Senior Planet in NYC

“We are pushing the boundaries of decorative arts, ” Jen Lau, the Sales and Marketing Manager, told me as we rode the elevator to the Alpha Workshops’ studios and showrooms. Jen was referring to the way the decorative arts are taught at the Alpha Workshops and viewed in the world: it is a sector of the art world that is often inaccessible to the average person, a reputation that Alpha hopes to blow open. She was also referring, however, to the purpose the decorative arts have in society. “We heal through art, ” she declared. The Alpha Workshops was founded in 1995 by Kenneth Wampler as a place where HIV-positive individuals could receive training and employment in the decorative arts. Kenneth, who came from a background working at the AIDS Resource Center, called his project “The Alpha Workshops, ” which referenced the Omega Workshops, an English design enterprise from the early twentieth century. As Jen quipped, “They were the last word in decorative arts and we are the first word in new beginnings. ” Many people get in touch with Alpha through caseworkers, flyers in pharmacies, or doctor’s offices. Today, the non-profit organization is expanding its community to include populations with other challenges, such as those living with autism, at-risk youth, and seniors, but the vision remains the same. Artists and students at Alpha Workshops are given a craft and helped to develop a plan for the future. While telling me about the series of classes that make up the Alpha Workshops school program, Jen emphasized that students are also taught how to represent themselves as artists, an important skill in a world where marketing can mean the difference between failure or success. The mission of the Alpha Workshops alone would make it an extraordinary institution, but the creations that come out of the studios offer proof of the extreme talent and creativity of the artists. “We have our own style, ” Jen said, showing us the signature Negoro Nuri pattern that they use in much of their work and that dates back to seventeenth century Japan. As Jen guided us through a vast array of decorative finishes, wallpapers, and demo furnishings, displaying faux bois finishes, verre églomisé (gilded glass), faux marble (Alpha designed the faux marble in Gracie Mansion), and countless other textured patterns, I was continuously impressed with each new technique that the artists had created. Everything in the workshop is art, from the wallpaper in the hallways, to the cube seating, to the uniquely crafted lamps. Jen pointed out a gold lamp in a pattern that mimicked rock candy. She told me the story of how the executive director came into the workshop with a stick of rock candy and said to Obadiah, an artisan at Alpha in the 1990s, “Obi, can you make this into a lamp? ” and so he did. The Eden Rock lamp is Obadiah's legacy, which lives on, though he is gone. Occasionally the studios will refurbish pieces, but mostly they are, in Jen’s words, “working with people who have ideas that they want to turn into reality. ”Though they are mainly known for wallpapers, venetian plaster, and fine finishes, their expertise covers the whole discipline of decorative arts. I had heard from Harry Heissmann about how Alpha Workshops helped turn his friend’s illustration of a minimalist Easter Bunny into a 3D rendering, but Jen shared more stories, some of which involved adapting existing creations. For instance, the artists once made a sixteen-foot ceiling sculpture using grapevine branches: The sculpture was so popular that it then inspired another client to create a chandelier from the same material. As for how clients find the Alpha Workshops Studios, they have pieces in many showrooms around the city and have garnered a reputation for being a hub of creative, highly skilled artists. It does not hurt that the organization is also helping society on a grander scale. “More established designers know about us because of our mission, ” Jen shared with a smile. Jen encourages any potential clients to come and visit the workshops, where they can see just how much the artists can do. Unlike many design centers around the city, Jen pointed out that clients “can visit the studios and classrooms right here and watch how it’s made. ” The Manhattan Sideways team was excited to explore, even without having a commission in the works. We saw artists working on everything from ornate toilet lids to hand-stamped wallpapers. Steel and blush, we learned, were the colors of the season, and so we saw yards of wallpaper patterns in the soothing metallic gray and light pink. The head of the wallpaper department pointed out the more traditional patterns as well as the new ones, describing his job as “so Zen. ” He explained that the mathematics of one geometric variation had been figured out on a computer before being completed by hand. “Artisanship meets technology, ” he said with a smile. “This is tactilely satisfying work. ”Our last stop with Jen was at street level where there is a showroom that doubles as an extra studio when there are no pop-up exhibitions. I have discovered many fascinating places as I have walked the side streets of Manhattan, but nothing that pulled at my heart strings the way that Alpha Workshops did. One person had a dream - a vision - and he was able to make it into a reality that some twenty years later continues to thrive. What was most important to me, however, is the number of lives that Kenneth Wampler has turned around, and in some cases, saved. I encourage anyone with an interest in art to discover this hidden gem, as the public is welcome to tour the facility.

Kadampa is one of the most tranquil indoor spaces that we have encountered. The Center, which is run completely by volunteers, has been housed at various locations through New York for the past twenty years, but moved into its current location in 2012. Just as the volunteers are trusted to run the center, guests are welcomed with a level of trust and openness that feels almost alien. Upon entering we were warmly greeted, and offered the option of sitting in on a free meditation session, or even of availing ourselves of private meditation rooms downstairs. Unsure what to do, we sat in on a pre-recorded meditation. Our host, Margaret, set us up with books, cushions and water. We took off our shoes and read along while the speaker rhythmically took us through the passage. The text was surprisingly smart and proscriptive; it was completely devoid of fluffy affirmations or vague mysticism. Rather Kadampa emphasizes Buddha's teachings, which at this center is done through examining the writings of venerable Geshe Kelsang Gyatso. Still the meditations do not dwell on intellectualism, as the central thrust at Kadampa is providing a place of calm in our bustling city. When we were ready to step back into Manhattan, after feeling thoroughly serene, Margaret invited us back, telling us that even if we did not have time to meditate, we were always welcome to stop by to relax.

The Jeanne D’Arc Home, originally founded in 1896 as a refuge for French girls separated from their families, has remained to this day a safe and welcoming place for women in Manhattan. Run by the Congregation of Divine Providence, the home accepts women from all religions and cultures - often women from other countries who have come to New York temporarily to study or to work. On any given day, the home houses 140 women, and the staff work to create a safe and warm community for all of its members. While it is a home, and visitors must respect that, it is also a wonderful historic site, representative of the hospitable spirit of New York.

A favorite of Lady Gaga, Katy Perry, and Sarah Jessica Parker, New York Vintage is what co-founder Shannon Hoey describes as “a leader in fashion. ” Shannon has spent the past twenty-three years amassing an extensive collection of vintage clothing, which includes a downstairs retail space open to the public and an upstairs industry archive open by appointment only. Over the years, Shannon has dressed red carpet actresses and world-famous singers, and has worked closely with costume designers on a range of films and TV series, including Boardwalk Empire and Mad Men. In 2010, First Lady Michelle Obama made a historic appearance in a New York Vintage Norman Norell dress, and since then, Shannon has dressed her on many occasions. When I first visited New York Vintage, I could not believe my eyes. The window display was stunning, as was the old-fashioned décor, complete with richly upholstered chairs, gilded mirrors, and ornate chandeliers. I was captivated by the wall of Vogue photographs, each one featuring a piece from Shannon’s collection, and of course, by the true treasure of New York Vintage: high-heeled shoes, flamboyant hats, and endless racks of beautiful dresses from designers around the world. Upstairs, the industry archive upstairs was filled with even more outrageous items, from a dress owned by Ulysses Grant’s wife to intricate McQueen headpieces. “Every piece here has historical significance, ” Shannon told me. “We’re an institution, a working museum archive. ” In fact, she added, many of the items at New York Vintage have been purchased from museums, and each piece is meticulously documented and entered into a database. Today, Shannon is one of New York’s foremost experts on fashion as an art form, so I was surprised to learn that she never set out to work with vintage clothing. “Fashion discovered me, ” she told me, explaining how her husband’s career in antiques first sparked her interest in vintage. It quickly became her passion, and within a few years, she and her husband co-founded New York Vintage. “He handles the business side of things, and I’m the creative director, ” Shannon explained. “So I get to do the fun part. ”But the vintage business can be difficult, too, and it took years of hard work for Shannon to build her collection. “The kind of fashion we seek is not easily found, ” she said. “It takes patience and capital, and you need to know what you’re looking for. ” In the early days, Shannon spent a lot of time searching for new pieces in Europe, but nowadays, with three young daughters, she travels much less. When I asked about her children, she said with a smile, “They spend a lot of time here with me, and they love playing dress-up. ”Shannon, unsurprisingly, also loves dressing up, and she told me that she has a lot of opportunities to wear items from her collection. “Halloween is my favorite holiday, ” she explained, “And last year I went to Allison Sarofim’s Italian futurism-themed party in a pink Mohawk and mod clothing. ” But Shannon’s favorite era is the 1920s. “I’m obsessed with all of it, ” she said. “The mindset, the freedom, the departure from women being bound and put in corsets. ”Still marveling over Shannon’s list of celebrity clients, which includes Julia Roberts and Beyonce, I asked if she ever gets starstruck. When celebrities first started flocking to the store, she told me, it was totally overwhelming, “like running from a tidal wave. ” But since then, the only time she has really been starstruck was her visit to the White House with the First Lady. “Some celebrities still catch me off-guard, ” she said, “Like the time Nicole Kidman showed up unannounced. But otherwise, I’m used to it. ”When I asked Shannon about the future of New York Vintage, she told me that they are hoping to expand overseas. “We want to open our doors to global clients, ” she told me, “maybe by opening an outpost in Europe. ” But until then, she told me, she will continue to do what she loves here in New York, working with designers, inspiring them and feeling inspired. For Shannon, the truly fulfilling part of her job is working with designers and models, creating with them and helping to communicate their vision. “I’m always inspired, ” she said with a smile. “I have the best job in the world. ”