fushun in northeastern China, returns to China once a year to brush up on the process of making la mian. He is well-known there, having performed on a few national Chinese broadcasts as an actor and comedian before coming to New York. In 2013, he returned to China to study under a noodle master, documenting his process in a humorous short film that customers can view on the flat screen TV placed in a corner of the dining room. But his biggest teacher was sitting in the restaurant with us. “I brought her with me to the US, she is here! ” he said, pointing to his mother, whom he thinks makes the best dumplings. She smiled back, her mother's pride clear on her face. Having completed his dream, Peter has started to expand. His fourth restaurant is opening soon on 39th street. “It is the best compliment to know people love my food, ” Peter said. Sporting an amazing Chef with an amazing journey, this is one Chinese food treasure that New Yorkers should not miss.