Eastside Billiards

I walked into Trinity Pub just a few moments after it opened at 5pm, and was soon followed by a stream of customers. "It's a neighborhood bar, " Barry, the bartender, told me. "The kind that's quickly disappearing in Manhattan. " He pointed out a man and a woman who had just taken a seat at the bar, explaining that they used to live in the area, but had recently moved to Westchester. Though they had a few other errands to run, they essentially decided to visit the city in order to have a drink in their old pub. "It's the best bar in NYC, or at least the friendliest, " the man exclaimed. The woman nodded, saying that she had met her husband in medical school, "And he remembers every exam we've taken, " she said, pointing to Barry. Barry is clearly a big reason why people become regulars. With his genuine nature, big smile, and quick wit, he is everything one might want in a bartender. But he was quick to heap praise on the owners of the bar (Gene, Billy, and Timmy) for their management. He told me that they used to work around the corner at a bar called Fitzpatrick's. After it closed in 1996, they opened Trinity Pub, and the entire Fitzpatrick's crowd showed up to help get it ready for opening night. I then learned that the space had been a bar since the 1930s, mostly run by German and Hungarian immigrants. In the 1940s and 1950s, the bar was known as "Schubert Hall" and then was a firefighter's bar called "Sidestreets" in the 1970s and 80s - much to the delight of those of us from Manhattan Sideways. Barry showed us an old photograph of the bar from the 1940s as well as an online list that named Trinity Pub as one of the oldest bars in the neighborhood. He also shared a story of how he had once met an eighty-year-old woman who remembered coming by and pulling her German father out of what was then Schubert Hall. In addition to Trinity Pub, the owners run two other bars in the neighborhood (Banshee and The Gael), and Barry was proud to tell me that they have been able to pay for their children's education thanks to the three bars. Barry pointed out some of the signature traits of Trinity. He pulled out the plaque that listed the pub as pouring one of the greatest pints according Guinness consumers in 2008. In addition to trivia every Monday and a well-attended happy hour from 5pm-8pm, Barry informed us that the bar offers the chance for charity guest bartending, where the proceeds from a group of thirty or more go towards a charity of the guest bartender's choice. On the back wall, there is a mural of three Irishmen sitting at a bar. Barry told me that they call it the "three wise men. " And how fortunate were we to actually witness a meeting of three modern day Irish men as they sat down next to each other. They all appeared to know Barry, an Irishmen himself, but did not know each other. They quickly began asking about their hometowns, inquiring how often they go back, and offering one another candy. What better way to be given a clear glimpse of the friendships that are born and grown in this welcoming pub.

With velvet curtains, old art, and gilded mirrors, the Auction House resembles a centuries-old salon. Although regal and classic, I found it to be very approachable. The exposed brick walls – now a common feature of New York City bars – and warm, low lighting makes the space seem more like someone’s living room than a museum. The cozy drape-enclosed rooms attract locals who enjoy huddling around the fireplaces in the cooler months. The bar calls itself a “diamond in the rough, ” a term with which I heartily agree. I spoke to Johnny B. Barounis, who explained that when he first opened the bar in 1993, it was the only one of its kind. Johnny got his start in 1978 working the door at places like the China Club. He prided himself on being “the first person somebody sees on the way in, and the last on the way out. ” After a while, he became tired of the “big, loud, schmaltz-filled nightclubs” and wanted to open a place where people could have conversations and escape the chaos of the city. He opened the Auction House, which earned its name because most of its furniture and art came from the auction houses that Johnny scoured throughout the Northeast. The reproductions of old paintings, especially by Rembrandt and De Goya, fit very well in the space, which, being an old carriage house, has fifteen foot ceilings. As for the furniture, “the turn of the century motif will never go out of style, ” Johnny said while discussing the timelessness of his design choices. At the time, the only real bars were traditional Irish ones, so Johnny was a true innovator in creating something more like a drawing room or a parlor – “a lounge. ” “We were one of the first lounges in the city. Now everyone has a lounge, ” Johnny stated, adding that many policies that are now commonplace were first set into motion by the Auction House. For example, after spending many years running the doors of nightclubs and seeing the damage that people fresh out of college (“In their fifth year of college, ” as he put it) could do, Johnny implemented an over-25-only rule, which was enforced with ID checks at the door. He also did not allow baseball hats: “It’s always the kid with the baseball cap that causes problems. ” As a big animal rights activist, he does not allow fur to be worn in his establishment. The Auction House also has never had any signage. When the lounge first opened, not having a sign was a very risky move. It soon leant the place a sense of mystery and privacy, however, suggesting that patrons of the bar “had to know about it. ” The policy attracted quite a few celebrities, including many SNL cast members. These days, however, many bars opt to have no sign. Johnny suggested that he has considered adding a sign to the auction house, just because the idea of having no marking on a bar has become so mainstream. Johnny is very proud to have been continually running a bar for over twenty years. “In this city, four years is considered a long run. ” More specifically, however, Johnny is happy to have designed a space where people can make connections. “Five different people met their spouse here in our first year, ” he said, proudly. “We’re putting people together. ”

There are twenty-four taps in use every night of the week at Bondurants, and when the bar hooks up a cask to the final, larger tap, there are twenty-five beverages available. Bondurants has become known for its rotating draft list that features both local brews as well as lesser-known international brands. The bar also prides itself on its small batch of bourbons made at local distilleries and its quirky cocktails with names that include "Fizzy Lifting Drink" and "Fernet Me Not. " There is also a full dinner menu, offering everything from traditional southern pulled pork to a fresh kale and collard salad, as well as a brunch menu that is beloved in the neighborhood. Specials rotate with the seasons and everything is sourced locally whenever possible. Caity Prunka, one of the owners of Bondurants, told me, "We make nearly every food item in-house, from grinding meat daily for burgers to smoking our own cheeses. "The bar is decorated to look like an upscale moonshiner's haven. Many customers link the name to the famous moonshiner family, though Jess, the bartender, smiled and suggested that the name comes from elsewhere. The walls are lined with shelves holding barrels, glasses and funnels with lettering that is reminiscent of Appalachia or the Wild West. It is a true urban saloon. Many of the decorations have stories behind them. For example, when I pointed out the manatee statue on the central bar column guzzling whiskey, Jess told me that one of the owners is from Florida, where manatees are considered the state marine mammal. "It's his piece of home, " she said with a smile.

Brandy's Piano Bar, located on a quiet Yorktown street, has been a piano bar since 1979 but has been a straight-up bar for even longer. When the current owner took over in 1985, he renovated the space and discovered the original panels that decorate the short dividing wall between the bar and the seating area. They feature the bar as it once was, and the two men portrayed in front of the building are thought to be the original owners. I spoke to Peter, who has been working at Brandy's Piano Bar since St. Patrick's Day in 2014. Although Brandy's features a singing wait staff, Peter works the earlier hours, noting that he only sings "in the shower. " The bar offers a happy hour from 4pm to 8pm with live music beginning every night at 9: 30pm. The piano player rotates each night; therefore, one can expect to be able to listen to anything from Broadway hits to classic piano tunes to the top forty. Requests are welcome and according to Peter, "There's no song they won't try... though they might be crap at it. "While customers sing along, it is the waitstaff that steal the show, with many of them moving on to roles on and off-Broadway. Peter pointed out the signed posters from New York professional productions that decorate the back wall. They represent the shows that feature ex-Brandy's employees. Some even return to Brandy's after a run on Broadway, including Lauren Mufson, who played Donna in Mamma Mia. Peter explained that Brandy's is a great place for people who do not want to visit a "touristy" location. Though the after-9: 30pm crowd is different every night and comes from all over the city and the world, Peter's early evening crowd is familiar to him, full of locals and regulars. Despite the amazing musicians and voices that pass through, Brandy's is still a neighborhood joint, complete with a friendly, relaxed atmosphere.

The first time that I stopped into Brady's, it was a Sunday afternoon, and when I asked the bartender for a business card, one of the regulars jovially yelled out, "This isn't a business, it's a circus. " And thus began my relationship with this friendly corner spot. A bar has stood on 82nd and Second Avenue since the early 1900s, though it was not always called Brady’s. The original bar, McGrath’s, which was allegedly “open” during Prohibition, was bought by an Irishman named Dan Brady in 1961. In 1991, Mr. Brady signed it over to his son, Dan Jr., who left his work in the world of computers to run the family business. I spoke to the younger Dan, who is chock full of memories of the bar. Although his father was Irish and there is a large selection of Irish whiskey, Brady’s is more of a sports bar than an Irish tavern. Dan describes it as a “blue collar bar in a white collar neighborhood. ” His earliest memories of the establishment are from when he was just a toddler and customers would take him by the hand and lead him to the candy counter down the street. He told me stories of running out the front door and in through the back door over and over and playing ball against a building on 82nd Street. He also showed me a photograph on the wall, taken in 1976, of an outing to Westchester. Dan’s whole family, as well as many of the bar customers, chose to go on the trip together. I was impressed to learn that Dan has studied up on the history of the neighborhood. He took me outside and pointed to a notch where horses had been tied up back when the old carriage house (now the restaurant and teahouse King’s Carriage House) was in use, and pointed out where the hay for the horses used to be kept. When Dan took over from his father, he made a lot of changes (installing flatscreen TVs, adding a dart board and a pool table, and updating the jukebox). He had suggested these ideas to his father before he inherited the bar, but Dan Sr. preferred to keep it the way it had always been and told his son to wait to change the layout until Brady’s was in his name. There is no doubt in my mind that Dan made the right decision to follow in his dad's footsteps - his eyes lit up each time he spoke about a different memory or showed me another personal touch to the bar, including the back wall, which had a signed boxing glove from Mohammad Ali and other sports memorabilia. Before I left, Dan mentioned that many people assume that because the bar is 100 years old, it is an “old man’s kind of place. ” Though it is true that many of the customers have been coming for years, Dan said that the atmosphere of the bar changes considerably at around 8pm to welcome a different kind of crowd. People of all ages come to drink, converse, and play games. “We have a really friendly pool table, ” Dan told me with a smile, adding that the experts are usually very happy to give advice to those who request it.

When Susan Weber, an American historian, came across the six-story townhouse at 18 West 86th, she knew that she had to do something extraordinary with it. Though Susan received an art history degree from Barnard College, in 1993, she chose to establish the Bard Graduate Center, where advanced students can study humanity's past through the materials it leaves behind. The Center, which is affiliated with Bard College in Annandale-on-Hudson, New York, is one of only three schools where someone can receive an advanced degree in decorative arts. The degree also focuses on Design History and Material Culture. The program has an excellent reputation for students who wish to pursue a career in a museum. Hollis Barnhart, the Communications Manager for the Center and Gallery spoke to me about the Gallery as "a way of opening something to the public. " The gallery had its first exhibit in October of 1993, called Along the Royal Road: Berlin and Potsdam in KPM Porcelain and Painting, 1815-1848. Since then, the gallery has hosted countless exhibits that, in Hollis' words, "study the things that people have used from antiquity to now. " The exhibits have spanned a wide range of topics from Central European cast iron and English silver to Swedish glass and Indian jewelry. Hollis was proud that the gallery exhibitions can feature everything from “caveman spoons to gold pieces. ”The gallery does not have a permanent collection, and so items are often borrowed from museums and collections from around the world, including the Metropolitan Museum of Art and the American Museum of Natural History. Gallery displays have included many exhibits in collaboration with the Victoria and Albert Museum in London and the Musée des Arts Décoratifs in Paris. One of the gallery’s most popular shows was a collection of hats curated by Stephen Jones, a famous British milliner. Since 1996, the gallery has worked with Yale University Press to print beautiful catalogues that accompany each exhibition. Though graduate students occasionally have a hand in designing the main exhibitions, they are very hands-on when it comes to the smaller exhibits, called "Focus Projects. " These are curated displays that mark the culmination of a workshop or seminar. They function both as final projects for students and additional learning opportunities for guests. When I visited the gallery, the graduate students were preparing a collection of materials that demonstrated how the indigenous people of Oceania in the Pacific displayed and adapted their identity in the face of colonial powers. The main exhibition fascinated me: it was an in-depth look at the history of wooden toys from Sweden. The toys dated back to the 1600s and included everything from little planes to detailed doll-houses. The show explored how the toys underscored Sweden's reliance on their expansive forests and how wooden toys are respected throughout the world. As Hollis explained, many of the exhibits tend to have "An international flavor. "

City Swiggers, which opened in 2011, is where casual and professional overlap. The atmosphere of the beer shop / tasting room is neighborly and homey, but each staff member is an encyclopedia of beer information and each bottle has been chosen with the utmost care. The eclectic space, which contains both bar stools and tables, can seat a few dozen people, while the shop experiences the majority of its business from clients grabbing beer to-go. We heard an all too familiar story from owner, Alan Rice, who left the world of finance in order to further explore his passion for beer. Alan said simply, "I loved beer" and then corrected himself: "I still love beer. A little too much, maybe. " The shop, which carries over 900 beers, always has samples of new varieties. Regulars often come in and try the new brews with the staff. Alan believes that he may have the largest selection in the city. The taps are constantly being swapped out, to the point where after two weeks, the beers provided at City Swiggers have completely changed over. In addition to selling bottles, cans, flights, and pints, Alan mentioned that City Swiggers will fill any growler, even those that are not their own. Alan's wife, Pam, has a lot to do with the cozy atmosphere at City Swiggers. She has created most of the artwork - often made from recycled items - that adorns the store. When Manhattan Sideways visited during the winter, we noticed the snowflakes made from six-pack plastic on the front doors, as well as the beer can mobile in the back. Though there is a set of prints on one wall that Pam designed, the larger paintings lining the walls were created by a friend. Pam is also the inspiration behind the small bites offered at the bar. She is the leader of the Veggie Pride Parade and the head of a Vegan newsletter, so City Swiggers offers vegan empanadas from V-Spot. In addition, there are soft pretzels from Schaller and Weber, a German cafe. And for those of us who are not fond of drinking beer, City Swiggers offers wine by the glass and a large array of ciders. Samantha, the extremely knowledgeable bartender who began working at City Swiggers in 2014, was discovered by Alan while she was working at a nearby cafe. He was impressed with all the facts that she was able to rattle off about beer. He invited her to join him and she started that week. Samantha began educating us as she explained that to "tap" a beer is to attach a hose to a keg, but to "pour" a beer is to fill a glass from the tap. She went on to say that one of the most important things to think about in choosing a beer is the freshness of the hops, and that the definition of "cider" differs not only from country to country but from region to region. She also informed us that she had just taken her test to become a cicerone, which is essentially a sommelier for beer. The first master cicerone, we learned, was a woman from the UK. Whereas Samantha admitted that she liked sour beers and super fresh IPAs, Alan stated that he has "always liked variety, " which explains why his store contains such a diverse array. Samantha poured a flight for us so that the team could see just how varied the stock could be. They tried a light melon Gose (a German beer that was cooling and fruity), a tart Wild Ale with red-currents, a red double IPA that was especially hoppy, and an imperial stout with a chocolaty finish. The Manhattan Sideways Team left City Swiggers with their bellies warmed, their thirst quenched, and their heads bursting with beer knowledge.

When I sat down in the minister's office at West Park Presbyterian Church, the first thing I asked was his name. He responded, "I am going to give you the whole thing, and you decide how much you would like to include. " It is a name to be proud of - Reverend Doctor Robert Brashear. Though originally from Pittsburgh, Pennsylvania, Robert has been at the church since 1995. He first came to New York for an internship from 1982-83, and enjoyed his time in the city so much that he leapt at the opportunity to return when it was presented to him years later. The church has a fascinating history. It was originally formed under the name "North Presbyterian Church" on Bleecker Street in 1829 in response to the growing population of people moving north to escape the Yellow Fever. The congregation soon split and one group became the West Presbyterian Church, moving to a building on Carmine Street. In the meantime, the Park Presbyterian Church was formed on 84th Street thanks to the efforts of A. Phelps Atterbury in 1887. In 1890, Park Presbyterian moved into the red sandstone structure on 86th Street and the two congregations, West and Park, merged in 1911. The church received landmark status in 2000. West Park Presbyterian has always been at the forefront of a lot of political and social issues. In 1978, the church was one of the first to jump into the LGBT movement - the Reverend believes that the shift towards the religious embrace of homosexuality actually started in this church. He explained that the church was the first to perform gay marriages and "acknowledge them as just that. " In terms of other social movements, the Reverend also declared that Senior Housing had its birth on 86th Street. Additionally, during Occupy Wall Street when the people were pushed out of Zuccotti Park, activists were invited to take up housing in the church. Some remained for close to a year. Robert is proud that although the church's membership only consists of a few dozen families, they are continuously written up and receive excellent reviews for the cultural events that they hold. According to the Reverend, the tightly knit community at West Park Presbyterian will always be on the "cutting edge" - where things happen.