Sfilatino Italian Gourmet

Patsy’s Italian Restaurant is truly a family affair. It only took a few moments before we were greeted by the many generations of the Scognamillo family: Joe - whose father started Patsy’s in 1944 - stood alongside his wife, and their grandson, Joe Jr. Shortly after, an uncle emerged from upstairs, and then we were joined by Sal, Joe senior's son, and the chef and current face of the legendary Patsy’s. The family-oriented nature of Patsy’s is only part of what makes the restaurant feel like a flashback to a much earlier time. It was noon when we arrived, but the lights were low, and patrons were dressed formally, the atmosphere was hushed with soft conversation happening, glasses clinking lightly and classical music playing in the background. At the front of the restaurant, a bartender in a bow tie polished glasses. Scattered throughout the two floors of the space, the restaurant proudly boasts photographs of an extensive celebrity clientele beginning with Frank Sinatra to Frankie Valli and Michael Buble. For us, the scene was set. How incredibly special it was when Sal invited myself and the members of the Manhattan Sideways team to sit down at a table with him - not only while he shared the fascinating stories of his family's legendary restaurant, but to taste some of the classic Patsy dishes. He was friendly, garrulous, and bursting with quips and anecdotes. Patsy’s celebrates its seventieth anniversary in 2014. An astonishing feat made only more so by the fact that its founder - Sal’s grandfather Pasquale, renamed “Patsy” at Ellis Island - came to the U. S. from Naples in 1928 and spent his first few years driving a Macy’s truck. Later, he became a busboy and eventually was able to open his own restaurant, Sorrento, in 1942. Although short-lived, two years later, he established Patsy’s. By the mid-50s, it was thriving, enabling him to purchase the entire building, doubling the size of his restaurant. In the last seven decades, Patsy’s has borne witness to the multitude of changes that the city has undergone. While we ate, Sal called his dad over to tell us about 56th Street’s ongoing transformation. “Everything’s changed, everything, ” Joe told us, showing us a photo of the block in the 1940s, when the building that now houses Patsy’s belonged to Atlantic Records. "Eighth Avenue was the end of the earth back then, ” he recalled. The street was largely populated by car dealerships, and there was a gas station on the corner of the block. Joe went on to tell us that after its early commercialism, the street became dangerous for a while in the 1980s. Throughout, Patsy’s has endured - a constant in a sea of change. Sal was proud to report that he maintains professional relationships with several of its original vendors, including purchasing its cheese for most of their seventy years, from fellow New York institution, Di Palo. He went on to say that they have employed many of the same workers for generations citing the restaurant’s night porter, an eighty-plus-year-old Argentine man who lives upstairs, as a perfect example. “If you become our friend you’re in trouble, because you’re our friend for the rest of your life! ” Sal said cheerfully. Though it has retained its old-world charm and hospitality, the restaurant has adapted extremely well to the demands of the twenty-first century. Sal maintains an active presence on Facebook and other social networking sites, and frequently appears on cooking shows (to date, he told us that he has been on The Today Show some twenty-five times). In honor of their fiftieth anniversary, they created their own pasta sauce line, and published their first cookbook in 2002. Scheduled for release in 2015, is their second, which features a forward by Ben Stiller. At one point during lunch, Sal hit on the essence of his family’s restaurant, “I attribute our success to the three F’s, ” he said. “Food, family, and Frank Sinatra. ” The first two F’s may seem obvious; the third requires a bit of backstory. According to Sal, Tommy Dorsey brought Sinatra into Patsy Scognamillo’s first restaurant sometime in the early 1940’s, reportedly telling Patsy: “I’ve got this skinny kid from Hoboken you’ve gotta fatten up. ” Patsy’s would become a favorite of Sinatra’s; Sal distinctly remembers bringing the singer in through the restaurant’s hidden side entrance in 1975, when Sal was just thirteen. Today, a statue at the bar memorializes Sinatra, and Joe wears a pin in his lapel that Nancy Sinatra gave him after Frank’s death. At least in part because of Sinatra, the restaurant garnered a bit of a reputation as a gathering spot for old-time mobsters. Mario Puzo reportedly drew his inspiration for The Godfather’s Don Corleone from a series of people he encountered at Patsy’s. When the second Godfather movie was being filmed, director Francis Ford Coppola wanted to shoot a scene where a man is stabbed and then choked to death at Patsy’s front bar. Joe respectfully declined - “You think people want to think about that guy dying at the bar while they’re eating their spaghetti? ”For us, no such images disturbed our meal, as Sal presented us with Veal Milanese (Sinatra’s favorite), Eggplant Parmesan, Spirali Al Filetto di Pomodoro, Artichoke with a garlic and anchovy sauce and a classic plate of Spaghetti and Meatballs. The menu, like everything else at Patsy’s, is old-world Italian, featuring many of the same recipes that the family has been preparing since day one. An extra treat was getting to spend time with Joe Jr. before he headed off to begin his college career. He spoke of his younger brother, Peter, who loves to cook and often helps Sal come up with menus. Joe Jr., however, said that he isn’t interested in cooking, “it is too hot in the kitchen. " He went on to say, however, that he looks forward to managing the business side of the restaurant when he graduates. Sal proudly told us that his boys began working at Patsy’s at eleven, the same age his grandfather before him began. Though he has worked his way up over the course of his seven years at Patsy’s, Joe Jr. says that he still answers to his grandfather - “but that’s because he’s my grandfather, not my boss. ” And then proudly stated, "I wrote my college essay on Patsy’s. "

It is odd to think that one of New York's most reputable restaurants made its start in the midst of a recession, though it is no wonder that another of Michael White's ventures has ascended the ranks of premier dining destinations in the city. Known by many as the kind of place that "people plan for a special night out, " the Sideways team enjoyed a quiet afternoon digging a little deeper to learn the nuances of the famed Italian seafood restaurant that is often host to celebrities and shares a street with Central Park. The original concept of Marea (translated from Italian to mean "tide") was to provide a fine dining experience, with a sense of casual - a "no jacket necessary sort of understanding, " is how social media and communications associate, Anthony Jackson, described it to us. Evidently, the decor skews formal, with Indonesian rosewood constituting the floors and walls, large silver coated seashells scattered about, and the iconic illuminated Egyptian Onyx wall made from the same stone as the stunning bar that sits in front of it. The giant slab for the wall was thinly sliced by craftsmen from Cairo who then came to New York to assemble it. Although captivated by the elegant ambiance, I was intrigued by the cork ceiling, which due to its porousness, absorbs the noise of approximately 130 patrons when filled to capacity. Anthony reported that diners constantly remark at the ability to carry on a proper conversation, despite the numerous people surrounding them. Proud to be one of the first major kitchens in the city to highlight a female Chef di Cucina, Lauren DeSteno has been cooking at Marea since its opening days in 2009. Members of the Manhattan Sideways team were jubilant as they tasted the signature dish, fusilli with baby octopus and bone marrow. The menu at Marea is determined by what is seasonal around the world. Sometimes their products come from as far away as Japan, while at other times during the year, Nantucket supplies them with the best fish. Anthony did comment that they try to stay local as much as possible. The vast wine selection is primarily Italian with French and domestic bottles available as well. Marea stands as the flagship restaurant of Michael White's Altamarea group, which notably include Ai Fiori, Nicoletta, and Costata. According to Anthony, each one takes a different slant on Italian food. While it is no surprise to learn that White's presence in all of his restaurants is constant, we were delighted to learn of Altamarea's regular program of shuffling its employees into different roles between their restaurants - both in Manhattan and abroad. As Anthony explained, "We have lots of talent, and we like to showcase everyone. " He went on to say that they have found that this concept empowers each person to be innovative in their leadership role, while it is simultaneously building teams at the restaurants.

Husband-and-wife duo Roberto and Tanya Passon's symbiotic relationship is evident at their Hell's Kitchen wine bar, Briciola, where Roberto runs the kitchen and Tanya is responsible for the wine. The evolution of their professional and personal relationships has always been a parallel journey. Both long-time restaurateurs, the couple met while Roberto was running his now-defunct eponymous restaurant and Tanya was managing wine bar Xai Xai, just across the street from Briciola. They married several years later, and Briciola opened just as the couple was expecting their first child in 2011. Three years on, the Italian wine bar has gained a following throughout Hell's Kitchen and beyond on the strength of its intimate atmosphere, excellent cuisine, and top-notch imported wine. Even after expanding into the storefront next door, which doubled Briciola's square footage, the restaurant is tiny, but the close quarters only add to the ambience. This is not the place to go if one does not want to interact with fellow diners: the seating is communal, with high counters made of subway tile for a clean, polished look. The design is simple, befitting the restaurant's tight quarters. Low-hanging light fixtures and candles on each of the tables give the restaurant a cozy feeling, and the walls function as an aesthetically fitting storage space, with hundreds of wine bottles set side by side in wine racks. Rather than competing for attention, Briciola's food and wine complement each other perfectly, thanks to Roberto and Tanya's ability to work together. Marina, a server, explained to us that Tanya is largely responsible for the elegant layout of the restaurant; she added her "feminine touch" with everything from the candles at each setting to miniature chalkboards detailing the day's wine specials. The kitchen, Roberto's domain, is miniscule, folded into the back of one half of the restaurant; because there is absolutely no storage space, all of the ingredients arrive fresh daily. Briciola serves mainly ciccheti (small plates) of charcuterie, salads, oysters, and every type of pasta imaginable. There is also a dessert menu; a gentleman sitting at the bar told us that the tiramisu is especially incredible. Particularly clever is the menu where the prices are all the same in each category. Roberto explained that he did not want the dollar amount to influence someone's choices. After having enjoyed a pleasant conversation with Roberto one afternoon when riding by on my bike, as I was leaving, he called out to me, "Finally someone appreciates the side streets. " I rode off smiling.

When we ate at his restaurant during the summer of 2014, Vice Versa co-owner Franco Lazzari offered his advice. "If you don't like competition, don't open a restaurant in Manhattan. " This attitude towards the New York restaurant scene, one shared by fellow owner and chef Stefano Terzi, is precisely what has allowed Vice Versa to survive, grow, and thrive in the fifteen years since its inception. When the Italian restaurant first opened in 1999, its out-of-the-way West Side block was entirely populated by old-world French restaurants, most of which the men told me had been in the neighborhood for forty years or more. With its sleek interior, full bar, and contemporary Italian cuisine, Vice Versa was something entirely new - and even seemingly, they felt, out of place in its side street location in the midst of Hell's Kitchen. In retrospect, it is clear that the restaurant was not an anomaly, but a herald of coming change. "We were pioneers, " Stefano told me. The neighborhood has grown to meet its forward-thinking denizens; today, only one of the French restaurants (Tout Va Bien) is still in business, and the block is dotted with restaurants serving everything from Japanese to South African cuisine. Ironically, Vice Versa is now one of the more established restaurants on the block, thanks almost entirely to word-of-mouth recommendations and a loyal customer base. In the 90-degree weather, it was a relief to sink into one of Vice Versa's tables and peruse the menu. I did wander outside to their lovely patio for a moment. Complete with ivy-covered stucco walls, tea lights, and white umbrellas, it felt like stepping into a small piece of Italy, but just for a moment on this rather warm afternoon. Rather than ordering off the menu, I asked Stefano to surprise us. The members of the Manhattan Sideways team were treated to an excellent meal of banzino (sea bass) with olives, cherry tomatoes, and oregano, and very large sea scallops, cooked to perfection and set alongside a roasted lemon over escarole. We were started off with three different types of pasta - casoncelli, stuffed with veal, amaretto cookies, raisins, sage, pancetta and parmesan; garganelli, red beet pasta coils with alfredo sauce, roast prosciutto, and green peas; and a simple seafood-stuffed ravioli. Blending a wide variety of ingredients and flavors for a subtle and delicious eating experience, the team was simply delighted. After lunch, I chatted with Franco and Stefano over coffee, biscotti, and a pistachio cake with raspberry sauce. Both men are transplants to New York: Stefano grew up in Bergamo, Italy, while Franco was born and raised in Bologna. He came to the United States in his twenties planning on staying no more than a year. Twenty-six years later, he says that not a day goes by that he regrets his decision. Other than their shared national origin, the two told me that they could not be more different. Stefano grew up loving to cook; Franco's grandmother made food for the family, and he admits that he never took an interest in her cooking. Franco is small, with short grey hair, glasses, and a perpetual white suit. Stefano is taller, with a Dali mustache; he speaks slower and with a heavier accent than his counterpart. From my perspective, the differences between the two men are precisely what has allowed them to succeed as partners. Despite Franco's lack of interest in cooking, he loves to eat, and "makes a great critic, " according to Stefano. Franco runs the business side of the restaurant, while Stefano's domain is the kitchen. The respective roles have evidently worked well for the pair - they met working at the well regarded San Domenico (now closed), where Franco ran the front of the house and Stefano was chef de cuisine. Vice Versa presents a modern take on traditional Italian ingredients, which are imported from Italy as often as possible, through many local suppliers. The pastas are made from semolina, "which is a good thing for pasta, and for people, " Stefano said wryly, referencing the current gluten-free trend. In the last fifteen years, Stefano, Franco and their restaurant have grown and changed along with the city. "We went through two major events in New York, 9/11 and 2008, " said Franco. "On September 11, emotionally the world changed, and the 2008 financial crisis certainly changed New Yorkers' way of spending. " The goal now, " Stefano explained, "is to spend well your money. " The survival and continued success of Vice Versa is testament to its customers' ability to do just that.

New Yorkers craving a luxury cinema experience need search no further than LOOK Dine-In Cinemas on W57th Street. The new state-of-the-art theater, located in the award-winning Bjarke Ingels-designed VIA 57 building, offers laser-projected movies on eight screens with surround sound and heated leather reclining seats. Additionally, moviegoers can enjoy a full menu of snacks, cocktails, and meals, from crispy flatbread pizzas to beef and Impossible cheese burgers, all served by "Ninja Servers" who wear all black and pop in quietly to bring whatever you need. LOOK Dine-In Cinemas also has seasonal menu items, including street tacos and signature cocktails, to appeal to local palates. LOOK Dine-In Cinemas aims to create an all-in-one entertainment spot easily accessible to Manhattanites, and it is the only one of its kind near Midtown. The dine-in cinema is one of just a handful of similarly structured movie houses in the city. However, LOOK stands out with its innovative technology, which allows customers to order and pay from a QR code on their phones, ensuring a seamless and uninterrupted movie experience. LOOK Dine-In Cinemas has plans to become the next New York venue for many of the city's annual festivals and will regularly host filmmaker talkback sessions. The theater shows a wide range of titles, from action to horror to independent films, to ensure there is something for everyone. With the summer movie season now underway, LOOK Dine-In Cinemas is poised to become a go-to destination for New Yorkers seeking a night out at the cinema.

Having been on 57th since 1886, the small congregation has been struggling to stay afloat for many years. Its congregants are proud of their church and are deeply committed to the people in their Hell's Kitchen neighborhood.

The legendary Neary’s has been a staple of New York City dining since its opening on St. Patrick’s Day in 1967. Its founder, Jim Neary, continues to grace his customers with the same, unique dining experience - in 2019 - that they have enjoyed since the beginning. The classy dress code, classic red booth seats, walls filled with an assortment of beautiful and often historically significant pictures, and knickknacks around the restaurant such as two Super Bowl rings, are only a small part of why Neary’s is so special. Neary’s is embodied and defined by its founder, Jimmy Neary, whose compassion and famous “Jimmy Neary smile” has made Neary’s the kind of place where there are “no strangers... no matter if it’s their first time walking in, everyone talks to everyone. ”Jimmy was born on a farm in Ireland, and his first job coming into America was at a swimming pool. He eventually moved on to become a bar tender at P. J. Moriarity’s, another Irish-American restaurant, where he met his eventual business partner Brian Mulligan. When Jimmy found his 57th street location - 57th street being the two-way street in the city that runs river to river - he “knew it was the place for him and never looked back. ” Over the years he has slowly added to the décor, and stated that “every picture has a story behind it. ” With the care that Jimmy has put into every aspect of Neary’s - along with the presence of Jimmy himself - he has managed to make his restaurant an important fixture in the lives of many for generations. Offered the opportunity to expand over the years, it is no surprise that Jimmy has refused, for in his words “it would never be the same. ”Jimmy considers Neary’s a family-oriented place, with many of his staff having worked with him for over forty years. Essentially, they have all grown up together. His daughter Una, who works on Wall Street during the day, has worked at Neary’s part time for close to forty years and ascertained that “the food is wonderful, the staff is amazing, but people come for my father. ”Jimmy works seven days a week, and in Una’s words, “to get him to take a day off is a major, major feat. ” While every day at Neary’s is a special day, its devoted following especially looks forward to St. Patrick’s Day, which for fifty plus years was counted down to by a special clock, and the celebration of Jimmy’s annual surprise birthday party. As a place where everyone is not just welcomed, but also family, it is no surprise that when asked what he liked to do to relax, Jimmy responded that he is “relaxed right here. I come through the door and I’m at home and I walk out happy. ”

There are many reasons to dine at BLT Steak, tucked discreetly between The Dorchester and an antique jeweler. Having dined here on varied occasions over the years, I knew visiting with Manhattan Sideways, that we were headed towards something special. As we entered the restaurant, we were greeted warmly by the affable staff and took a seat at one of the dark wood tables. We spoke with John, the Venezuelan maître d', who told us about BLT's secrets for success. "The company feels like family, " he said by way of opening, "I've been here for nine years, which is an eternity in the restaurant business. " BLT has built a following of regulars who come back repeatedly because they are "infallibly made to feel like they're the only ones in the restaurant. " In addition to this impeccable service, the food at BLT is consistently top notch. It is, therefore, not difficult to understand why people keep returning for more. While chatting, the chef prepared a succulent variety of meats, perhaps most famously the enormous Porterhouse steak – a dry-aged masterpiece served with maître d'hOtel butter and a side of roasted garlic. Although meat certainly takes center stage, the restaurant also offers a "sublime" Dover Sole and a Tuna Tartar that, according to John, is the best in the city; "I dare someone to find me a better one, " he said. My favorite moment, however, was when the chef presented Yelena, from our team, her first popover. Hailing from Swaziland, she had never encountered this doughy puff of goodness before. I, on the other hand, have had popovers on the top of my list of favorites since I first tried them as a little girl on Long Island. And I can attest to the fact that the ones served at BLT are perfectly prepared.