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21 Club   Closed Temporarily 1 Lounges American Bars Midtown West

By no stretch of the imagination can this iconic New York restaurant and bar be called a hidden gem. Yet, its eighty-five-year history holds tantalizing secrets that the Manhattan Sideways team was eager to learn about. Established by Charlie Berns and Jack Kreindler, a pair of cousins with a reputation for throwing the best parties in the city, the 21 Club first opened its doors as a speakeasy. Not ones to be outwitted by the Feds, the duo hired architect Frank Buchanan to devise a disappearing bar that, with the press of a button, would sweep the entire liquor collection out of sight.

Although its speakeasy days are long over, liquor still takes center stage at the 21 Club, as evidenced by the tempting list of classic and contemporary cocktails. In addition, the Club's cellar, still hidden behind a heavy brick door that we watched being opened by pushing a thin wire into a small hole, houses some 20,000 bottles of wine. The cellar was also home to the private collections of well-known patrons including John F. Kennedy, Elizabeth Taylor, and Ernest Hemingway.

The ten uniquely decorated dining rooms have museum-quality paintings lining the walls. In fact, almost every nook and cranny of the 21 Club is a repository of history. We were thrilled, for example, to lay eyes upon the iconic "toy" ceiling, started when the owner of British Airways asked if he could hang a model of his plane from the ceiling. Now a tradition, each new "toy" represents a gift from a 21 Club patron. It is the many anecdotes like this that make visiting the 21 Club feel like a vivid walk through American history....not to mention the well documented and very tasty "21" Burger.

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21 Club   Closed Temporarily 1 Lounges American Bars Midtown West
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Aldo Sohm Wine Bar 1 American French Bars Wine Bars undefined

Aldo Sohm Wine Bar

Aldo Sohm Wine Bar, which opened in the late summer of 2014, pairs ease with elegance as a welcome addition to 51st Street. “We live in a very fast-paced world. ” In midtown Manhattan, these words resonate. But spoken by Aldo Sohm, seated at a table in his eponymous wine bar, they seem incongruous. “The idea is basically that when you walk in here, you walk into my living room. To me, it’s always important that you be in a place where you feel comfortable. ”Sohm continues his role as wine director at Le Bernardin, the four-star restaurant located across the 6½ Avenue pedestrian plaza. At the wine bar, however, he and Le Bernardin’s co-owners, Maguy Le Coze and Eric Ripert, have created a setting distinct from the formal restaurants in Manhattan, in its simplicity and lack of pretense. To be clear, it shares the elegance and attention to quality of its neighbors. But upon entering, an open arrangement of sofas beckons patrons to sit down. Sohm has noticed guests who arrived separately conversing across tables - sometimes even discussing their choice in wine. And wine is the focus at Aldo Sohm. Eric Ripert, Le Bernardin’s acclaimed chef, oversees the food menu; so, whether wine accompanies lunch, dinner, or a snack, it promises to impress. Guests can order bites to complement a glass of wine, like a grilled foie gras “lollipop” or a warm skewer of baby beets. Shareables include a whole baked cauliflower and a plate of Murray’s cheese with a Maison Kayser baguette. Sohm emphasizes the flexibility of the experience. If not in the lounge area, there are tall square tables for seating. The thick oak “sommelier table” incorporated into the bar seats guests on both sides, ensuring that no one is excluded from conversation. Sohm chose these arrangements intentionally. The wine bar endeavors to be unpretentious, relaxing and fun. Evoking this sensation, the architectural firm Bentel & Bentel incorporated clean lines and bold color in designing the interior. Sohm and his co-owners deliberated considerably in choosing the art in their “living room. ” Ample shelves extend to the double height ceiling, featuring artifacts meaningful to Sohm. Having grown up in Austria, Sohm points out, “I like things very very clean, very European. I like colors on top of it. ” A stack of Interior Design magazines becomes a design object itself as a cube of rainbow spines. The curves of miniature Panton S-chairs, each a different color, mirror the charred wood molds of the delicately hand-blown Zalto glasses in which each wine is served. Sohm is the brand ambassador for Zalto, an Austrian-based glassware manufacturer. To learn more about the varied wine offerings, visitors can reserve the tasting room. Aerial photographs of wine growing regions flank the eight-person table, allowing the sommelier to incorporate a visual element and story of provenance to the tasting. Sohm - once designated the “Best World Sommelier” by the Worldwide Sommelier Association - maintains humility despite his accomplishments. He wants the wine bar to be just as down to earth; an antidote to a demanding day, it exudes precision and sophistication.

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Oceana

Opened in 1992 and originally located on the Upper East Side, Oceana moved to 49th Street in 2009. The Livanos family sowed the seeds for the glorious Oceana long ago when they ran a diner and realized their ambitions to develop it into something more. Having worked hard to make their dreams a reality, Oceana continues to pride itself on the freshness of its food and makes a point to have direct relationships with the fish mongers and farmers. Although some have called Oceana the Mecca of seafood, the restaurant's menu is notably diverse. The executive chef, Ben Pollinger, takes to the broad reaches of American cuisine and mixes elements of different dishes together, often in an unexpected way. The Manhattan Sideways team eagerly sampled a few of the marvelous dishes, including the Copper River Sockeye Salmon Crudo, featuring pickled ramps, parsley oil, and Amagansett sea salt, and the Sea Scallops Ceviche that is topped with peaches, ginger, and cinnamon basil. I was pleasantly surprised by the incredible vegetarian dish that the chef also prepared - Summer Squash & Cranberry Bean Salad, consisting of zucchini, gold bar and pattypan squash, pignoli, purslane and drizzled in lemon vinaigrette. Absolutely delicious. The last member of the Oceana team that we were introduced to was their wine director, Pedro Goncalves. Pedro, who began working at Oceana in 2001, makes a concerted effort to develop drink pairings to accompany the delectable food menu. Standing near the white marble bar, he proudly told us that Oceana has 1100 wine listings and 600 spirits. He went on to report that with forty-seven different gins, Oceana has one of the largest selections of in the city. "There is something to fit every personality, " Pedro said.

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Aldo Sohm Wine Bar

Aldo Sohm Wine Bar, which opened in the late summer of 2014, pairs ease with elegance as a welcome addition to 51st Street. “We live in a very fast-paced world. ” In midtown Manhattan, these words resonate. But spoken by Aldo Sohm, seated at a table in his eponymous wine bar, they seem incongruous. “The idea is basically that when you walk in here, you walk into my living room. To me, it’s always important that you be in a place where you feel comfortable. ”Sohm continues his role as wine director at Le Bernardin, the four-star restaurant located across the 6½ Avenue pedestrian plaza. At the wine bar, however, he and Le Bernardin’s co-owners, Maguy Le Coze and Eric Ripert, have created a setting distinct from the formal restaurants in Manhattan, in its simplicity and lack of pretense. To be clear, it shares the elegance and attention to quality of its neighbors. But upon entering, an open arrangement of sofas beckons patrons to sit down. Sohm has noticed guests who arrived separately conversing across tables - sometimes even discussing their choice in wine. And wine is the focus at Aldo Sohm. Eric Ripert, Le Bernardin’s acclaimed chef, oversees the food menu; so, whether wine accompanies lunch, dinner, or a snack, it promises to impress. Guests can order bites to complement a glass of wine, like a grilled foie gras “lollipop” or a warm skewer of baby beets. Shareables include a whole baked cauliflower and a plate of Murray’s cheese with a Maison Kayser baguette. Sohm emphasizes the flexibility of the experience. If not in the lounge area, there are tall square tables for seating. The thick oak “sommelier table” incorporated into the bar seats guests on both sides, ensuring that no one is excluded from conversation. Sohm chose these arrangements intentionally. The wine bar endeavors to be unpretentious, relaxing and fun. Evoking this sensation, the architectural firm Bentel & Bentel incorporated clean lines and bold color in designing the interior. Sohm and his co-owners deliberated considerably in choosing the art in their “living room. ” Ample shelves extend to the double height ceiling, featuring artifacts meaningful to Sohm. Having grown up in Austria, Sohm points out, “I like things very very clean, very European. I like colors on top of it. ” A stack of Interior Design magazines becomes a design object itself as a cube of rainbow spines. The curves of miniature Panton S-chairs, each a different color, mirror the charred wood molds of the delicately hand-blown Zalto glasses in which each wine is served. Sohm is the brand ambassador for Zalto, an Austrian-based glassware manufacturer. To learn more about the varied wine offerings, visitors can reserve the tasting room. Aerial photographs of wine growing regions flank the eight-person table, allowing the sommelier to incorporate a visual element and story of provenance to the tasting. Sohm - once designated the “Best World Sommelier” by the Worldwide Sommelier Association - maintains humility despite his accomplishments. He wants the wine bar to be just as down to earth; an antidote to a demanding day, it exudes precision and sophistication.

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Rainbow Room

“I’ve never seen Central Park look so small, ” our photographer, Tom, exclaimed when we reached the sixty-fifth floor of 30 Rockefeller Plaza. We were gazing out at a dazzling view, seen by the fortunate visitors who ascend the elevators to the Rainbow Room, a dining destination since the mid 1930s that has recently re-opened after a five year “facelift. ” For the time being, the public is invited for brunch on Sundays and dinner on Mondays, with the rest of the week reserved for private events. When the Manhattan Sideways team arrived, the late afternoon sun was streaming through the windows, and it became immediately apparent why the restaurant is known as the “Rainbow” Room. From the crystal "curtains" on the windows to the glass balustrades on the railings, each element turns the rays of light into beguiling dancing rainbows - and the ultimate glittering piece is found in the center of the ceiling where the spectacular crystal chandelier hangs. Above the fixture is a circlet of bulbs referred to as "the globe" that can change color and alter the quality of light emitted from the chandelier in order to match different party themes. If looking up was not enough to wow each of us, the marketing team giving us the grand tour then directed our eyes down to the other centerpiece of the room: the rotating dance floor. We were happy to learn that just as much dancing happens today as in the 1930s. We were told that in the weeks since the Rainbow Room unveiled its new look, guests have been eagerly stepping onto the gently spinning disk each night. The two women guiding us through the space agree that this is part of the allure of the Rainbow Room, as it is one of the few places in the city where patrons can dance in ways they are unable to in a nightclub. When I asked the ladies if they had had the chance to try out the dance floor, one of them grinned and admitted that yes, indeed she had. She described the exciting, dizzying feeling of stepping off in between songs to return to her table. I did not have the pleasure of experiencing the dance floor some twenty plus years ago, but I do remember an enchanting evening when I listened to my childhood idol, Leslie Gore, sing some of her classic songs from the 60s including, "Sunshine, Lollipops and Rainbows! "The Rainbow Room is not the only dining establishment on the sixty-fifth floor. Down the hall, past the covered seating area called “the gallery, " SixtyFive was bathed in the light of the sunset. The bar has an excellent after-work vibe with a direct view of the Empire State Building. It also has a new balcony where outdoor seating is available and allows for some of Manhattan's most breathtaking and majestic views. "I am thrilled to be part of an iconic reopening, a part of New York history, " Molly Cohen, the beverage director, declared. While spending time with us, sharing the joy of traveling up sixty-five floors to her job every evening, she explained that she was in charge of creating the exciting cocktail list, broken down in the menu as either “classic” or “contemporary. ” Molly said that her goal is to pay homage to the traditional drinks (since modern mixology "began at the Rainbow Room") and to keep everything simple but imaginative. She is not a fan of being “fussy for the sake of being fussy, ” and prefers uncomplicated drinks that are very well thought-out. She continued by saying that she is equally proud of her wine list. "It is easy to create an excellent cocktail, but harder to please wine drinkers. " Molly encourages people to think of SixtyFive as a great place to return to for a night with friends or business associates, not just as a location for special occasions. She believes that there is a magical quality about the Rainbow Room and SixtyFive: “It’s hard to have a bad time. ”While sitting by the windows, peering out over New York, sipping on cocktails, and sampling some of the new, incredible food items rolling out that evening, we had the pleasure of speaking to Keith Douglas. As the managing director, he told us that he has been a central player during the renovation. He shared the story of bringing up pieces of the old dance floor and finding confetti and newspaper clippings from the 1940s. As he is planning the future of the Rainbow Room, he says he keeps remembering those hidden memories. He thinks about how in eighty years time, another crazy managing director could pull up the floor, see his name, and ask, “Who’s Keith Douglas? ”