Robert Louis Stevenson School

Coach Jellybean, a man who was only introduced to us by his universally-used nickname, has endless good humor. He told us, "I am world famous on the Upper West Side among kids aged nine to twelve. " He added with a cheeky smile, "I'm a big deal. " He is often spotted on the street or at the zoo by gaping mouthed kids who are shocked to see their coach outside his natural habitat. It is not surprising that he is recognized so frequently, since two to three hundred kids go through the batting cages each week. It is, after all, the only place in Manhattan with an indoor facility. Jellybean took us past the large bank vaults that are a permanent part of the Apple Bank basement and into the Green and Blue rooms chatting enthusiastically. The Center can host six different classes at the same time, thanks to its size and equipment. It has every kind of pitching mechanism one can imagine, from a big ancient beast that is still "one of the best machines in the business" despite its age, to an LED display that lights up to resemble an actual pitcher. There are even simulators that can show where the ball would end up going in Yankee Stadium (with handicaps for younger batters). Not only does it motivate kids with a little firework display for home runs, but it also serves as a helpful statistical tool for older players hoping to improve their technique. One of the most impressive machines was the "pro-hitter" which can shoot out balls at 100mph and can basically mimic any kind of major league pitch. Jellybean also showed us the party room, which was decorated on one side for the Mets and on the other for the Yankees, in an effort to appeal to fans of both teams. As I was admiring the countless photographs of kids that lined the hallways, Jellybean pointed out that the center is not just for children. Far from it: the facilities have been used for bachelor parties, special needs adults, and even "big league guys" who want a place to practice in between seasons. The Center is also popular among foreign tour groups who want to try out America's pastime while visiting New York. Jellybean was particularly proud of the charity events that the Center hosts, where people pledge money for hitting pitches at a certain speed. After our tour, I took the time to speak with Jason, who told me more about the programs that the Center offers. There are tournament teams, after school programs, summer camps, and birthday parties, weekly classes, and, during the warmer months, outdoor leagues. He explained that the space's main purpose is to "Promote the experience of baseball. " When I asked how the Baseball Center accomplishes its mission, he replied without hesitating: "the coaches. " Some of the coaches played in college, some are former professionals, and some are still playing, but what binds them all together is their love of the game and their ability as teachers. "A good player doesn't always make a good coach, " Jason admitted, and assured me that each of his coaches is thoroughly trained as a teacher. With a grin, he told me that a mother had recently said to him, "I don't think I've ever seen so many men who are good with children. " With pride, Jason pointed out the sign that marked the Baseball Center as a designated New York City "safe house. "Though Jason has seen some real baseball stars come through the Center's programs - including Clayton Kershaw of the LA Dodgers - he was pleased to tell me of a child who had been coming for years, and had recently been offered a full ride to Stanford via baseball. He went on to say that he enjoys seeing every child thrive, no matter what level they ultimately achieve. He told me that his favorite part about working at the Baseball Center are those happy moments when he witnesses a child get their very first hit. "It's magic, " he gushed. It is a personal victory not just for the child, but for everyone at the Center. "We are a part of each child's team. "

Mario Guerrero, a black belt, has made a name for himself in the martial arts world for helping at-risk kids by giving them training in discipline, fitness, and hand-eye coordination. He now has studios scattered throughout the city, from Tribeca to the Upper East Side, where children and adults alike can learn kickboxing, Brazilian Jiu Jitsu, and Mixed Martial Arts. Recently, Krav Maga, a form of Israeli street fighting, has been added to the roster. Modern Martial Arts advertises classes for everyone from "casual fitness seekers to trained, professional fighters. " The studio does more than offer classes; however: they also create a community. Mario and his trained teachers offer karate birthday parties, fitness-centered movie nights, and "Parent's Night Out" evening classes for kids. We met with Adam, who was teaching an adult mixed martial arts class. He greeted each of the students who walked in with warmth and humor. Once the class began, the group transitioned from generic fitness exercises to work with punching bags and finally horizontal punching bags where the studio members practiced their "ground pounds. " Watching Adam encourage his students to let out a "pshhh" sound each time they hit, I realized that the class was a terrific way to let off steam.

It does not matter what I am looking for, I always stop by Stationery and Toys first, certain that I will find what I need. Sometimes I find myself laughing out loud when I ask either of the owners of this fantastic old world shop, a father and daughter, for the item that I am in search of that day, and they answer "of course we have it. " With its simple name and treasure trove of items for children and adults alike, it is one of the last of its kind, and it makes me happy simply to wander the aisles. "I used to sell wholesale to Hallmark stores, " Larry Gomez, the founder, shared with me one day. "Now there aren't places like this anymore. " On the day that I visited with the Manhattan Sideways team, Larry took the time, in between ringing customers up for paper, pens, puzzles and party supplies, to tell us how the store began. He said that his daughter, Donna Schofield, came home from college to help him in the wholesale business. As Larry tells it, Donna said, "Daddy, Daddy, Daddy, I don't want to sit in a warehouse anymore. I want to work in retail. " Donna, when I spoke to her, tells it a little differently. She says, "I was talking to the same people every day with very little sight of daylight. I wanted to work in a store. "Either way, the outcome was a positive one. Larry gave Donna her wish in 1988 by opening Stationery and Toys. One day, I asked her what it was like having children while working around toys. She said, "My son thought the warehouse was Santa Claus's section. " The boy, who is now fully grown, knew to stay away. His younger sister, though, needed more convincing not to play with the toys. Donna gave the keys to the store to her brother-in-law for a while in order to spend more time with her family, but in 2009, she returned. "She's the big cheese, now, " Larry declared. Today, during the week, when a customer walks into the store, they will see Donna behind the counter and on the weekends it is Larry who is there, allowing his daughter to remain at home. "I'm the Saturday Sunday man! " he said with a grin. Donna's son, however, has started coming in on weekends to work with his grandfather, while he studies to become an electrician. It is this sense of family that Larry believes has saved their store. Donna and Larry form a friendly pair of faces for neighbors to recognize from year to year. He says that they still see many regulars from when the store first opened, though as Larry put it sadly, "there are many that we've lost. " He brightened, however, when he told me about the men and women who come in with their children. Larry recognizes many as having been frequent shoppers when they were kids themselves. He considers himself quite fortunate to have stayed in business through the years. When he first started, he explained, the area was known as "Needle Park" and in order to stay out of danger, people got out of the neighborhood by six in the evening. Now, Larry embraces the fact that the street is a place where families can safely thrive. When speaking with Gary - a sales assistant who has been with the store "for a long time" - I asked him how they decide what to stock, since the inventory seems to be infinite. He replied, "Donna gets it word of mouth, through the kids. The best thing to do is to listen to them. " Donna agreed, saying "If I get asked for an item three times, I get it. " Just before we were leaving, we witnessed a beautiful yet typical moment when Donna noticed a little boy eying a batman figurine on the counter while his mother was making a purchase. Donna sweetly handed the toy to him and told him that it was now his. Neighborhood kindness and generosity is alive and well at Stationery and Toys.

Since 1907, Stephen Wise Free Synagogue has continued to build upon progressive Jewish thought in adherence to the values of its founder, Rabbi Stephen Wise, who stressed the importance of offering a free pulpit. In addition to today's Senior Rabbi Ammiel Hirsch’s sermons on matters concerning the State of Israel, amongst other topics, and the traditional services held Friday nights and Saturday mornings, the congregation is a “singing community” in line with the aspirations of Cantor Daniel Singer. A professional five piece band livens up Shabbat services. Since 1988, the temple has performed nationally renowned Purim Spiels written and directed by Norman Roth, including Megillah Musicals playing on Mamma Mia, Grease, and Glee. The Spiels have gained an international reputation and are now performed in synagogues around the globe. For members outside its community, Stephen Wise Free Synagogue has been performing mitzvahs for decades. Every Saturday morning volunteers offer food packages to those in need. Most inspiring to me, the synagogue voluntarily began running the Next Step Men’s Shelter in 1984 (after Mayor Ed Koch spoke at the synagogue), housing ten selected men for the majority of the year, providing them warm meals and a safe place to sleep at night. In accordance with the play-based learning philosophy, children of the Balfour Brickner Early Childhood Center even decided to tie-dye some bed sheets in an effort to make the space homier. According to director of communications, Samantha Kessler, while other synagogues in the city are struggling to survive, Stephen Wise continues to grow. She was quite proud to expand on the appeal of the Rabbi's stimulating sermons, the emphasis on music, strong engagement in public outreach, and a continued focus on education and religion. It is no wonder that the congregation supports the synagogue's efforts.

When I visited the Center for Family Music, the home of East Side West Side Music Together, a class was just getting started. Danny, one of the program’s talented instructors, was leading a room full of toddlers and adults in a welcome song. Everyone sang “Hello everybody, so glad to see you, ” before specifically greeting all the “mamas, ” “nannies, ” “grandpas, ” and then each child by name. The entire group was welcomed and included in each part of the class, from the funny little noises made with mouths and hands between songs to the tunes themselves. I thoroughly enjoyed Danny's accompaniment on his autoharp as the class sang “This Little Light of Mine. ” Children were allowed to wander around and dance instead of being forced to sit still, but most of them sat with their eyes riveted on Danny or their parents, slowly catching on with claps and sounds. Fleur, the Center Manager, took me into the office, which will soon be partly turned into a space for birthday parties, in order to tell me more about what I had seen. Music Together is a worldwide music program for newborns through the age of five. It began in 1985 and is now taught in over forty countries. Fleur excitedly told me that the first Music Together had just opened in Sydney, Australia, thanks to a family that Fleur taught in New York: the mother loved the program so much that she became certified as a teacher and started a group when her family relocated. Music Together works by having the adults who take the class with the children model certain musical behaviors that the kids eventually copy. Semesters are long – ten to twelve weeks – in order to let the young students fully absorb the material. The program works through different “collections” named for instruments (I witnessed a class in the “Fiddle”). There are so many collections, Fleur told me, that a family can be in the program for three years before they get back to the original one. Even better, the Music Togethers around the world are always on the same collection, so if a family moves away, they can find stability in a new Music Together class, picking up right where they left off. The caretakers who accompany the toddlers make up a varied demographic (as the song said, from nannies to grandparents! ) and during weekend classes, Fleur explained, entire extended families sometimes show up to participate. Often in New York, it is a nanny who introduces Music Together to their families. Fleur went on to tell me that she once had a nanny say to her, “I’ve been doing Music Together for 23 years! ” She told me stories of how, in some cases, it is not just the kids who end up learning: For example, one father could not keep a beat, but had managed to teach himself to keep time with the others by the end of a Music Together semester. As Fleur pointed out, the classes are not about being good at music; they are about appreciating music, singing out, and introducing music into a child’s life. For that reason, tone-deaf parents who still sing their hearts out are some of her favorite people. The goal of Music Together, Fleur informed me, is to give kids “Basic Musical Competence” by the time they start school. This means being able to sing a song, keep a beat, and change the key of that song. Instructors never play an instrument more than three times in a class because, as Fleur pointed out, “You are the music maker. ” Music is known to activate more parts of the brain than any other activity, and so Music Together is not only giving kids the gift of music, but also preparing their minds for further learning. One thing Fleur emphasized about the program is that it is research-based and educationally-minded. She reminded me of the funny lip trills that I saw the kids doing. She demonstrated how a simple motion like that can activate the lips and tighten the diaphragm while still keeping it fun and silly for the children. This combination of learning and fun is why, in Fleur’s words, the program has “stood the test of time. ”The staff comes from a variety of backgrounds, but they appear to share two core elements: a love of music and a dedication to teaching. Danny has been teaching for almost twenty years, but has been performing professionally since he was seven years old. Fleur moved to New York City after going to school for acting. Music Together was brought to her attention while she was working as a babysitter, and she immediately decided to get certified. “I didn’t want to wait tables, I wanted to do this! ” she said, adding, “Once you’re in, you sort of drink the Kool-aid: You get hugs for a living! You’re around happy people for a living! ”I spoke with Deanna, the director, who started West Side Music Together in 1993 before uniting it with East Side Music Together in 2005. She was first introduced to Music Together as a mother. In 1992, when her oldest child was a baby, the mom’s group that she hung out with in the park suggested she take a class. She told me, “As a mom it made a lot of sense, and as a musician it felt really grounded. ” She added, “It was about all of us – not just about a teacher entertaining my kid. ” Deanna is a performer, but she took time off from auditioning when she became a mom. She thought Music Together was the perfect way to “keep [her] sense of herself” while taking a break from the theater world. She inquired about training and after getting certified, she decided to offer Music Together on the Upper West Side, where there was no outpost. She opened a little place on Riverside Drive with seven families and has since grown, thanks almost entirely to word of mouth, serving close to 50, 000 families since 1993. In the late nineties, Deanna partnered with her acting friend, Sally Woodson, who helped her to rent a space in her apartment building. Sally has sadly since passed away, but the space that she found is now the Center for Family Music. Deanna says that she feels especially happy to be offering this opportunity in today’s electronics-driven society. She pointed out that since kids and parents are always “Nose to nose with their electronic devices, ” it is easy to get disconnected from one’s own children. Music Together allows families to have “real quality time with their children in a musical setting. ” Deanna is also pleased that her own chapter of Music Together has spawned new centers around the country, an obvious sign that she is doing something right. She says that she encourages any curious family to come see what a class is like, because being able to have the musical experience is the best way to see what Music Together is all about. Deanna continues to thrive on her school, even (or especially) after over twenty years. “What more could you ask for from a career than to say you love what you do? ”

Like many surgeons, when Dr. Thomas Romo III graduated medical school, he hopped on a plane to India and Vietnam in order to fix cleft lips. "We felt like we had time and a reason to give back, " he said of himself and his peers who choose to travel the world doing medical procedures before settling down and developing a practice. Though Dr. Romo operated on numerous lips, he realized after a while that the program he was traveling with was only fixing a quarter of the problem. After the lip healed, the palate still did not close correctly and teeth did not grow straight. Patients would experience chronic Eustachian tube problems, resulting in earaches. Dr. Romo wanted to fix the rest of the palate, but the mission that he was with focused solely on lips. "I wanted to change the paradigm, " Dr. Romo declared. Back in New York, he began developing a plan to help children with facial birth defects through all operation stages, not just cosmetic. Dr. Romo admitted that he did not have any experience putting together a foundation, "I did not go to business school, " he pointed out, and therefore it was challenging for him to lay the groundwork of his new venture. He decided to accept only newborns through age twenty-one who were on Medicaid or required other financial assistance, with emphasis on those from the United States. As he phrased it, "Little Baby Face Foundation helps "children from Harlem to Ethiopia. "With his mission in place, Dr. Romo then recruited thirty doctors, including pediatricians, plastic surgeons, and various specialists. This impressive brain trust assembles each month to discuss fifteen to twenty children whose financial statements have been checked. They ask, "Who does this child need to see? " If they are not sure, they bring them in for a "look-see" with each of the doctors. He then went on to say that when these children come in to meet this large group of doctors, they are experiencing something unique - this number of medical professionals is rarely seen in one room. For the entire stay, including during the operation and recovery time, the child and his or her family are taken care of every step of the way: their flights are paid for, "Mario picks them up in a car service, " and they are welcomed with open arms at the Ronald McDonald House. What most impressed me about the Little Baby Face Foundation is that every doctor volunteers his or her time. It has been worked out so that no one needs to perform more than a handful of procedures each month. Occasionally, when Dr. Romo is met with slight reluctance from one of the doctors, he often responds with a poignant, yet witty response: "How much fat do you want to suck and how many boobs do you want to do? Or do you want to change a child's life? "Dr. Romo performs a significant number of the operations. He sometimes ends up doing as many as ten during the winter holidays. Speaking with him is an enlightening experience, as he is so full of energy, compassion, and joviality. He shared a few stories of patients who had touched his heart. He told me about operations that involved a Texan child with nerve paralysis and another from Harlem who was born deaf and missing an ear on one side. On the latter, Dr. Romo performed a cochlear implant and that the child "heard his name said at graduation. "Speaking about a few other patients from abroad, Dr. Romo continued to touch my own heart as he spoke of a child who came from farther afield - in Ethiopia. The girl had a large mass on her neck that no other doctor would touch. Dr. Romo said, "We had to fly her from a small village to Addis Ababa to Dubai to New York. " Not only did the girl have the mass removed, but she also got to have a New York adventure. As he continued on, I learned about a couple from England who came with their eighteen-month old son, who had a tumor falling over his eye. The parents, who were only nineteen and twenty-one, themselves, were given the opportunity to spend several weeks in Manhattan while their child was having his life changed. Dr. Romo is proud of how far the foundation has come since it began in 1990. He recently experienced a year in which he raised enough money in order to pay a small staff. One of the members of his team is his own wife, Diane Romo, who is the surgical coordinator. She deals directly with the children and has the extreme pleasure of contacting families to tell them, "We're going to bring you to New York. "Now that he has a model and a brand, Dr. Romo hopes to expand. "We can helicopter to Chicago, LA, or San Francisco, " he told me excitedly. But he is also devoted to New York, and emphasizes the concept of "New Yorkers helping New Yorkers. " He wishes that more people knew that the Little Baby Face Foundation existed. He said that a lot of hospitals are in the red, which should not be the case, since there are so many doctors willing to occasionally work for free for the sake of the greater good. His need to give to the community in any way he can is inspiring. As he perfectly phrased it for me, "I'm a surgeon. This is the only way I know how to give back. "

Holy Trinity Cathedral, a Greek Orthodox church in the Byzantine Moderne style, is the national cathedral of the Orthodox Archdiocese of America. Though first formed in 1891, Eleanor Roosevelt laid the cornerstone of the current building in 1932.

In 1832, the Reverend Dr. McVickar found a large group of "destitute" boys playing on Stanton Street. He asked them why they were not at church, and they replied that there was no church. He immediately started raising money to start one. He managed to find a place to worship in a tiny room over an engine house. The first assembly occurred on January 6th, 1833, on the Festival of the Epiphany, hence the church's name. Since then, it has had many homes throughout the city and merged with a few other congregations before finding its current location on 74th Street. The parish moved in 1944, over a hundred years after it was first formed. At the time, the "Far East Side" had no Episcopal churches, but Epiphany chose to move in order to meet the needs of the New York Hospital complex.

Coach Jellybean, a man who was only introduced to us by his universally-used nickname, has endless good humor. He told us, "I am world famous on the Upper West Side among kids aged nine to twelve. " He added with a cheeky smile, "I'm a big deal. " He is often spotted on the street or at the zoo by gaping mouthed kids who are shocked to see their coach outside his natural habitat. It is not surprising that he is recognized so frequently, since two to three hundred kids go through the batting cages each week. It is, after all, the only place in Manhattan with an indoor facility. Jellybean took us past the large bank vaults that are a permanent part of the Apple Bank basement and into the Green and Blue rooms chatting enthusiastically. The Center can host six different classes at the same time, thanks to its size and equipment. It has every kind of pitching mechanism one can imagine, from a big ancient beast that is still "one of the best machines in the business" despite its age, to an LED display that lights up to resemble an actual pitcher. There are even simulators that can show where the ball would end up going in Yankee Stadium (with handicaps for younger batters). Not only does it motivate kids with a little firework display for home runs, but it also serves as a helpful statistical tool for older players hoping to improve their technique. One of the most impressive machines was the "pro-hitter" which can shoot out balls at 100mph and can basically mimic any kind of major league pitch. Jellybean also showed us the party room, which was decorated on one side for the Mets and on the other for the Yankees, in an effort to appeal to fans of both teams. As I was admiring the countless photographs of kids that lined the hallways, Jellybean pointed out that the center is not just for children. Far from it: the facilities have been used for bachelor parties, special needs adults, and even "big league guys" who want a place to practice in between seasons. The Center is also popular among foreign tour groups who want to try out America's pastime while visiting New York. Jellybean was particularly proud of the charity events that the Center hosts, where people pledge money for hitting pitches at a certain speed. After our tour, I took the time to speak with Jason, who told me more about the programs that the Center offers. There are tournament teams, after school programs, summer camps, and birthday parties, weekly classes, and, during the warmer months, outdoor leagues. He explained that the space's main purpose is to "Promote the experience of baseball. " When I asked how the Baseball Center accomplishes its mission, he replied without hesitating: "the coaches. " Some of the coaches played in college, some are former professionals, and some are still playing, but what binds them all together is their love of the game and their ability as teachers. "A good player doesn't always make a good coach, " Jason admitted, and assured me that each of his coaches is thoroughly trained as a teacher. With a grin, he told me that a mother had recently said to him, "I don't think I've ever seen so many men who are good with children. " With pride, Jason pointed out the sign that marked the Baseball Center as a designated New York City "safe house. "Though Jason has seen some real baseball stars come through the Center's programs - including Clayton Kershaw of the LA Dodgers - he was pleased to tell me of a child who had been coming for years, and had recently been offered a full ride to Stanford via baseball. He went on to say that he enjoys seeing every child thrive, no matter what level they ultimately achieve. He told me that his favorite part about working at the Baseball Center are those happy moments when he witnesses a child get their very first hit. "It's magic, " he gushed. It is a personal victory not just for the child, but for everyone at the Center. "We are a part of each child's team. "