While the digital age has allowed us to streamline many services, there are some art forms that must remain analog. One trip to Best Shoe and Bag Original Repair on W21st Street in Chelsea and you’ll be convinced that the time honored art of cobbling is one that can’t be replaced. It’s an art that has been passed down to owner Marcia Sailema from her father, who ran the shop for decades until he retired in 2015. Marcia said that in addition to helping her dad run the family business, she took classes at FIT to sharpen her skills in repairing luxury shoes and bags, which are the businesses specialty. “I learned so much industry vocabulary that I never knew before – like the way that the first part of a shoe design is called the last — and ‘the last comes first! ’” she laughed. She quickly acclimated to the delicate art of making much-loved, long-worn bags and shoes look like new by making delicate leather, paint and stitching matches to designers from Dior to Chanel and in fragile vintage pieces. The intricate work — which Marcia proudly showed us can make a nearly unusable bag or shoe look fresh off the shelf – has led to a loyal customer base. For Marcia, it’s a labor of love. “I really like working on the bags, ” she said, admiring a classic Louis Vuitton monogram bag that she’d recently completed repairs on. “Look at these zippers! ”
Merakia occupies the space that housed Kat & Theo from 2015-2017 - and while the restaurant maintains the same ownership as before, it also has a different mission. The modern Greek steakhouse prides itself on its meats and classic seafood items, while maintaining a classy, hip atmosphere in its cavernous space on 21st Street. “We built a new team… and a new vision, ” managing partner James Paloumbis shared with the Manhattan Sideways team when he spoke of the switch from Kat & Theo. He then went on to highlight Merakia’s differences from other Greek restaurants. “It’s not white and blue like every other place in New York City. Our menu is not the copy paste of any other place. ” The menu is heavy on steaks and seafood, boasting their signature lamb on the spit ("the only restaurant in the city to do so") while, surprisingly, offering some robust meat-free options as well. “Everything is farm to table, we use fresh ingredients, [and] we make everything from scratch on a daily basis. ” James told us that part of his mission is to bring back the adventure of going out to eat, a phenomenon he has noticed declining over the years. “People don’t like to go out anymore just to eat. You can eat at home, you can eat down the street, you can order your meal online. But to get an experience of nice service, some nice flavors, nice music, nice drinks - it’s worth your while to go out again. ” Husband and wife team behind Kat & Theo - Renee and Andreas Typaldos - seem to have orchestrated a smooth transition from their previous restaurant. As their past executive chef, Paras Shah, believed, "there should be a movie written about the couple's romantic backstory and that he “couldn’t have worked for better folks. ” Andy is originally from Greece, and the restaurant was named after his parents, Katerina and Theodosios. Andy came to New York on a scholarship from Columbia and met Renee, who is from the Bronx. He took her out on a first date “with holes in his shoes and with no winter jacket, ” according to Renee. She added, “The romantic, poetic way people get together. ” Today, they are paying homage to Andy's Greek heritage and according to James, “People have to trust their stomachs and their palates with a restaurant, so that’s what we’re trying to do here. Trust us - our food is fresh, our food is made with care, and we love what we do. ”
Calvary-St George’s church moved to Gramercy Park in 1832. It has a strong history of influential members and it was here that Edith Wharton’s The Age of Innocence was set. In addition to movie nights and summer programs for children, we witnessed a small, delightful concert performance along the sidewalk while walking one day.
Perhaps the attitude of “If it ain’t broke, don’t fix it, ” works well at Society Billiards. They seem to know that sometimes a classic pool hall is just what people need. Extremely spacious and stocked with countless pool tables, anyone looking to get lost in the game will be sure to love this dimly lit, relaxed, yet classy spot.
As we peered behind the counter at Joe, we saw what looked like a machinist’s shop or a technological artist’s studio, and yet the rich aroma of coffee was unmistakable. Joe is a place for serious coffee, and they hope to make serious coffee-drinkers out of their customers. The front of the shop holds a regular coffee bar, with three stools, and a display with some useful coffee tools for at home brewing. The majority of the space, however, is filled by the coffee studio in back where customers can watch the machines whir and the experts work their magic. For those of us not as knowledgeable in the coffee arena, Joe offers regular classes on topics ranging from brewing technique to what they call “coffee theory. ” While they have several locations throughout Manhattan, Joe's on 21st street serves as the “pro shop” and headquarters.
In the way that so many Flatiron restaurants are, Hardings is situated in a large and imposing building, yet manages to appear out of nowhere providing a perfectly comfortable oasis for dining. A large, impressive bar dominates front and center, creating a comfortable area to grab a drink or wait for friends. We ate here on a Sunday evening, but have stopped by at various hours during the day to discover Hardings to be a popular lunch or after-work spot for Flatiron professionals. One cannot help but feel patriotic when walking through the doors. Rather than naming this American-themed restaurant after Washington or Lincoln, the owners chose the 29th president of the United States, Warren G. Harding. The entire space -- bathrooms included -- are a tribute to American history. An American flag, that dates back to the late 1800s, hangs impressively from the exposed white brick side wall, and a trip to the restroom leaves one lost in old, authentic newspaper clippings. The entire cocktail, bar, and restaurant menu is domestically sourced, and it showcases a variety of cuisines. The fluke crudo was delicate with citrus, the house salad of mesclun greens, shaved raw artichokes, fennel, radishes, lemon and olive oil dressing was unique and the grilled romaine was perfectly crusted with lemon, garlic, and shaved grana. A vegetarian dish of sauteed baby artichokes, peas, shallots, chickpeas was presented in a simple white wine broth and slices of grilled bread to dip. The flourless chocolate cake was good, but it was the Griddle Cake that was the show stopper. We all agreed that it was reminiscent of a heavenly breakfast. A warm pancake was served with raw maple syrup, lemon and vanilla ice cream melting on top. For creative American food and the ability to brush up on American history at the same time, we found Hardings to provide an entertaining evening.
Since its inception, Barbering by Marcus has been focused on providing great customer service to its patrons, manager Melissa explained as she began describing the story behind their shop. She described it as a “boutique men’s salon, ” rather than a barber shop. Customers come to be pampered, and the staff makes that happen. From the second men are checked in to the time they walk out, Barbering by Marcus ensures the highest quality treatment. People are served their choice of beer, bourbon, and other drinks while their hair is being cut, and they can even take a nap in the salon’s comfortable chairs, which fully recline. Both Melissa and Marcus are from Guyana, a small country in northern South America. They opened up the salon together in April 2011. Marcus had spent time working at Barber Bart, a shop just across the street. With years of experience under his belt, he decided to start cutting hair on his own, with Melissa running the business side of the store. The salon makes sure that everything runs on time. "At other barber shops and hair salons, haircutters often run over time and disrupt a customer’s schedule, " Melissa said. Barbering by Marcus prides itself on trying to keep virtually every appointment to its allotted time. “It’s New York City. Everyone’s on the go, so we keep to our schedule, ” she explained. The salon holds its customers to the same strict sense of time. If someone is more than ten minutes late to their appointment, they are rescheduled so that other customers’ appointments are on time. The staff’s attention to detail has not gone unnoticed; many of their customers have been regulars for years, and the stylists know their exact preferences - even their drink orders.
Arthur Avenue in the Bronx had become a monthly excursion for me and friends while I lived in Westchester. We would shop for pasta, bread, mozzarella and olive oil and then wander over to Roberto Paciullo's' restaurant for lunch. In 2008, we changed our routine up a bit in order to try out his new restaurant, Zero Otto Nove. Needless to say, we were overjoyed with the atmosphere and, of course, the incredible food. Shortly after I moved back into the city, I read that Roberto had made the decision to open a restaurant in Manhattan. My husband and I were one of his first customers on 21st Street, and we have been coming back on a regular basis. In a simple statement, the food is excellent. The intensively hot brick oven cooks their thin crust pizzas to perfection. I adore the stacked eggplant and zucchini parmesan, the guileless arugula salad, any number of their pasta dishes, and I always order a side of the cauliflower with breadcrumbs. Combining the star attractions on each menu from his two successful restaurants in the Bronx, and designing an inviting space has made dining here a pleasure.
Nemo Tile’s beginnings date back to 1921 in Jamaica, Queens. Nemo Tile is responsible for lining and decorating many of New York’s most famed and frequently traveled spaces and landmarks: The Lincoln and Holland Tunnels, the original World Trade Center, the Mandarin Oriental Hotel, the W Hotels, and “countless residences, ” according to their staff, all bear their unique tiles. The company specializes in usable, heavily trafficked tiles, of all colors, shapes, materials and sizes, but Nemo also works on smaller, more decorative or intimate architectural and interior projects. I spoke to Charlotte Barnard, the head of marketing, who told me a bit about the the company’s history and the changes that Nemo has undergone since its inception. Jerry Karlin partnered with, and subsequently took over from, the original owner in the 1950s and since then, the company has been in the hands of three generations of this family run business. I think what struck me most, though, was when I put the pieces together and realized that I grew up in the same town as the Karlin’s. One of their daughters was a childhood friend, and our parents were also very close. I even have fond memories of a trip that I took with the Karlins to Florida when I was about fifteen. All of a sudden, Nemo Tiles took on a whole new meaning for me. As I continued my conversation with Charlotte, she informed me that many things have not changed since 1921 – the original location is still operating in Queens and the Karlin family is still involved with MTA projects, including the new Fulton street station, which features Nemo glass tiles. There have, however, been revolutionary inventions in the tile industry, especially thanks to advances in technology. 3D printing has made it possible to make porcelain look like stone, wood, and even metal. Charlotte proudly stated that Nemo Tile sees some of the most traffic of surrounding showrooms. She pointed out that they have a great location, and that similar companies have followed their lead in moving to the Gramercy area. The company finds most of their products at two major tile shows in Bologna and Florida, but they have wares from all over the world, from China to North America. They have an especially large Italian selection, and Charlotte told us that Nemo had been named “Distributor of the Year” by Confindustria Ceramica, the trade organization for Italian tile. I was deeply impressed with the showroom itself and the constant flow of people stopping by to browse and make purchases: the floor was a clever patchwork of different styles of tile, sliding pull-out displays were tucked into the walls, allowing the space to remain uncluttered, and props like shower heads and mirrors decorated the walls. Charlotte explained, “We are more than a typical tile store. We show tiles within the context of lifestyle. It is a new way to see space, and we are constantly updating the displays. ”