Amiguitos

All parents throughout New York, locals and tourists alike, should know about the educational and transformative experience of the Children's Museum of Manhattan. The 83rd Street institution, although it opened in 1973, has been at its current location since 1989. It is an extraordinary (not to mention really fun! ) resource for both kids and adults. I happened to visit during the week that constitutes winter break for New York schools, and so I witnessed an incredible amount of excitement and enthusiasm on each of the floors. Children as young as a few weeks old were in their mother's arms or being pushed in a stroller while their siblings were running around, checking out the interactive exhibits. Almost every aspect of the museum had something to push, touch, or listen to, giving children a tactile way of learning and remembering. I received an eye-opening tour from David Rios, the Director of Public Programs, who guided me from the fifth floor back to ground level. An exhibit called Playworks, designed for early learning, is located upstairs. For more than ten years, the museum's team worked side by side with child development experts to create a space where little ones can enhance their motor skills and problem-solving abilities. I enjoyed standing on the sidelines and observing children climbing in and out of a large wooden FDNY truck, a NYC bus, and a deli with plastic foods. As David explained, "Some museums have a supermarket, but we're in New York, so we have a deli. "I was amazed by how often the museum catered to varying age levels within the same space. For example, in the Movers and Shakers section, older children could learn math and physics by building mini roller coasters while younger siblings could crawl through tunnels and slide down slides. I was delighted to see parents participating with their children: this is definitely a museum where entire families can enjoy themselves, and children's learning is enhanced by parental guidance. Though there are plenty of buttons that encourage children to learn on their own, there is also signage so that parents can provide a further explanation to their kids. The museum is designed so that parents and older children do not feel intimidated or shy about trying out the different exhibits. As David stated so nicely, "This is a fun, non-judgmental environment for all ages to learn. "Continuing on, I entered The Lab, where children can read stories, sing songs, and learn more about art and science. All of the writing and sound bites are bilingual, since Spanish-speaking families make up such a significant portion of New York City's population. David told me that The Lab sometimes holds special events, such as a visit from members of Alvin Ailey, who danced with the children in an effort to teach them about movement. The next room took Peek-a-Boo to a whole new level with a digital version of the game and in the following room, I had to laugh out loud as I explored the digestive system, complete with a talking toilet. The grand finale of the tour was the America to Zanzibar: Muslim Cultures Near and Far special exhibit that is running from February 2016 - February 2017. The visually compelling exhibit is a multimedia exploration of the diversity of Muslim cultures within the United States and abroad. It is a collaboration between the museum's staff and members of the Muslim community and is an ingenious way of introducing children to topical cultural differences in an age-appropriate way. For example, there is a section where kids can press buttons to smell a variety of fruits and spices, as well as a collection of "Objects and Stories from American Muslim Homes. " Some other highlights included a life-size camel, musical instruments, and a virtual reality room that allows visitors to explore the architectural styles of different mosques. I was pleased to find out Mayor Bill de Blasio supports the exhibit. He has stated, "With America to Zanzibar, children will have the chance to learn about Muslim cultures in an engaging and thoughtful way. We only grow stronger when we embrace and celebrate the multitude of cultural backgrounds that make up New York. "

After over forty years of being the iconic toy store on Amsterdam Avenue, West Side Kids has moved into a space right around the corner allowing it to join our illustrious group of side street businesses. It’s wonderful to see the family friendly business is staying within the neighborhood that is sadly now full of chain stores. Along with the move comes a rebrand for the charming shop to a more modern brand identity but inside the shop are still the many familiar shelves of goodies. Now owned by Jennifer Bergman, the West Side Kids was founded by her mother, Alice, in 1981. “Every toy is chosen for its educational value, ” explained Jennifer. Not only are educational toys available but fun kits to make treats and explore whimsical hobbies are equally front and center. As you walk around the store seasonal items like pool floats can be found near seaside and pool play accessories. A table with chairs for pintsize patrons sits close to books about famous women icons – singers, politicians and lawyers. Various items to ease the transition back to school also stand out to shoppers of various age groups. Whether you’re looking for a small toy, a statement shirt or a pair of fun socks, the helpful staff is ready to assist you or leave you to wander around the comprehensive selection of reasonably priced items and find things on your own. One of the standouts of the shop is the fact they are inclusive in their offerings; from dolls with assistive chairs to storybooks focusing on people of different backgrounds. West Side Kids continues to be toy experts for children of all ages.

Congregation Rodeph Sholom was preparing for its 175th birthday when I visited in 2016. The guard at the front desk was kind enough to allow me in and notified Barbara Zakin, the director, that I was interested in learning more about their magnificent temple. I was grateful that she immediately came downstairs to greet me and led me into the sanctuary. It was a breathtaking sight to behold. Seeing the expression on my face, Barbara simply stated, "They don't build buildings like this anymore. " She then went on to tell me that they are "one of the 'Big 5' largest Reform synagogues in the city" with 1800 members. Formed on the Lower East Side by eighty members from Bikkur Cholim, the congregation moved to several different locations before constructing their current building in 1930. Though the congregation started out orthodox, like most nineteenth century synagogues, it transitioned to Reform in 1901. After allowing me a few minutes to stand inside the grand sanctuary, Barbara was then eager to show off the rest of their space. As she described it, "There is a hub of activity going on throughout the building on any given day. " They have a book club, mahjong, theater productions, a Jewish Day School, a homeless shelter, and, she added proudly, "We have even had the same rabbi for twenty-five years. "A few weeks later, I returned with members of the Manhattan Sideways team. On this day, we met with Rachel Evans, the operations director, who gave us a more extensive tour, stopping in a wood panel room, known as the Leader Board Room. Rachel enjoyed telling us that the space had been scouted by various TV shows, including "30 Rock, " who filmed several scenes in the room. We then continued on to the Schafler Room, an event space used for a variety of purposes. The school children utilize the room for recess, and there is a stage where the synagogue puts on a performance each May. The musical series was in its eleventh season after being revived in the mid-2000s and the synagogue was looking forward to "Seussical the Musical" in the spring of 2016. Rachel informed us that the space is also very popular with nonprofit organizations. Galas, auctions, and dinners have all been hosted here, as well as private celebrations such as weddings and bar and bat mitzvahs. Continuing our walk, I admired a survival torah mounted on the wall, which Rachel said had been rescued by a Czechoslovakian family after World War II. At our final destination within Rodem Sholom, I found myself standing in the balcony of the sanctuary gazing down in awe, yet again. Turning to Rachel, I commented, "I do not believe that there is a bad seat in the house. " She agreed wholeheartedly.

St. Joseph’s was founded in 1873, when the German-speaking locals who represented a large portion of the inhabitants of Yorkville asked the Jesuits of St. Laurence O'Toole Church on 84th Street and Park Avenue (now St. Ignatius Loyola) to help them find a German-speaking priest. The Jesuits sent Father Joseph Durthaller, who became the first pastor of St. Joseph's. In 1880, St. Joseph's School was founded, and in 1894 the current church was built in the Romanesque Revival style to replace the original small Gothic structure that had been dedicated in 1874. In continuation of its German heritage, St. Joseph’s offers a German Mass on the first Sunday of every month, which is said by Father Boniface Ramsey, the pastor. Even though, like many churches in Manhattan, participation has dwindled over the past forty years, St. Joseph's still has an active community with over 750 congregants and about 350 children in the school. There is no longer a large German population, but St. Joseph's is now home to the New York Hungarian Catholic community, which has a Mass every Sunday afternoon that is conducted entirely in Hungarian. The Hungarian community came from St. Stephen of Hungary Church on 82nd Street, which was recently closed. Father Boniface himself attended St. Joseph’s School for a short time, but he never imagined that he would end up as the pastor. He calls himself an "Upper East Sider, " born and bred. Though his mother was German, she did not teach him her native tongue, since he was born in 1945, when the political climate caused German speakers to be unpopular. Instead, he studied the language in college. The church itself is medium size and beautifully proportioned, with elegant confession booths, stained glass windows, and colorful murals on the ceilings. At the front of the main aisle, just before the sanctuary, there is a mosaic worked into the floor. It is the personal crest of Pope Benedict XVI, who visited St. Joseph's on April 18, 2008. Despite the attractiveness of other features, my eye was drawn to the enormous, historic organ that dates back to 1895 and "hasn't been fooled with, " in Father Boniface's words. He told me that music is very important to St. Joseph's and that Alistair Reid, the church's organist, is "superb. " In addition to the organ, St. Joseph’s also has a piano and one of very few harpsichords to be found in a church. Leading me up into the choir loft, Fr. Boniface pointed out that the organ is particularly large in comparison to the size of the church. He believes that this is because the Germans who founded the church and installed the organ were probably hearty singers. He mentioned that a big choir is not needed to fill the space. "The acoustics are famous, " he said, and vocally demonstrated the four to five second reverberation. Father Boniface took me on a quick visit to the school next door, a building dating to 1926. It warmed my heart to hear the children playing in the street yell "Hi Father! " and to see him smile and wave at them. "I usually create a ruckus, " he said with a grin.

The Suburban Hook & Ladder Company No. 13 was formed in 1865, the same year that the cities of New York and Brooklyn were combined and the “Metropolitan District” fire department was officially created. With the creation of the department, firefighting became a profession, and firehouses were no longer filled solely with volunteers. The members of Hook & Ladder Company 13 are remembered for having helped during the deadly explosion on Park Place in 1891. It was referred to by the news as “one of the worst disasters that ever happened in this city. ” The firemen of Company 13 arrived on the scene on the third day to help reinvigorate the search for bodies. They also dealt with countless fires in the tenement houses of Yorkville, most notably a house fire at 60 East 87th Street filled with residents. The stories of the heroic deeds of the these firefighters could fill a book. In the twentieth century, the Company moved to 85th Street and the little brick house stood empty. In 1962, however, Andy Warhol rented the second floor to use as his very first New York studio.

After only spending a few minutes walking through Doyle's display room, I realized that Louis Webre, the Senior Vice President of Marketing and Media at the prestigious auction house, was correct - "Auction houses are one of the best places to go for free, cultural events in the city. " Though the room was filled with an exhibition on Impressionist and Modern Art when I visited, Louis told us that the shows change almost on a weekly basis. Once this particular show ended and the art auctioned, it would be followed by Post-War & Contemporary Art. "Every week it's something new, " Louis stated. William Doyle, who established the company in 1962, has continued his legacy through his wife Kathleen, the current Chairman and CEO, and his daughter, who also plays a substantial role in the company. Doyle holds about forty auctions a year, making it one of the premier auction houses in the world. "Our audience is very global, especially for jewelry sales, " Louis informed me. He added that part of the job of an auction house is to identify the new affluent populations of the world and to find out what international billionaires are buying. He then clarified this by saying "Almost all of what we sell, however, is from collections and estates within the US. "The auction house is a family company not only in its continued connection to the Doyles, but also because it is now working with clients who are third generation. Doyle employees have seen children and grandchildren of early customers come through their doors over and over again. Louis, who has been working for Doyle since 1987, has witnessed situations where parents have passed away and their children have offered the resulting estate, originally purchased from Doyle, back to Doyle. I asked Louis about the most impressive piece that he has seen auctioned over the years, and without hesitating he replied, "The pair of pearls. " He then shared the fascinating story with me. Doyle's appraisers have been working with the Antiques Roadshow since the late 1990s. During one episode of the show, Kevin, an appraiser, met with a woman who had brought in some of her grandmother's jewelry. She mentioned that she had one of the older woman's brooches with a pair of pearls, but that the piece had already been appraised at $1, 500-2, 500. After spending some time with this woman, Kevin's interest was piqued and he asked if she would mind sending the pearls to him. Upon receiving them, he immediately shipped them to Switzerland, the only place in the world that grades pearls. "They sent back a letter unlike any we had ever seen before, " Louis continued. The letter revealed the pearls to be a "treasure of nature" as it is extremely unlikely for two oysters to produce such large, identical pearls. They then traced the pearls' story and discovered that they once belonged to Empress Eugenie of France, but that France sold all the crown jewels in the 1870s. One of the largest buyers was Charles Lewis Tiffany, the founder of Tiffany and Co. This explained how the jewels got to America, eventually ending up in someone's grandmother's safety deposit box. When the pearls were sold, they broke the existing record sale for a pair of pearls by $900, 000. The heart-warming ending to the story is that when the woman found out what the pearls sold for, she announced that she would use the money to purchase a new canine van for her animal rescue service. After sharing this extraordinary story, Louis enthusiastically continued his walk through the gallery while pointing out some of his favorite pieces of art. There were quite a few pieces from the painter Paul Cadmus, but a favorite was an early self-portrait from when he was living in Mallorca with his partner between the wars. The room also held a collection of Paul Kleinschmidt's paintings, including a portrait of the collector who originally owned them. After showing me a painting of a crowded Coney Island beach scene done by Reginald Marsh, Louis said, "It's unbelievable to me how few New Yorkers take advantage of this. " He gestured to the rest of the room. "It really is the greatest free show in town. "