Aicon Gallery was created from the positive feedback that two brothers received from their online gallery of Indian art that they had created in 2000. As one of the first major outlets for Indian art in the US, the gallery continues to highlight the work of artists from the Indian Subcontinent and to demonstrate its relationship with the rest of the world.
When I asked Alex Harsley if he knew who owned the 1968 Dodge Dart parked outside his gallery, his response was “that is mine…I purchased it in 1974, and have enjoyed it ever since…my car is all about the good times. ” Complete with a penguin in the driver’s seat and an owl in the navigator seat, it certainly reflects the creative and historic atmosphere of the 4th Street Photo Gallery right behind it. Alex opened his gallery in 1973 and describes it as a “museum of the past. ” Although certainly showcasing past techniques, scenes and individuals through its extensive collection, Alex has always been one step ahead of the curve throughout his long career in photography and videography. Alex developed his photography skills by playing around with the different techniques he had created as well as by learning from his mistakes. His career as a professional photographer began in 1959 when he got a job with a New York Attorney’s Office. After being drafted into the army, Alex was able to become a supervisor in the photography department at Color Lab due to his knowledge of photo chemicals and his ability to be “very good at getting weird kind of situations that no one knew anything about. ” In the 1970s, Alex began to focus deeply on experimenting with the photo chemical process. He became interested both in increasing his understanding and in spreading his knowledge to other photographers. He was able to open an art organization with the help of other artists that he was working with at the time, which he used as a platform for research, collaboration and teaching. His organization, 4th Street Photo, is as much a community as it is a gallery. Since 1971, Alex has offered his space as a showcase for photographers of all backgrounds, as well as a meeting place where ideas are exchanged, portfolios are reviewed and new friends are made. It has been instrumental in giving distinguished photographers their first significant New York City solo exhibits. Throughout his career, Alex has done an immense amount of work freelancing in both photography and video, collaborating with other artists on projects, and even producing video that would be displayed in the Whitney. He has also had the incredible good fortune of having spent time photographing both John Coltrane at the Apollo Theater and Muhammad Ali when he was a young fighter. However, in the early 2000s, Alex realized that he was doing very little of his own work and decided to return to his own collection to begin the process of printing. He eventually produced around “2, 000 or 3, 000” of his own prints, many of which are displayed or stored in his gallery.
So many of us tend to take photos on our phones these days, and then we are never quite certain what to do with them – whether to print them out, and where to place them in our home or office if we do - while others have acquired meaningful pieces of art over the years, but have no concept of how to hang them. This is where David Kassel and Michelle Conrad, the husband and wife team behind ILevel, come in. I had spoken on the phone with Michelle prior to our meeting, and I had, of course, read about ILevel on line. I was not at all prepared, however, for what I discovered upon entering their gallery on East 7th Street. The fantastic space is vast - absolutely ideal for displaying artwork in any form. David and Michelle greeted Lucas, the photographer, and me and invited us to sit on their couch as we began to chat, and play with their adorable new puppy. It was a perfect, relaxing atmosphere for anyone who is interested in receiving some great advice about decorating their walls. David began by sharing a bit of his background with me. I had to stop him immediately when he related that he had attended SUNY Purchase, for my family and I lived on the same street as the university for fifteen years. I, of course, knew the Neuberger Museum of Art at Purchase where David worked while a student. Following this, he secured a job at the Guggenheim Museum in New York. In the 1980s, when David became aware of the "crazy purchasing" of art that was going on with corporations, he decided that it was time to go out on his own and begin an art installation business. He has not looked back since. What came as another surprise to me was when David mentioned that he has lived in this brownstone for over forty years, only recently (2016) deciding to open a brick and mortar space, downstairs, for his thirty-year-old company. Today, the walls are covered with photos from Michelle and David's own family, as well as work from private dealers who do not have space to display paintings. When we were there, it was an eclectic mix with contemporary pieces, botanical works, and eighteenth century Hindu art. In addition, several walls were devoted to the fifteen members of their staff - all of them artists. Michelle added that they are constantly changing things up - creating unique configurations, as they want to be able to inspire those that come through their doors. "There are endless creative possibilities as to how one might choose to hang their artwork; we like to allow our clients to see what they, potentially, can do with their own collections. "Michelle is from Chicago and has had an interesting, successful career in marketing. Today, however, she chooses to work along side her husband, sharing ideas in any and every aspect of the business, as well as raising their two children. They appear to be one terrific duo. David shared several amusing stories with us from his encounters with clients. Who gets to share lox and bagels with someone in the Dakota building, or a cup of coffee with some of the most fascinating people in New York, hearing their stories, and looking through their photos? When I inquired as to whether or not the business continues to make them happy, David had no hesitation in responding, "We love what we do, even after all of these years... However, it is the relationships we form that are the most meaningful to us. " Elaborating, Michelle shared that people are always pleased to see them. "Often, we are the last step in what was otherwise a challenging renovation or move. " At the point that their team comes in, all the dust is, literally, settled, and the boxes are unpacked. ILevel is simply putting on the finishing touches by placing beautiful art on the bare walls.
Reed Adelson, owner of the American restaurant Virginia’s, was trained by the best in the industry. He learned about wine at Bern’s Steak House in Tampa, interned at Charlie Trotter’s in Chicago, then returned to his Manhattan roots to work under Jean-Georges to open the Mark Hotel, and finally worked at Locanda Verde. Riding in a car with industry legends Daniel Boulud and Thomas Keller, he was presented with the answer to his doubts about working in the restaurant business, "If this is what you’re passionate about, there is nothing else you can do. It’s more of a vocation than a job choice. "Reed brought all of this expertise to open his first restaurant in 2015. Named for his mom, Virginia’s has become known for its burger, with bone marrow aioli, cabot cheddar, and house-made pickles, but there are more sophisticated dishes that deserve equal praise including the wild king salmon with red cabbage slaw and golden beet puree. Reed focuses on consistency for his menu, with a few seasonal dishes, such as the corn ravioli with fontina cheese and crispy shallots. With his eye on the future, Reed is contemplating moving a little closer to the city’s center, while admitting, "there’s something romantic about the side streets. "
Kenkeleba Garden, named for an African healing plant, is simply magical. We followed the densely forested greenery around to the back, arriving at a clearing that transported us to another world far from the hustle and bustle of Manhattan. We were completely surprised when we landed in front of the sculpture garden, which is only visible from 3rd Street. From large African sculptures to collections of scraps or bricolage, a specialty of the Lower East Side art scene, we could not help but linger before doubling back and re-emerging onto the concrete sidewalks of 2nd Street. It was not until many months later, when we had the pleasure of meeting Joe Overstreet and his wife, Corinne Jennings, that we learned that this is affiliated with their gallery next door, Kenkeleba House. It is their life-long dream to someday use these grounds to build a museum that would house their massive collection of African-American art. It has an entrance on both 2nd Street and 3rd,
Book Club isn’t just for the suburbs anymore — as a new bookshop, bar and coffeehouse gives East Village denizens and beyond a new place to pore over and pour over their favorite reads. Married proprietors Erin Neary and Nat Esten, East Village residents themselves, had longed for an independent bookstore to serve the Alphabet City area, they told the Manhattan Sideways team when we popped in to see dozens of happy customers enjoying a read and a latte one sunny Friday morning. “We always thought that the neighborhood needed another bookstore, ” said Erin, “and we also kept wondering, ‘Wouldn't it be so cool if you could drink wine while you were shopping for books? ’” They decided not only to open a bookstore and bar, but to additionally add in the day-to-night-element of coffee into the mix. While both Erin and Nat had worked in hospitality before, bookselling was new to them. “I started doing research in 2017 and worked with the American Booksellers Association’s consulting program to help new bookstores get off the ground, ” said Erin. “I met with them as well as other bar owners and bookstore owners in the neighborhood and did as much research as I could without actually doing it. ” The duo launched Book Club in November 2019, enjoying an enthusiastic community reception until COVID-19 forced them to pivot. “Nate started doing bike deliveries — as many as 20 miles a day! ” Erin told us. “He’d go out to Harlem to drop off books and then all the way out to Bushwick — so a lot of people learned about the store that way. ”Once they were able to reopen to the public, Book Club forged full steam ahead in engaging the community in “book club”-esque events — from author talks to poetry readings to creative writing workshops, with additional unique offerings like an adult spelling bee and a “drink and draw” sketching class. They’ve also recently received their full liquor license, and plan to roll out literary-themed cocktails like an In Cold Bloody Mary or the Murder on the Orient Espresso Martini, Erin told us. More than anything, she added, she enjoyed having customers back in the store to guide them toward their next favorite book. “Our staff are not just really good baristas, but they’re avid readers as well. So between myself and the rest of the team, we have a really good handle on the books here — it’s fun to be able to curate not just what we stock, but to get the right book into someone’s hands. ”