About usPartner with usSign up to our Newsletter

Anita Shapolsky Gallery

Opening Hours
Today: 11am–6pm
Fri:
11am–6pm
Sat:
11am–6pm
Sun:
Closed
Mon:
Closed
Tues:
11am–6pm
Wed:
11am–6pm
Location
152 East 65th Street
Anita Shapolsky Gallery 1 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East

The Anita Shapolsky Gallery is named for its founder, whom I had the pleasure of meeting when she invited me to No. 152. Having first opened in SoHo in 1982, by the late nineties, Mrs. Shapolsky told me that by the late nineties she was ready for a change, and so she moved the gallery closer to home – in fact, into the building on 65th Street where she had been living for twenty-two years. Since 1997, the gallery and Mrs. Shapolsky have shared a home. The relationship is truly a symbiotic one. "What would you do in a house without art?" she exclaimed. "They take the paintings down between shows, and I'm sick with nothing on the wall." Her bedroom is tucked into the second floor of the building, concealed behind accordion doors, and in another room of the gallery, a shoe closet is just ajar.

On the day that I sat down to speak with Mrs. Shapolsky, the feature exhibit, , was by the artist Russell Connor, whose art riffed on classic painters, pairing them and their masterworks with references to other, more modern pieces. Mrs. Shapolsky said that she thinks of it as an educational show, as it exposes visitors to art history, and brings the old and the new together. Having been invited to a lecture by the artist, I had the pleasure of meeting Russell Connor, and listened as he elaborated on a number of the paintings; each one has a hidden joke for the seasoned art historian. This exhibit was a change from Russell Connor's accustomed style; he usually prefers abstract art for which the Anita Shapolsky Gallery is best known.

When Mrs. Shapolsky opened her gallery, she decided to focus on the Abstract Expressionists of the fifties, especially those of the New York school. She had no experience at the time working in or running a gallery, only a great passion for art. "It was madness, sheer madness," she told me. But despite the mad ambition of the project, the gallery has been a great success. Mrs. Shapolsky drew on her connections to other artists and friends in order to bring the appropriate pieces into her space. Although she knew that the aesthetic was not popular at the time, Mrs. Shapolsky told me that she had grown up with the abstract expressionists, and felt that they represented an important artistic avante garde.

The Anita Shapolsky Gallery excels not only at exhibiting important art, but also at connecting that art to people. To be both in a gallery and a home is a unique experience, and meeting Mrs. Shapolsky was a privilege. She is as much a part of the gallery as is the art. On the day that I met her, she was wearing a piece of art around her neck. Her jewelry was made by Ibram Lassaw, whose work can also be seen at the Guggenheim.

Location
Loading
Sign up to Sidestreet Updates
Anita Shapolsky Gallery 9 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 10 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 1 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 2 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 3 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 4 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 5 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 6 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 7 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East
Anita Shapolsky Gallery 8 Art and Photography Galleries Family Owned Private Residences Lenox Hill Upper East Side Uptown East

More Art and Photography Galleries nearby

Lost Gem
Roosevelt House Public Policy Institute at Hunter College 1 Art and Photography Galleries Colleges and Universities Historic Site undefined

Roosevelt House Public Policy Institute at Hunter College

The Roosevelt House is primarily an educational institution, housing two of Hunter College's undergraduate programs and hosting a number of book talks, panels, and other public events. But, as the name reveals, it began as a family home. The Roosevelt's moved into this double townhouse in 1908, with matriarch Sara Roosevelt living on one side, and Franklin and Eleanor on the other, along with their five children. On my visit to the Roosevelt House, I participated in a guided tour that illuminated some of its history for me. The building itself, was designed by architect Charles Platt, who also made the plans for the nearby mansion that was home to The China Institute for almost seventy years. This elegant townhouse among the rows of brownstones would set the tone for many of the other structures in the area to be renovated or replaced. Deborah, the tour guide, took us through the many rooms and their pasts. I was surprised to learn that the house was built with two elevators, one on each side, a rare architectural choice for the early twentieth century. The elevators became especially important after 1921, when Franklin Delano Roosevelt fell ill with polio and was confined to a wheelchair. One of the elevators has been retained in its original state, and is shockingly small – the wheelchairs we use today would never fit - but Roosevelt's had a profile similar to that of a dining chair, and so was able to wheel in and out without difficulty. The second elevator has been expanded to allow full accessibility to Hunter College. Upstairs, the library functions as a little museum, containing a selection of books on the Roosevelt's, along with some historic artifacts. The real history though, is in the building itself. "A lot came out of this house, " Deborah explained. President Roosevelt appointed his initial cabinet members in the upstairs library, and among them, the first woman. That same library is where President Roosevelt practiced tirelessly on crutches until he could stand and move sans a wheelchair during political gatherings. A few steps away, the drawing room was the site of Roosevelt's first radio address as president. One floor up is the bedroom where he recovered from polio, and where he often held meetings so that he could continue working minus the discomfort of his leg braces. I found myself lingering close to the walls, hoping they might whisper some of the things they overheard all those years ago. In 1941, Sara Roosevelt died, and the family put the townhouse up for sale. It was a difficult time to sell a house – everybody was at war except the United States, and the whole country knew that conflict was in the immediate future. The Roosevelt's still managed to find a buyer. Eleanor had a strong relationship with Hunter College, and so when they expressed interest, the family lowered the price, making it possible for Hunter to acquire this historic home in 1943. It was dedicated as the Sara Delano Roosevelt Memorial House. Today, the Roosevelt House works to balance its legacy and contemporary function. The house retains all its original crown molding, but the furniture is new, allowing Hunter students and visitors to sit comfortably and not worry about causing damage to antique sofas or rugs. Students at the Roosevelt House study Public Policy and Human Rights, a fitting tribute to the Roosevelt family's influence on this country.

Lost Gem
Society of Illustrators 1 Art and Photography Galleries For Kids undefined

Society of Illustrators

The Society of Illustrators leaves anyone who enters with a yearning to create. At its core, the Society seeks to “promote the art of illustration through education and exhibitions, ” as described by Executive Director Anelle Miller. This mission takes many forms. Visitors can attend a regular Sketch Night, where novice and advanced artists alike can gather to draw nude and costumed models or still-life pieces. As the only illustration society in the world that also houses a museum in its space, those seeking inspiration may meander through the Museum of Comic and Cartoon Art, peruse the illustrated exhibits on display, and watch video shorts in the screening room as they wait for the muse to strike. Under Anelle’s tenure, the Society has reached out beyond its doors to offer art programs for underserved and incarcerated youth and a wealth of online work-shops and lecture series. “We embrace everyone, and that’s what art is supposed to do. ”Even those who have not personally visited the Society may be familiar with its reputation for hosting four of the biggest illustration competitions in the world, including the Illustrators Annual, a student scholarship competition, and a children’s book illustration competition — which Anelle referred to as the “Academy Awards for children’s illustrators. ”In 2014, one of the best children’s books selected, Papa Is A Poet, was written by Manhattan Sideways founder Betsy Bober Polivy's mother, Natalie S. Bober, and illustrated by Rebecca Gibbon.

More places on 65th Street

Lost Gem
Roosevelt House Public Policy Institute at Hunter College 1 Art and Photography Galleries Colleges and Universities Historic Site undefined

Roosevelt House Public Policy Institute at Hunter College

The Roosevelt House is primarily an educational institution, housing two of Hunter College's undergraduate programs and hosting a number of book talks, panels, and other public events. But, as the name reveals, it began as a family home. The Roosevelt's moved into this double townhouse in 1908, with matriarch Sara Roosevelt living on one side, and Franklin and Eleanor on the other, along with their five children. On my visit to the Roosevelt House, I participated in a guided tour that illuminated some of its history for me. The building itself, was designed by architect Charles Platt, who also made the plans for the nearby mansion that was home to The China Institute for almost seventy years. This elegant townhouse among the rows of brownstones would set the tone for many of the other structures in the area to be renovated or replaced. Deborah, the tour guide, took us through the many rooms and their pasts. I was surprised to learn that the house was built with two elevators, one on each side, a rare architectural choice for the early twentieth century. The elevators became especially important after 1921, when Franklin Delano Roosevelt fell ill with polio and was confined to a wheelchair. One of the elevators has been retained in its original state, and is shockingly small – the wheelchairs we use today would never fit - but Roosevelt's had a profile similar to that of a dining chair, and so was able to wheel in and out without difficulty. The second elevator has been expanded to allow full accessibility to Hunter College. Upstairs, the library functions as a little museum, containing a selection of books on the Roosevelt's, along with some historic artifacts. The real history though, is in the building itself. "A lot came out of this house, " Deborah explained. President Roosevelt appointed his initial cabinet members in the upstairs library, and among them, the first woman. That same library is where President Roosevelt practiced tirelessly on crutches until he could stand and move sans a wheelchair during political gatherings. A few steps away, the drawing room was the site of Roosevelt's first radio address as president. One floor up is the bedroom where he recovered from polio, and where he often held meetings so that he could continue working minus the discomfort of his leg braces. I found myself lingering close to the walls, hoping they might whisper some of the things they overheard all those years ago. In 1941, Sara Roosevelt died, and the family put the townhouse up for sale. It was a difficult time to sell a house – everybody was at war except the United States, and the whole country knew that conflict was in the immediate future. The Roosevelt's still managed to find a buyer. Eleanor had a strong relationship with Hunter College, and so when they expressed interest, the family lowered the price, making it possible for Hunter to acquire this historic home in 1943. It was dedicated as the Sara Delano Roosevelt Memorial House. Today, the Roosevelt House works to balance its legacy and contemporary function. The house retains all its original crown molding, but the furniture is new, allowing Hunter students and visitors to sit comfortably and not worry about causing damage to antique sofas or rugs. Students at the Roosevelt House study Public Policy and Human Rights, a fitting tribute to the Roosevelt family's influence on this country.

Lost Gem
Congregation Emanu El of New York 1 Synagogues undefined

Congregation Emanu-El of New York

After walking down the 65th Street sidewalk, and going through the imposing bronze doors, I found myself in a place of worship, a place of connection, and a place of significant history. Moreover, it is a synagogue that stands as evidence of religious and cultural movements, technological and artistic development, and the evolution from being a Jew living in America to being an American Jew. I have passed by this grand building for decades and always imagined stepping inside. Being invited in by Cara Glickman, Vice President of Finance and Administration, was a welcome moment, but little did I expect to spend the next two hours receiving a comprehensive tour and education on this world renowned building. With only thirty-three German Jewish immigrants, Temple Emanu-El humbly began on Grand and Clinton Streets in 1845. In 1854, the temple relocated to 12th Street, and in 1868, garnering more congregants and support, it moved uptown to 43rd Street until 1925. In 1929, Temple Emanu-El consolidated with Temple Beth-El, another reform institution of Germanic Jewish ancestry founded in 1874, and opened as a new complex on 65th Street, complete with the Beth-El Chapel which features a Byzantine double-dome roof. In 1963, Temple Emanu-El expanded its religious school and opened an adjoining facility up on 66th Street. The move to 65th Street was as much a political statement as an acquisition for a larger religious practice, we learned from Mark Heutlinger, who joined us on our tour of the building. A twenty-five year veteran of Emanu-El, serving as the Administrator, Mark demonstrated his wealth of knowledge and an unprecedented passion for this institution. As we were walking, he explained to us that the move uptown said “we, as Jews, are here, and we are not going anywhere. ” It was an acculturation into society, preserving of faith and heritage, “the Temple’s construction was the embodiment of the ideal of Emanu-El to fit within the mosaic of New York life. ” The main sanctuary was designed as a basilica structure, setting a tone of grandeur with its high ceilings, delicate stained glass windows, and exquisite arc. As a response to a long history of second-class status, the Jewish culture would now be “second to none, equal to all. ” With initial reactions ranging from “how dare they” to “wow, ” the temple was redefining life for Jewish Americans, offering permanence and pride. Aesthetically, the temple is an “eclectic mix of different architecture. ” On the 66th Street wing, the Lowenstein Sanctuary built in 1962 is of modern style. The lobby on Fifth Avenue, known as the Marvin and Elisabeth Cassel Foyer, is a “singular expression of art deco style, ” complete with beautifully designed radiator covers and sculpted door handles. Mark continued to explain that the synagogue was uniquely designed such that the cantor and rabbi would stand at separate podiums so as not to obstruct the vision of the arc (restored during the temple’s restoration from 2003 to 2006). Mark opened the ark for us, revealing seven torahs split into two rows, for “a semblance of congruency. ” Above the ark, one can see a slip curtain opening to the choir room complete with a grand electronic wind pipe organ. Placed in chronological order, some of the most breathtaking parts of this main sanctuary are the stained glass windows. The stained glass sends a message of ancestral and religious history. As we walked to the back of the sanctuary, we stared at the visual representations of biblical stories like Noah’s Arc and meaningful symbols representing the Twelve Tribes of Israel. The Tribe of Reuben was identified by an eagle, which is also representative of the United States, an amalgamation of the “American Jewish Experience. ”Within Temple Emanu-El resides The Herbert and Eileen Bernard Museum of Judaica, featuring both treasured and permanent objects acquired over the years by the temple. The oldest item in the room is a thirteenth century Hanukkah menorah. Other items included collapsible menorahs and even a dollhouse menorah designed to hide their religious identity in response to continuous European anti-Semitism forbidding Jewish expression. One of the Museum objects is a torah breastplate emblazoned with an Eagle and an American flag, sending the message that the Jewish Americans, as early as the 1890s continued to communicate, “We are American. ”In conclusion, Mark announced proudly that Congregation Emanu-El is the largest temple in the United States, and together with the nineteenth century Dahany Temple of Budapest, it is considered to be the grandest possibly in the world. So integral to the Jewish American identity, it is one structure that certainly shapes the cultures and neighborhoods on the side streets of Manhattan.

More Family Owned nearby

Lost Gem
Jim Lee Laundry and Cleaners 1 Dry Cleaners Laundromats Family Owned undefined

Jim Lee Laundry and Cleaners

Since opening on 67th Street in 1928, this laundry and cleaners has seen a good deal of evolution, and has always stayed in the hands of the same family - none of which were ever named Jim. Though it was originally called Chin's Laundry after its initial owner, the shop became "Jim Lee Laundry and Cleaners" in response to the American mispronunciation of "Chin. "Before the Second World War, the Lees lived inside the store, but from 1948-1960 they resided upstairs at No. 206. Around 1957, the family decided to move the store a few doors down into a space twice as large. By this time, they had moved their residence to Queens, where the current owner, David Lee, was raised with his three older siblings. A third generation owner, David took Jim Lee's over from his father, Eugene Lee. When I spoke to David in July of 2015, he told me, "This was supposed to be a temporary job for me, and now I have been at it for some twenty-five years. " He is certainly not complaining, however. "It has served its purpose, " he went on, "I raised a family and now my kids are lawyers. "In the laundry and cleaners' beginning years, East 67th street was frequented mainly by blue-collar workers - people who had immigrated from Ireland, Italy and Germany. But, with the rise of the luxurious Manhattan House on East 66th Street in the 1950s, the neighborhood took on an entirely different clientele, as well as a boost to property values. Jim Lee's has cleaned the clothes of police and fire commissioners, politicians, and a "bunch of characters" over the years. "Whatever it is that we are doing, " David explained, "I know for certain we have had a lot of satisfied customers. " As I walk the side streets of Manhattan, stories such as this one never cease to amaze me. Sadly, they are becoming rarer as businesses are being forced to vacate their homes after so many decades due to rising rents and demolitions of their buildings. Still, reminding me of a favorite children's book, "The Little Engine That Could, this little side street business continues to puff along, repeating quietly, "I think I can, I think I can. "

Lost Gem
Pesca Boutique 1 Women's Clothing Swimwear Family Owned undefined

Pesca Boutique

"The Gem of Swimwear" is the tag line for Pesca, and as I discovered quickly, an absolute "hidden gem" on the side streets of Manhattan. Imagine stepping indoors from the gray shades of winter into a petite, yet beautifully filled boutique, where one is greeted by the aquamarines, corals, and creams of the tropics. The contrast was a welcome reprieve, but more important to me, was to discover the rare professional, yet loving relationship between the mother and daughter, Shahlla and Teresa Azizian. Their familial affection for each other is obvious, and seems to only have been strengthened by running a business together. Not only are they the lifeblood of Pesca - the only all-year-round swimsuit boutique in the area - but there is no doubt that both of them could model their wares on any runway. Shahlla came to the States by way of Iran, and originally opened her boutique in 1979 to sell swimsuits and fur coats. After a few run-ins with theft, however, she decided to focus solely on swimwear. The store services women from age sixteen to seventy, and stocks suits from around the world. Teresa enjoys her frequent travels to France for the swimsuit shows, but mother and daughter sell suits from South America, Israel, the United States, and other parts of Europe. Shahlla admitted to having a particular fondness for Karla Coletto, an American designer, whereas Teresa revealed that she prefers the European and South American fashions. The secret to the two women's success is their personal touch. "We don't sell to sell, " Shahlla said. Their goal is to find the perfect suit for each woman, so that they can gain the trust of regular clients. Both mother and daughter have a magnificent eye, and can pick suits that are perfect for a woman's body type and taste. Their personalized service extends to keeping a record of past purchases, and if a repeat customer orders a swimsuit on-line, they will send two or three more possibilities in the mail for them to try. "Our business is based on trust, the women shared with me, "If the extra swimwear does not work, we know that the client will send it back. "Pesca is not just about the swimsuit. "We pack your suitcase for you, " Teresa explained. Amidst the rainbow of swimwear, Pesca sells cover ups, beach dresses, hats, bags, sandals, jewelry, and belts. We provide "the full story. " When I asked what their favorite aspect of the business continues to be after so many years, both women commented that with their extensive experience and knowledge in their field, the two are often invited to sit with designers and recommend color combinations, or alterations to a style so that it would best flatter a woman's body.

Lost Gem
Newel 1 Videos Antiques Furniture and Home Furnishings Family Owned undefined

Newel Antiques and Modern Designs

I first discovered Newel when it was on 53rd Street. Pressing the doorbell, I was greeted by Jake Baer, the fourth-generation family owner of Newel Antiques. Entering the showroom lit by Murano glass chandeliers, I made my quick introduction, and was kindly offered a tour of their five floors - each one filled with an astonishing assortment of furniture. From the French, Italian, English, Modernist or Renaissance period, as well as a basement filled with wicker pieces, Jake explained to me that Newel has an eclectic selection to keep up with the latest trends. They represent every period and style and can go in any direction depending on the need and interest of the time and the customer. I was overwhelmed, yet mesmerized, at the same time, by shelves stacked to the ceiling and overflowing with treasures from the fifteenth century. There were chairs and tables of all shapes and sizes crowned together, as Jake nonchalantly rattled off their backstories including telling me where they had been used. "That giant Venetian birdcage was on Boardwalk Empire, " for example. Jake also shared that Pygmalion was the first show that launched his great grandfather's company; they still have some of the original pieces that were used some seventy-five years ago. Newel is not a typical antiques store. The business got its start in the 1930s when founder, Meyer Newman, began visiting various Broadway productions and asking what type of furniture they needed for their sets. "Without quite knowing how, " Jake explained, he would find what directors needed and rent it to them for less than buying the piece would have cost. This same model continues to this day, though "ninety-eight percent" of the furniture, according to Jake, is for sale. Most of what Newel does is to rent out period furniture and paintings for television shows, movies, fashion shoots and store windows. "Rental is the DNA of our business - it got us to be where we are today, and always takes us back to our roots. " "Nobody does it on this scale, " Lewis Baer, Jake's father, told me about the renting side of Newel's business. Nor does anybody have the volume of authentic, high-quality items. "Anyone is welcome inside of this world of antiques, " Mr. Baer went on to explain. Newel tries to make themselves accessible to all ages. They work tirelessly to interact and build relationships with the theater world, movie set designers and interior decorators. Nowadays, minimalism is in vogue and people do not buy as many antiques as they would have a generation ago. Thus, the Baer family focuses most of their energy on renting their antiques, and on selling their new line of beautiful original chandeliers, crafted on the island of Murano in Venice. Most importantly, though, Newel remains family-owned just as they were in the 1930s, and these warm ties are evident in every aspect of the business.