Since its initiation in 1959, Tony's Di Napoli has thrived as a family-run Italian restaurant. The menu, more specifically, is inspired by Southern Neapolitan cuisine. Everything at Tony's is served family style. That is, one portion is large enough to feed two or three people. Over the years, many in the world of show business have come through their doors, thus inspiring Tony's to memorialize their visits with portraits lining the wall. Some subjects of these paintings include Antonio Banderas, Hugh Jackman, Bernadette Peters, Whoopi Goldberg, Alec Baldwin, and Christina Applegate. The food was good, but for added entertainment, it was fun for some members of the Manhattan Sideways team to stroll around the restaurant trying to name everyone on the walls.
The wood-paneled walls of Nino's convey a sense of comfort that seems well-fitted to the people in the neighborhood. The first time I stopped in, on a rainy and cold afternoon, Franco Vendome greeted me with his warm smile and pleasant conversation. He absolutely had me at hello! Franco explained that he took over running the restaurant from his parents in 2008, although I have had the pleasure of meeting his mom on a few occasions, as she does not seem to have slowed down one bit after "retiring." I was sad to hear their story of a devastating fire in April 2011, but they picked up the pieces, renovating the entire interior and re-opened to an eager crowd nineteen months later. Known as "Nino's on 46" since his parents named it in 1982, Franco has guided the restaurant to higher culinary aspirations, focusing on recreating traditional Italian dishes with a contemporary twist.Like many restaurants in the area, Nino's gets its fair amount of regulars for lunch - and I was so pleased when many would gently interrupt our conversation, simply to say thank you and good-bye. Franco plays a vital role here; bouncing back and forth between the front and back of the house, he somehow manages to expertly run the kitchen while consistently providing a familiar presence to his patrons.Of course the mom insisted that we sit down and try some of their specialties when we returned to take photos one day. Within a short amount of time, she presented the Manhattan Sideways team with an array of dishes - from the classic eggplant parmigiana, a homemade pasta, thin crust pizza, and a Caesar salad, to the inventive truffled mac and cheese bites with a lemon aioli dipping sauce, beet-infused gnudi and Frank's special sandwich with a piece of breaded chicken cutlet, prosciutto, mozzarella, arugula, roasted peppers and a balsamic vinegar dressing. Franco's imaginative sensibility distinguishes Nino's from the standard fare; as he acknowledges, this place brings "a downtown vibe to Midtown," creating a hipper menu with greater variation than the traditional Italian restaurant.This push to innovate at Nino's derives in part from its family history. As the first-generation to grow up in America, Franco often visits his grandparent's home in Avellino, Italy; living on a self-sufficient farm and making their own wine and olive oil, his grandparents initiated him into a food culture dependent on fresh, local ingredients. Having spent his childhood in the "traditional" Nino's, Franco sought to combine his commitment to sustainable agriculture with the values he learned from his parents and grandparents, while also giving the new Nino's his own stamp. We believe he has succeeded.
"We are the oldest restaurant on our block. We try to keep a low profile while doing the best we can, and every day we appreciate that we are living in this country,” said Guadalupe, who has been married to Rafael Rivas — affectionately known as Papa Bear — for over forty years.The restaurant was founded by three Cuban cousins, who took Rafael under their wing when he came to the U.S. from the Dominican Republic in his twenties. With their encouragement, he started out as a dishwasher, then a lineman, and eventually ran the show up front. When the cousins decided to retire in the mid-1980s but could not find a buyer, Rafael stepped up to the plate and asked if he could take over Margon.With years of hard work and small payments, Rafael has upheld the cousins' tradition of serving Cuban favorites, such as roasted pork, oxtail, fried sweet plantains, and rice and beans to the line of customers that stretches out the door on any given day. Little by little, each member of Rafael's family was brought from the DR to join the fold. Guadalupe — who met her husband while they were both on a tour of the Statue of Liberty — along with Rafael's brother, sister, sister-in-law, and many of their children — are all part of this warm and loving family affair. Papa Bear's smile lights up Margon — and his entire family smiles with him. They work like a well-oiled machine, serving a constant flow of customers ranging from construction workers on break, to ladies meeting for a leisurely lunch, to a gentleman in his eighties who never misses a day to sit down and enjoy his usual. According to Guadalupe, “We have the best customers. They come from all over the world. We have every accent. They visit once and then they tell their friends.
Not only does Barbetta profess to be the oldest restaurant on Restaurant Row, it is also one of the oldest Italian restaurants in New York. Opening its doors in 1906, in four adjoining townhouses built in the late 1800s by the Astor family, Sebastiano Maioglio began his long restaurant career. The emphasis has always been on Italian dishes and wine from the Piemontese region, where he was from.Sebastiano’s daughter, Laura, took over in 1962, and immediately began to remodel the restaurant in the style of 18th C.E. Piemonte. With her passion for collecting art, great sense of personal style, frequent visits in Piemonte, and an art history degree from Bryn Mawr College, it is no wonder that Barbetta’s exquisite interior has become as highly regarded as its food. The dining room demonstrates its old-world opulence, with ornate chandeliers, chairs, and tables meant to evoke a palazzo of the eighteenth century, during Piemonte’s cultural height. The baroque interior serves as more than just a reference to its heritage; it is a part of it. The great chandelier in the main dining room initially came from a palazzo in Torino, where it belonged to the royal family. Laura negotiated to obtain this 18th C.E. chandelier for two years. Other highlights of Barbetta’s extensive collection include the harpsichord in the foyer - crafted in 1631, as well as hanging wall prints from Piemonte - part of a distinguished set crafted in 1682. Items that could not be authentic, such as the numerous chairs and barstools, are reproductions of museum pieces that were specifically chosen by Laura to be reproduced in Italy.The garden, available for dining in the summer, holds trees dating back over a century ago, and, in line with the interior, holds the atmosphere of refined European aristocracy. Barbetta, while serving as a cultural landmark, remains focused on the excellence of its ever-changing list of dishes while serving classics such as risotto and polenta since its founding. Every dish on its menu since 1962 has been approved by Laura, and celebrating its long history and heritage, each menu item is marked with the year it began to be served, while dishes from Piemonte are in red print. Although esteemed for its dishes, Barbetta is also famed for its 72-page wine list, which has won numerous awards. Barbetta has also transformed the Italian dining scene through its numerous examples of “being the first”- from its conception to the present day. A few highlights include its beginning as the first Piemontese restaurant in New York, its status as New York’s first elegant Italian restaurant after its 1962 transformation, as well as its usage of numerous ingredients that at the time, were not commercially available in America and which had to be specifically imported by them from Italy. A particular example of one of these imported ingredients is white truffles. Years ago, Barbetta’s own truffle-hunting dogs became so well known that they were asked to perform a demonstration at Carnegie Hall in 1992. Barbetta is also unique in its emphasis on low sugar and low salt dishes - Laura even decided that Barbetta would smoke its own salmon to ensure it would not be too salty.Laura described Barbetta as “an institution, much more than a restaurant,” due to the extensive culture that has been built around it and that it has created. The description as “much more than a restaurant” struck us as particularly apt, due to Barbetta’s long list of famous regulars - from The Rolling Stones to Jacklyn Kennedy - its exceptionally elegant and unusually spacious interior, variety of phenomenal food, and historical significance.
Joe Allen, founded in 1965, is the archetypal post-theater restaurant. With one of the longer histories on Restaurant Row, Joe Allen has been serving classic American cuisine in a brasserie setting since I was a little girl. I was always happy to come here with my parents and be able to order a hamburger rather than having to go out for a fancy meal.Mr. Allen - who also owns Orso, an Italian restaurant next door – had an initial concept to provide a comfortable, dynamic atmosphere with good food. And while the restaurant continues to serve some of the best comfort food around, spending time at night in the bar area, shows Joe Allen's real appeal. The high energy level from the post-theater crowd is contagious. The manager explained to us on one visit that they are the first phone call that people make after they have secured their seats for the next Broadway show.And, while he remained hesitant to divulge names, he shared how many actors and actresses have continued over the years to head immediately to Joe Allen after they perform - "here," he elaborated "you're surrounded by theater, and we do all we can to promote that culture." I can attest to the numerous actors who grace their tables, as I have had the pleasure of meeting a few over the years, as well as a highlight one evening when Barbara Walters sat right next to me.It is hard to say something new about Joe Allen, so long has it been a staple for theater goers. While the menu remains updated and contemporary, Joe Allen does not take any risks. Rather, it thrives on its reputation among patrons based on its long tradition of casual dining. Seeing the last of the pre-theater crowd during our visit, we were struck by how Joe Allen seemed appropriate equally for a quick burger and glass of wine in half an hour before a show, or a long, late into the night dinner where no one wants to head home.