Bedecked with fresh flowers, Michael's simple, spacious design and elegant clientele combine to convey an impressive atmosphere to dine. Since opening in 1989, Michael McCarty has built his reputation as a hotspot for business meetings, and celebrity gatherings including those of markedly high profile shoulder-rubbers. For larger events, there is an expansive back room that leads into a stunning sculpture garden. The cuisine at Michael's is Californian, based on the original location in Santa Monica that debuted in 1979. Its wine list is a particular point of pride, including over eight hundred labels from California, France, Italy, and elsewhere, and targeted to please everyone from novices to connoisseurs. The real showstopper, however, is the phenomenal collection of art that hangs quietly on the walls, including pieces by Frank Stella, Jasper Johns, David Hockney, Robert Graham and, of course, Michael's wife, Kim.
The delectable assortment of French pastries was only the beginning of the excitement for me when I first visited Eclair Bakery. Getting to observe and speak with owner Stephane Pourrez, as he was preparing pastries, macarons, croissants and, of course, a variety of eclairs made the experience very special. An alumnus of Ferrandi, the French School of Culinary Arts in Paris, Pourrez worked in New York for a year as a pastry chef before he fulfilled his "childhood dream" of opening his own bakery. No matter what time I chose to pop in, I always found others sipping on their cafe au lait, and mingling with fellow French natives.
At Coffee Project NY, coffee-themed cocktails and high-quality java brewed with a mixologist’s eye are the stars of the menu. The concept was created by co-owners and founders Chi Sum Ngai and Kaleena Teoh in 2015, and has since expanded to having several other locations across the five boroughs. “We are very excited to be part of Hell’s Kitchen! ” Ngai said, adding, “In the opening of this new location we hope to create a community gathering space while sharing our passion for coffee with the neighborhood. ” “I’m a bit of a coffee snob and [Coffee Project] delivers on very good quality coffee, ” shared Paul David, a Hell’s Kitchen local. “I also really like the environment — the seating isn’t too crowded and it’s really peaceful. ”One of the shop’s innovative specialty beverages is its deconstructed late, which manager Jed Baxter said evokes a multi-sensory experience. In addition to deconstructed lates, Coffee Project offers classic lattes (complete with intricate latte art), classic pour-over brews, and teas. The cocktail menu includes drinks such as spiked Irish Coffee made with Teeling Whiskey and the brand’s own Teeling-blend beans. This story was adapted from the W42ST article, "Brew-tiful Transformation: Coffee Project Opens at Ikebana Zen with Day-to-Night Caffeinated Creations! ”
Jean-Paul Picot came to New York in 1969 and worked at what used to be La Crepe. When the woman who owned the restaurant decided to sell, Jean-Paul managed to scrape together the funds to purchase it. After a short amount of time, he reimagined the French restaurant and named it La Bonne Soupe, inspired by the French avant-garde movie with the same title. Most believe this translates to the “good soup, ” but for Mr. Picot — as he was affectionately referred to by his staff — it means “the good life. ” He was known to say, “Please come in, sit down, relax, and enjoy the ambiance and a bowl of soup. ” A few years later, in 1976, Jean-Paul was able to purchase the building. After his death in 2013, Jean-Paul’s son, Yves, continued his father's legacy until 2019 when he sold the building to Gehad Hadidi, who, according to members of the longtime staff, has made a smooth transition. “No one skipped a beat. ”
Benoit strives to embody the quintessential French bistro. A descendent of the original Benoit, which opened in Paris in 1912, restaurateur, Alaine Ducasse has preserved the traditional French dishes as well as a taste of early twentieth century French decor. Extensive mirrors on the walls, a chandelier from the ceiling, and red velvet banquettes against the light-colored wood meet together in a conscientiously elegant design.
The story of La Grenouille begins with “il était une fois, ” once upon a time. Gisèle Collas and Charles Masson first crossed paths in Paris after World War II, during which Charles enlisted in the American army while Gisèle cared for her younger sister in Nazi-occupied France. When the two met again in New York, Gisèle had just moved to the city with only forty dollars “but a lot of passion. ” The couple married in 1949, destined to open a door to bygone Paris in Manhattan. Gisèle was sipping on a Triple Manhattan when she signed the lease to what had once been the Copenhagen restaurant. At the time, Charles had found work on independent cruises and Gisèle was eager to put an end to his long departures. It was through a wire message that Gisèle informed her voyaging husband that they were the proud owners of a building they would transform into their dream restaurant. Charles named it after his pet name for Gisèle, “ma petite grenouille. ”“It’s a fairytale story, ” expressed current owner Philippe Masson, who carries on his parents’ legacy. He developed his culinary passion early in his childhood by “burning meringues to find out the right temperature of the oven” late into the night with his father. Today, he is able to design new dishes seasonally and deliver menu classics such as the Grand Marnier Soufflé — always perfectly sugared and fluffed in its small white ramekin. His work is fueled by “a lot of joy, a lot of Cuban cigars, and a lot of good music. ”On Mondays, however, all of Philippe’s energy is devoted to creating the floral arrangements for which the restau-rant is known. The exquisite arrangements began when Charles bought a “big, beautiful Baccarat vase” to temper the light shooting through the windows. The arrangements have since become one of the most renowned qualities of the restaurant, intermingling with the lush red banquets, original chandeliers, and a center-hung portrait of the stunning “grande dame” Gisèle. Upstairs, artwork pays homage to French painter Bernard LaMotte who once lived and hosted guests there including Greta Garbo, Charlie Chaplin, and Antoine de Saint-Ex-upéry, who wrote parts of Le Petit Prince in that same space.