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More Korean nearby

Lost Gem
Osamil 1 Korean undefined

Osamil

It appears that only a few short weeks after opening Osamil in the early fall of 2016, the three partners of Nomad Izakaya have another hit on their hands. At 5: 00pm when Tom, the photographer for Manhattan Sideways, and I walked in, there were a few people milling about at the impressive white marble bar. By the time we left, about an hour and a half later, there was not a seat to be had upfront, and the tables for dinner were rapidly being filled. Both Nathan, the manager, and Moku, one of the owners, greeted us with big smiles, enthusiastically showing off the beautiful decor. Staring at the front mural - with 5th Avenue and 31st Street signs painted on it - Nathan enlightened us that O-sam-il means 5, 3, 1 in Korean. From their doorway, one can see the real signs outside. The numbers have added significance, because in addition to being on 5th and 31st, the restaurant's address is 5 West 31st. When the team first found this space, they had to strip everything down. When they came upon the brick wall on one side, they decided to sand it and leave it exposed. The end result is a checker board design that is strikingly different than other spaces I have seen. A Korean friend of Moku's did the mural on the rest of the wall. "We told him to do whatever he wanted - to use his imagination. " Moonsub Shin did just that, creating a soft gray design that is soothing and beautiful. The wood tables and short stools are spread down the middle of the restaurant with a few booths along the edges. Liquor lockers span the entire opposite wall, filled with customer's personal alcohol. Be it a fine bottle of Scotch or a vintage wine or bourbon, customers are welcome to store whatever they would like in their secured cubby - for a small corkage fee. Straight in the back lies the open kitchen where Chef David Lee performs his magic. Osamil is different from more traditional Korean eateries found just a few blocks away. Here they are striving to be more "modern and upscale" while still being reminiscent of a typical Korean barbecue restaurant. After showing us around and chatting about Osamil, Nathan and Moku invited Tom and I to take a seat at the bar to await some dishes that we could photograph. Little did we realize that the presentation of these dishes would last for a delightful forty-five minutes. The first to arrive was a sizzling plate of cured shrimp, sauteed shishito peppers with broccoli rabe, and beef tartar. Each dish was presented on a unique plate as a culinary work of art. It was not long before a medley of grilled mushrooms and a large marinated lamb chop covered in a mix of herb and pine nuts were placed in front of us. While we watched Gelo, the bartender, whip up several intriguing cocktails, a 100-year-old oak board was put before us with a very large, crispy port shank. A knife and fork stuck out from the top and the shank was surrounded by a shaved apple salad, lettuce leaves, and three small bowls with an array of pickled relishes. Once Tom had finished taking photos of this impressive meal for two, he was instructed to grab a lettuce leaf and fill it with meat, salad, and a relish of his choice. It was great fun and, he assured me, very tasty. There is no doubt that Osamil is off to a fine beginning.

Lost Gem
Kang Ho Dong Baekjeong 1 Korean undefined

Kang Ho Dong Baekjeong

“We were just voted the best Asian barbecue restaurant in New York, ” said Philip, the general manager of Kang Ho Dong Baekjeong. “We’re getting a lot of buzz these days, because Korean food is very trendy right now. ” And Baekjeong, founded by Korean wrestler and TV personality Kang Ho-dong, is the trendiest of all. It is a favorite hangout of actors and celebrities, and has received high praise from celebrity chefs Anthony Bourdain and David Chang. At Baekjeong (the Korean word for “butcher”), meat is king. But while Korean barbecue traditionally makes use of the second-best cuts of meat, marinating them for flavor, Philip emphasized that Baekjeong uses only the highest-quality meat. “We don’t even marinate it, ” he added. Between the quality of the meat and the reputation of executive chef Deuki Hong, a twenty-five year old prodigy who recently won the 2015 Young Guns Chef award, Baekjeong has become one of the hottest new restaurants in New York. The wait to be seated, Philip told me, is sometimes as long as an hour and a half. By all accounts, it is worth the wait. As customers munch on small starter dishes known as banchan, waiters prepare the meat - mainly beef and pork - on large metal grills set into each table. Another highlight at Baekjeong is dosirak, a traditional Korean children’s lunchbox filled with rice, kimchi, and a fried egg. In the seventies, Philip explained, Korean kids always shook up their metal lunch boxes before eating them, and at Baekjeong - which aims for a “1970s industrial Korea feel” - customers are encouraged to do the same. But Philip emphasized that guests who do not know much about Korean food should not be worried. The waiters, who all speak English and Korean, “make sure to cater to customers who don’t know what’s going on. ” For the most part, though, the Chinese tourists and Americans who make up most of Baekjeong’s clientele (“Koreans don’t like to wait in line, ”) do know what is going on. “No one just walks in off the street, ” Philip told me. “The kind of people who come here are in the know. ”

Lost Gem
Hangawi 1 Korean Vegetarian undefined

Hangawi

When I asked the Manhattan Sideways team how they would best describe the atmosphere at Hangawi, they said at once, “tranquil…serene. ” I knew we would have a delicious culinary experience at this vegetarian Korean restaurant, but I had no idea how pleasant and peaceful it would be. Barely through the front door, we were politely asked to remove our shoes and leave them on the floor. On the way out, we just found them neatly placed in cubbies along the wall. We were seated at a wooden table close to the floor, but not low enough to make us uncomfortable. Silky red cushions placed on top of the wood allowed our feet to dangle. The servers moved about with ease and grace, taking orders and serving one outstanding dish after another. Sipping on ginger tea that was packed with flavor, we ordered a few different dishes—there was so much that we wanted to sample! For starters, the small stuffed shiitake mushrooms stacked on a piece of tofu with cinnamon almond dressing was so delicious that I had to take tiny bites—I did not want the pleasure to end. The pumpkin noodles with sautéed vegetables had a divine flavor and were cooked to perfection. The last item that we ordered came in a cast iron bowl with a bubbling, richly spiced broth, tofu, mushrooms, vegetables and bite-sized rice cakes. Served on the side was kimchi – both plain and with a red hot sauce. All of it was absolutely amazing. I could eat at Hangawi multiple times a week and never tire of their menu, or the “balance and harmony” that they effortlessly convey.

More places on 32nd Street

Lost Gem
Kang Ho Dong Baekjeong 1 Korean undefined

Kang Ho Dong Baekjeong

“We were just voted the best Asian barbecue restaurant in New York, ” said Philip, the general manager of Kang Ho Dong Baekjeong. “We’re getting a lot of buzz these days, because Korean food is very trendy right now. ” And Baekjeong, founded by Korean wrestler and TV personality Kang Ho-dong, is the trendiest of all. It is a favorite hangout of actors and celebrities, and has received high praise from celebrity chefs Anthony Bourdain and David Chang. At Baekjeong (the Korean word for “butcher”), meat is king. But while Korean barbecue traditionally makes use of the second-best cuts of meat, marinating them for flavor, Philip emphasized that Baekjeong uses only the highest-quality meat. “We don’t even marinate it, ” he added. Between the quality of the meat and the reputation of executive chef Deuki Hong, a twenty-five year old prodigy who recently won the 2015 Young Guns Chef award, Baekjeong has become one of the hottest new restaurants in New York. The wait to be seated, Philip told me, is sometimes as long as an hour and a half. By all accounts, it is worth the wait. As customers munch on small starter dishes known as banchan, waiters prepare the meat - mainly beef and pork - on large metal grills set into each table. Another highlight at Baekjeong is dosirak, a traditional Korean children’s lunchbox filled with rice, kimchi, and a fried egg. In the seventies, Philip explained, Korean kids always shook up their metal lunch boxes before eating them, and at Baekjeong - which aims for a “1970s industrial Korea feel” - customers are encouraged to do the same. But Philip emphasized that guests who do not know much about Korean food should not be worried. The waiters, who all speak English and Korean, “make sure to cater to customers who don’t know what’s going on. ” For the most part, though, the Chinese tourists and Americans who make up most of Baekjeong’s clientele (“Koreans don’t like to wait in line, ”) do know what is going on. “No one just walks in off the street, ” Philip told me. “The kind of people who come here are in the know. ”

More Japanese nearby

Lost Gem
Izakaya NoMad 1 Tapas and Small Plates Japanese Late Night Eats undefined

Izakaya NoMad

Today, NoMad – short for North of Madison Square Park – is one of Manhattan’s hottest neighborhoods, but Moku, co-owner of Izakaya NoMad, could not have foreseen that when location-scouting for his New York variation of a classic Japanese izakaya (a casual bar serving small plates that pair well with alcohol). Having owned an izakaya in Korea Town, Moku wanted to bring Japanese food to a region where it was sparse. Averi, a member of the Manhattan Sideways team, had an exceptional experience at Izakaya NoMad. Upon her arrival, she was greeted warmly by Moku and his team and quickly shown around the restaurant before the dinner crowd poured in. They started at the front of the house, where Moku pointed out the first section of a three-part custom mural painted by an illustrator from the School for Visual Arts, depicting NoMad infused with elements of Japanese pop culture like Godzilla and Astro Boy. From there, they moved into a long, narrow hall lined with cozy geometric booths, a long bar and open kitchen. Moku admitted that it would have been easier to have the kitchen stationed in the rear like most eateries, but he and co-founder Jay desired to be transparent about their high quality ingredients and also wanted guests to be able to interact with their culinarily well-versed yakitori chef (who coincidentally, bares the nickname Godzilla). Passing by the bar, Averi and her hosts drifted to the back of the dining room, where on an elevated platform, reconfigurable chairs rested under cubed light fixtures. Behind them, modern counters hid in an exposed brick cove with a graffiti reptilian tail tagged on the wall. Back at the front, Averi took a seat at a grand communal table wrapped in cool light from the descending sun and decorative paper lanterns overhead. Sliding doors reminiscent of shōji separate the area from the restaurant upon request, creating an ideal space for company dinners and birthday parties. Moku noted that Izakaya Nomad's design established five “unique spaces… like a maze. ” The bar was intimate and mature, the tables on the platform familial and familiar, the urban grotto youthful and hip, and the front room airy and conversation invoking. Once settled, Moku shared the novel-like menu with Averi, consisting of yakitori, sashimi, sushi, tataki, tempura, hot pots, wine, beer, and sake with informative descriptions for those who may be unfamiliar with Japanese cuisine. A waiter then brought three varieties of sake, and Moku gave Averi a brief lesson in the fermented rice alcohol. She learned that the intensity of flavor stems from how much the outer layer of each grain of rice is stripped away. For example, the harder junmai sake polishes less of the grain – only about thirty percent - so it had a strong rice taste, which Moku claims is popular with young people these days. The junmai ginjo sake takes away about forty percent of the grain, resulting in a subtle sweetness, while the junmai daiginjo removes fifty percent, leaving a “smooth” creamy texture and “less hangover. ” The junmai daiginjo was Averi's favorite of the three, crisp and refreshing with just enough punch. Moku assured her that if sake is not a guest’s "cup of tea, " an impressive list of both beer and wine are available. After drinks, Moku reviewed the custom tasting menu that had been prepared for Averi's visit. With lobster tail, soft fried tofu, sizzling butamoyasi (bacon, beansprouts onions, and chives), uni (sea urchin), and sushi, the menu was reflective of the izakaya’s overall project: to apply the best parts of the Japanese izakaya experience to a “New York market. ” In fact, Izakaya NoMad was the first izakaya around to call themselves a Japanese gastropub. For this reason, the fare served at NoMad is not exactly conventional, as it includes items like sushi and ramen to meet the demand of its clientele. Additionally, the restaurant finds creative ways to incorporate less common snacks like chicken gizzard, battered, fried, and seasoned to be accessible to the average New Yorker. When the colorful, steaming plates began to arrive at the table, it seemed like they would never stop. What a feast. The enoki mushrooms wrapped in smoked bacon, grilled chicken skewers, and the fatty tuna sushi were all delightful; though the sweet “rocket tsukune” (free range chicken meatball), juicy beef short rib yakitori, and the smoky hamachi tataki (seared yellow tail) really stole the show. Averi was surprised when Moku revealed that many of the elements do not require intense seasoning: at izakaya NoMad, they “don’t overdo things” and like to let the fresh ingredients speak for themselves. Despite the quantity of dishes, nothing was repetitive. Each item showcased its own distinct medley of delicious flavors. Incredibly humble and hospitable, Moku and Jay are adamant about focusing on the food, not themselves. While they aim to rival the product of a five-star celebrity establishment, they seek to leave pretention behind, insisting they would never judge customers for how they use chopsticks or eat sushi. “As long as you enjoy, that’s the main point, ” said Moku, “that’s our philosophy. ” Providing “an alternative to any traditional beer experience in Manhattan” with an “upscale look but casual environment, ” Izakaya NoMad has set out to be a safe, social gathering place where food, company, and alcohol can all be enjoyed without inhibition. From Averi's experience, we can verify that is certainly the case.