Aicon Gallery was created from the positive feedback that two brothers received from their online gallery of Indian art that they had created in 2000. As one of the first major outlets for Indian art in the US, the gallery continues to highlight the work of artists from the Indian Subcontinent and to demonstrate its relationship with the rest of the world.
When I asked Alex Harsley if he knew who owned the 1968 Dodge Dart parked outside his gallery, his response was “that is mine…I purchased it in 1974, and have enjoyed it ever since…my car is all about the good times.” Complete with a penguin in the driver’s seat and an owl in the navigator seat, it certainly reflects the creative and historic atmosphere of the 4th Street Photo Gallery right behind it. Alex opened his gallery in 1973 and described it as a “museum of the past.” Although certainly showcasing past techniques, scenes, and individuals through its extensive collection, Alex has always been one step ahead of the curve throughout his long career in photography and videography. Alex developed his photography skills by playing around with the different techniques he had created as well as by learning from his mistakes. His career as a professional photographer began in 1959 when he got a job with a New York Attorney’s Office. After being drafted into the army, Alex was able to become a supervisor in the photography department at Color Lab due to his knowledge of photo chemicals and his ability to be “very good at getting weird kind of situations that no one knew anything about.” In the 1970’s, Alex began to focus deeply on experimenting with the photo chemical process. He became interested both in increasing his understanding and in spreading his knowledge to other photographers. He was able to open an art organization with the help of other artists that he was working with at the time, which he used as a platform for research, collaboration, and teaching. His organization, 4th Street Photo, is as much a community as it is a gallery. Since 1971, Alex has offered his space as a showcase for photographers of all backgrounds, as well as a meeting place where ideas are exchanged, portfolios are reviewed, and new friends are made. It has been instrumental in giving distinguished photographers their first significant New York City solo exhibits. Throughout his career, Alex has done an immense amount of work freelancing in both photography and video, collaborating with other artists on projects, and even producing video that would be displayed in the Whitney. He has also had the incredible good fortune of having spent time photographing both John Coltrane at the Apollo Theater and Muhammad Ali when he was a young fighter. However, in the early 2000’s, Alex realized that he was doing very little of his own work and decided to return to his own collection to begin the process of printing. He eventually produced around “2,000 or 3,000” of his own prints, many of which are displayed or stored in his gallery.
So many of us tend to take photos on our phones these days, and then we are never quite certain what to do with them – whether to print them out, and where to place them in our home or office if we do - while others have acquired meaningful pieces of art over the years, but have no concept of how to hang them. This is where David Kassel and Michelle Conrad, the husband and wife team behind ILevel, come in.I had spoken on the phone with Michelle prior to our meeting, and I had, of course, read about ILevel on line. I was not at all prepared, however, for what I discovered upon entering their gallery on East 7th Street. The fantastic space is vast - absolutely ideal for displaying artwork in any form.David and Michelle greeted Lucas, the photographer, and me and invited us to sit on their couch as we began to chat, and play with their adorable new puppy. It was a perfect, relaxing atmosphere for anyone who is interested in receiving some great advice about decorating their walls.David began by sharing a bit of his background with me. I had to stop him immediately when he related that he had attended SUNY Purchase, for my family and I lived on the same street as the university for fifteen years. I, of course, knew the Neuberger Museum of Art at Purchase where David worked while a student. Following this, he secured a job at the Guggenheim Museum in New York. In the 1980s, when David became aware of the "crazy purchasing" of art that was going on with corporations, he decided that it was time to go out on his own and begin an art installation business. He has not looked back since.What came as another surprise to me was when David mentioned that he has lived in this brownstone for over forty years, only recently (2016) deciding to open a brick and mortar space, downstairs, for his thirty-year-old company. Today, the walls are covered with photos from Michelle and David's own family, as well as work from private dealers who do not have space to display paintings.When we were there, it was an eclectic mix with contemporary pieces, botanical works, and eighteenth century Hindu art. In addition, several walls were devoted to the fifteen members of their staff - all of them artists. Michelle added that they are constantly changing things up - creating unique configurations, as they want to be able to inspire those that come through their doors. "There are endless creative possibilities as to how one might choose to hang their artwork; we like to allow our clients to see what they, potentially, can do with their own collections."Michelle is from Chicago and has had an interesting, successful career in marketing. Today, however, she chooses to work along side her husband, sharing ideas in any and every aspect of the business, as well as raising their two children. They appear to be one terrific duo.David shared several amusing stories with us from his encounters with clients. Who gets to share lox and bagels with someone in the Dakota building, or a cup of coffee with some of the most fascinating people in New York, hearing their stories, and looking through their photos? When I inquired as to whether or not the business continues to make them happy, David had no hesitation in responding, "We love what we do, even after all of these years... However, it is the relationships we form that are the most meaningful to us." Elaborating, Michelle shared that people are always pleased to see them. "Often, we are the last step in what was otherwise a challenging renovation or move." At the point that their team comes in, all the dust is, literally, settled, and the boxes are unpacked. ILevel is simply putting on the finishing touches by placing beautiful art on the bare walls.
Kenkeleba Garden, named for an African healing plant, is simply magical. We followed the densely forested greenery around to the back, arriving at a clearing that transported us to another world far from the hustle and bustle of Manhattan. We were completely surprised when we landed in front of the sculpture garden, which is only visible from 3rd Street. From large African sculptures to collections of scraps or bricolage, a specialty of the Lower East Side art scene, we could not help but linger before doubling back and re-emerging onto the concrete sidewalks of 2nd Street. It was not until many months later, when we had the pleasure of meeting Joe Overstreet and his wife, Corinne Jennings, that we learned that this is affiliated with their gallery next door, Kenkeleba House. It is their life-long dream to someday use these grounds to build a museum that would house their massive collection of African-American art.