Mario Guerrero, a black belt, has made a name for himself in the martial arts world for helping at-risk kids by giving them training in discipline, fitness, and hand-eye coordination. He now has studios scattered throughout the city, from Tribeca to the Upper East Side, where children and adults alike can learn kickboxing, Brazilian Jiu Jitsu, and Mixed Martial Arts. Recently, Krav Maga, a form of Israeli street fighting, has been added to the roster. Modern Martial Arts advertises classes for everyone from "casual fitness seekers to trained, professional fighters." The studio does more than offer classes; however: they also create a community. Mario and his trained teachers offer karate birthday parties, fitness-centered movie nights, and "Parent's Night Out" evening classes for kids.
We met with Adam, who was teaching an adult mixed martial arts class. He greeted each of the students who walked in with warmth and humor. Once the class began, the group transitioned from generic fitness exercises to work with punching bags and finally horizontal punching bags where the studio members practiced their "ground pounds." Watching Adam encourage his students to let out a "pshhh" sound each time they hit, I realized that the class was a terrific way to let off steam.
Coach Jellybean, a man who was only introduced to us by his universally-used nickname, has endless good humor. He told us, "I am world famous on the Upper West Side among kids aged nine to twelve. " He added with a cheeky smile, "I'm a big deal. " He is often spotted on the street or at the zoo by gaping mouthed kids who are shocked to see their coach outside his natural habitat. It is not surprising that he is recognized so frequently, since two to three hundred kids go through the batting cages each week. It is, after all, the only place in Manhattan with an indoor facility. Jellybean took us past the large bank vaults that are a permanent part of the Apple Bank basement and into the Green and Blue rooms chatting enthusiastically. The Center can host six different classes at the same time, thanks to its size and equipment. It has every kind of pitching mechanism one can imagine, from a big ancient beast that is still "one of the best machines in the business" despite its age, to an LED display that lights up to resemble an actual pitcher. There are even simulators that can show where the ball would end up going in Yankee Stadium (with handicaps for younger batters). Not only does it motivate kids with a little firework display for home runs, but it also serves as a helpful statistical tool for older players hoping to improve their technique. One of the most impressive machines was the "pro-hitter" which can shoot out balls at 100mph and can basically mimic any kind of major league pitch. Jellybean also showed us the party room, which was decorated on one side for the Mets and on the other for the Yankees, in an effort to appeal to fans of both teams. As I was admiring the countless photographs of kids that lined the hallways, Jellybean pointed out that the center is not just for children. Far from it: the facilities have been used for bachelor parties, special needs adults, and even "big league guys" who want a place to practice in between seasons. The Center is also popular among foreign tour groups who want to try out America's pastime while visiting New York. Jellybean was particularly proud of the charity events that the Center hosts, where people pledge money for hitting pitches at a certain speed. After our tour, I took the time to speak with Jason, who told me more about the programs that the Center offers. There are tournament teams, after school programs, summer camps, and birthday parties, weekly classes, and, during the warmer months, outdoor leagues. He explained that the space's main purpose is to "Promote the experience of baseball. " When I asked how the Baseball Center accomplishes its mission, he replied without hesitating: "the coaches. " Some of the coaches played in college, some are former professionals, and some are still playing, but what binds them all together is their love of the game and their ability as teachers. "A good player doesn't always make a good coach, " Jason admitted, and assured me that each of his coaches is thoroughly trained as a teacher. With a grin, he told me that a mother had recently said to him, "I don't think I've ever seen so many men who are good with children. " With pride, Jason pointed out the sign that marked the Baseball Center as a designated New York City "safe house. "Though Jason has seen some real baseball stars come through the Center's programs - including Clayton Kershaw of the LA Dodgers - he was pleased to tell me of a child who had been coming for years, and had recently been offered a full ride to Stanford via baseball. He went on to say that he enjoys seeing every child thrive, no matter what level they ultimately achieve. He told me that his favorite part about working at the Baseball Center are those happy moments when he witnesses a child get their very first hit. "It's magic, " he gushed. It is a personal victory not just for the child, but for everyone at the Center. "We are a part of each child's team. "
One of the first things children are taught to say at Silver Music is "I like chocolate ice cream. " While this may seem like a way to enhance a kid's sweet tooth, it is actually a clever method of teaching one of the primary rhythms of the Suzuki method. "We used to have ice cream parties at the end of the year, " the founder, Ellen Silver, told me. "We didn't want to torture the children by just talking about ice cream all year – but now there are just too many students. "Ellen, a cellist who has worked as a teacher with the internationally recognized "Music Together" program, has always been fascinated by the way very young children approach instruments. Every child is different, but she noticed patterns of learning that she believed would help her better prepare toddlers for music lessons. She started out in 2005 with a class of five students in her Upper West Side apartment and began teaching them the beginning stages of piano, cello and violin. This involved singing, holding a bow, improvisation exercises, and learning how to take directions. "Those children are now fourteen or fifteen, and they still come to Silver Music! " Ellen said proudly. Though Silver Music has since expanded by offering programs for all ages, that beginner's class, called "Ready, Set, Play, " is still a major component of the school. There are at most four kids in the class, generally from two to four years old. "Over time they want to learn how to play an instrument the right way, " Ellen explained to me. "And that means they are ready for lessons. " Though the classes still focus on violin, cello, and piano, she is thinking of possibly adding guitar into the mix. With a strong core of instructors, Silver Music is able to offer lessons to well over one hundred students, as well as another seventy who come specifically for "Ready, Set, Play. ""All of our teachers are amazing performers, but they are passionate about teaching, " Ellen shared. She then went on to tell me that she moved the school to 72nd street in 2014 with the help of her husband, who is an architect. Because of what we do at Manhattan Sideways, it was interesting to hear that the two of them walked the side streets in this neighborhood in order to find the perfect location. When they found their home on 72nd street, they redesigned the space and sound-proofed it. Ellen assured me that the residents of the building love them, especially since many of them are musicians, themselves. In addition to the main center, Silver Music has a one-room location on Tiemann Place in Harlem and does outreach programs at two different preschools. I looked in through the window, grinning from ear to ear, at the young children holding their tiny instruments. Ellen told me that kids can be taught to hold a bow at the age of two. "It's just so amazing to see them develop these skills that you may not have known they could have, " she said, and showed me a video of one of her youngest students sliding a small bow along the strings of a Lilliputian violin. I was pleased to discover that many of their small instruments come from David Segal, whom I had met a few weeks prior. Ellen uses a variety of methods to teach the children. She encourages them to love and respect their instruments (often through song – she sang a snippet of the "I love my cello" song for me), but she also inspires them to explore. She lets them see what new sounds they can make, asking them fun questions like, "How do you make a slippery slide on the cello? " She urges them to discover their own way of playing, and then gently introduces a new way. Ellen also uses elements of the Dalcroze method, an approach to music that incorporates movement. It was fascinating to learn that by showing them to how to explore music with their bodies, Ellen can better teach small children how to read and write music. Using strokes for long beats and connected strokes for short beats, she creates a physical and literary code that children can understand. Each long beat is a stomp, whereas the quick beats are running in place. Children often learn to write this beat notation by the age of four, and some even learn it before they know how to write letters. There is no doubt in my mind that Ellen and her team are having a remarkable impact on many little ones who will inevitably grow up with a deep appreciation for music. Silver Music has taken into consideration every aspect of reaching people through music. Their classes continue through the summer, when each week ends in a small concert with the campers. They present concerts throughout the year, either held in a family's home or at the American Academy of Arts and Letters on West 155th Street - a place that Ellen describes as a "hidden Carnegie Hall. " Ellen also offers classes to families who want to learn to play an instrument together, and Chamber Music sessions for adults who are eager to be a part of an ensemble. Although, initially, Silver Music's adult clients were the parents of the children, today Ellen is pleased that her grown-up students are coming from various parts of the city - and some young students come to camp from as far away as Massachusetts and Vermont. Ellen's true devotion will always be with respect to her youngest pupils. "Every kid can benefit from our classes.... and we nurture each little avenue. " Students learn to follow directions, concentrate, and develop language skills. She finds great joy in the children who sing and dance almost before they can walk and talk. Her tireless goal is to foster an environment where these children can continue to receive personal attention to allow their particular skill set to grow.
As Master Teresa Throckmorton guided me through Central Park Taekwondo and invited me to take off my shoes, I was struck by how immaculate everything was. "I make sure it's very clean, " Teresa told me, and took me past a group of women practicing the martial art to a smaller studio separated from her office by a glass wall. There were toys on the floor from the camp program that had just left, as I was visiting during the summer months. "It's a real community, " Teresa said, telling me about the different options for all ages. "People come and they don't want to leave. "Teresa is a typical New Yorker in her impressive use of space. Along with the smaller studio in front of her office, the main room has partitions that can be dragged across to create smaller spaces. She has seven full-time instructors who have been doing taekwondo for most of their lives. She proudly told me that she offers each of them benefits, vacation, and sick leave. The glass that separates her office is covered with words in red: "courtesy, " "integrity, " "perseverance, " "self-control, " and "indomitable spirit. " These are the central tenets of taekwondo, a word that means "the way of the hand and foot" in Korean. Teresa explained to me that taekwondo is not just a physical practice, but also a mental one. As a fifth level black belt, she is a well-qualified teacher (Any degree above fourth indicates someone who has dedicated his or her life to teaching martial arts). She grew up with brothers in an active family on a farm in Virginia, and so she was introduced to a series of sports before landing on taekwondo as her passion. She has also introduced the martial art to her children. I met eleven-year-old Caden, a black belt who has been studying taekwondo since he was two years old, though he now splits his time between martial arts and baseball. Teresa's eight-year-old son is also a black belt and her little girl is a third degree red belt. "It was never a choice for them, " Teresa said with a grin. As for Teresa, she is still training. A certain number of years must pass before you can increase your belt degree, but Teresa proudly told me, "By the time I am seventy-six years old, I will be ninth degree black belt grandmaster. "Teresa makes sure that everyone in Central Park Taekwondo - and in her family - is certified through the Kukkiwon Taekwondo World Headquarters, so that their belt status is recognized everywhere. She also follows the rules of the World Taekwondo Federation School whenever her students compete. However, taekwondo is not just about gaining belts and competing. Teresa believes that taekwondo can be beneficial to anyone, even those who have never participated in sports. "What I love about this place, " she told me, "is that you can come with no experience and end up a black belt one day. " She also told me that taekwondo helps people with challenges such as ADD or ADHD, since it can build mental discipline and self-confidence. "A lot of therapists suggest taekwondo, " Teresa informed me. Teresa especially suggests the martial art for children, since taekwondo helps teach principles of respect and builds a foundation of physical concentration. Teresa is very pleased with the fact that she has gained so many students in such a short amount of time. She opened Central Park Taekwondo in August of 2011 after training and working at another school in the area for seventeen years. The studio has been expanding ever since, with students traveling from Harlem and Brooklyn. "We're hoping to buy a new building, since we have grown really quickly in four years, " Teresa said. She wants to remain on the Upper West Side, where people can find her. The only advertising she uses is word of mouth and the sandwich board outside, which reads "They say you kick like a girl, you say thank you! " When I expressed my approval, she let me know that the school is split evenly between men and women, which is unusual for a martial arts studio. "I think it's because I'm a female owner, so people feel connected to me, " she said. She is very proud to have created such a tight-knit community. As I was leaving, she told me, "Our intention is to make anyone who walks in feel welcome, empowered, and strong. "
It does not matter what I am looking for, I always stop by Stationery and Toys first, certain that I will find what I need. Sometimes I find myself laughing out loud when I ask either of the owners of this fantastic old world shop, a father and daughter, for the item that I am in search of that day, and they answer "of course we have it. " With its simple name and treasure trove of items for children and adults alike, it is one of the last of its kind, and it makes me happy simply to wander the aisles. "I used to sell wholesale to Hallmark stores, " Larry Gomez, the founder, shared with me one day. "Now there aren't places like this anymore. " On the day that I visited with the Manhattan Sideways team, Larry took the time, in between ringing customers up for paper, pens, puzzles and party supplies, to tell us how the store began. He said that his daughter, Donna Schofield, came home from college to help him in the wholesale business. As Larry tells it, Donna said, "Daddy, Daddy, Daddy, I don't want to sit in a warehouse anymore. I want to work in retail. " Donna, when I spoke to her, tells it a little differently. She says, "I was talking to the same people every day with very little sight of daylight. I wanted to work in a store. "Either way, the outcome was a positive one. Larry gave Donna her wish in 1988 by opening Stationery and Toys. One day, I asked her what it was like having children while working around toys. She said, "My son thought the warehouse was Santa Claus's section. " The boy, who is now fully grown, knew to stay away. His younger sister, though, needed more convincing not to play with the toys. Donna gave the keys to the store to her brother-in-law for a while in order to spend more time with her family, but in 2009, she returned. "She's the big cheese, now, " Larry declared. Today, during the week, when a customer walks into the store, they will see Donna behind the counter and on the weekends it is Larry who is there, allowing his daughter to remain at home. "I'm the Saturday Sunday man! " he said with a grin. Donna's son, however, has started coming in on weekends to work with his grandfather, while he studies to become an electrician. It is this sense of family that Larry believes has saved their store. Donna and Larry form a friendly pair of faces for neighbors to recognize from year to year. He says that they still see many regulars from when the store first opened, though as Larry put it sadly, "there are many that we've lost. " He brightened, however, when he told me about the men and women who come in with their children. Larry recognizes many as having been frequent shoppers when they were kids themselves. He considers himself quite fortunate to have stayed in business through the years. When he first started, he explained, the area was known as "Needle Park" and in order to stay out of danger, people got out of the neighborhood by six in the evening. Now, Larry embraces the fact that the street is a place where families can safely thrive. When speaking with Gary - a sales assistant who has been with the store "for a long time" - I asked him how they decide what to stock, since the inventory seems to be infinite. He replied, "Donna gets it word of mouth, through the kids. The best thing to do is to listen to them. " Donna agreed, saying "If I get asked for an item three times, I get it. " Just before we were leaving, we witnessed a beautiful yet typical moment when Donna noticed a little boy eying a batman figurine on the counter while his mother was making a purchase. Donna sweetly handed the toy to him and told him that it was now his. Neighborhood kindness and generosity is alive and well at Stationery and Toys.
Since 1907, Stephen Wise Free Synagogue has continued to build upon progressive Jewish thought in adherence to the values of its founder, Rabbi Stephen Wise, who stressed the importance of offering a free pulpit. In addition to today's Senior Rabbi Ammiel Hirsch’s sermons on matters concerning the State of Israel, amongst other topics, and the traditional services held Friday nights and Saturday mornings, the congregation is a “singing community” in line with the aspirations of Cantor Daniel Singer. A professional five piece band livens up Shabbat services. Since 1988, the temple has performed nationally renowned Purim Spiels written and directed by Norman Roth, including Megillah Musicals playing on Mamma Mia, Grease, and Glee. The Spiels have gained an international reputation and are now performed in synagogues around the globe. For members outside its community, Stephen Wise Free Synagogue has been performing mitzvahs for decades. Every Saturday morning volunteers offer food packages to those in need. Most inspiring to me, the synagogue voluntarily began running the Next Step Men’s Shelter in 1984 (after Mayor Ed Koch spoke at the synagogue), housing ten selected men for the majority of the year, providing them warm meals and a safe place to sleep at night. In accordance with the play-based learning philosophy, children of the Balfour Brickner Early Childhood Center even decided to tie-dye some bed sheets in an effort to make the space homier. According to director of communications, Samantha Kessler, while other synagogues in the city are struggling to survive, Stephen Wise continues to grow. She was quite proud to expand on the appeal of the Rabbi's stimulating sermons, the emphasis on music, strong engagement in public outreach, and a continued focus on education and religion. It is no wonder that the congregation supports the synagogue's efforts.
Ronald McDonald House is a very special place that provides a "temporary 'home away from home' for pediatric cancer patients and their families. " Having had an apartment, for a short time, just a few doors down from their 73rd Street location, I was aware of the wonderful work that they do. When I mentioned to Sophie, one of our Manhattan Sideways team members, that I wanted to feature them on 73rd, she lit up and shared her close connection to the organization on the West Coast. Sophie told me that she was honored to visit and help her mother volunteer with her miniature horses at the Los Angeles and Pasadena chapters. "I was immediately won over by their mission, but even more important, by the children themselves. A significant aspect of their programming is to provide children with the opportunity to just be kids, first and foremost. Seeing the kids interact with the miniature horses showed me how much excitement and exuberance these children have. The smiles on the faces of their parents were always equally heart-warming. "Ronald McDonald House New York has been providing care and support to families since 1978. They "coordinate emotional and physical services, psychological care, ministry support, wellness programs, tutors, music, art, transportation, activities for siblings, holiday and birthday parties, and camaraderie for parents struggling with their child's cancer diagnosis. " In addition, this particular location has a Greek Division that provides services for families from Greece and Cyprus, Camp Ronald McDonald in the summer, classes in English as a second language, therapy for dogs (Angels on a Leash), and Weird Science, where the kids conduct intriguing and engaging experiments. Love and care are Ronald McDonald's central tenants. New York has its own set of angels in the way of the volunteers who play a major role in the day to day lives of the children. The Day Team leads afternoon activities and the Evening Team coordinates birthday parties, holidays, and dinners. The volunteer sign up is a major commitment to help provide a sense of normalcy and strength to the children and their families. If interested in volunteering, please visit their website.
Kate Rheinstein Brodsky, the creator of KRB, was immersed in the world of design and retail from a young age. Her mother, Suzanne Rheinstein, is an internationally recognized designer. Ever since Kate was a child, her mom has run Hollyhock, a Los Angeles furniture boutique. "I really loved retail, " Kate shared, telling me how she would go to Hollyhock after school and work there over summer breaks. As a teenager, she wanted to open a bookstore, but realized that this might be difficult in the digital age. As a "homebody" and frequent hostess, Kate knew that she enjoyed creating beautiful homes, both for herself and others. As she described it, "I loved the feeling of home, of having a nice place to live in. " Ultimately, her passion for retail manifested itself in a career in the design world. Upon graduating from New York University with a degree in art history, Kate worked for Jeffrey Bilhuber, the interior designer. "I love interior design... but I'm not an interior designer, " she said. Working for Jeffrey, however, she learned a lot of things that would help her later on in the world of retail. She realized the importance of customer service and doing things "correctly, in a thoughtful manner. " Following her time with Jeffrey, she worked at Elle Decor, which taught her discipline and introduced her to new looks. "I was exposed to so many different styles, " she explains. "Sometimes you don't know you like something until you see it. " Kate has maintained a good relationship with Elle Decor – they recently featured her Upper East Side apartment as part of their "House Tour, " which brought a collection of readers, impressed by her style, to Kate's boutique. When I visited KRB, I was taken by the variety of colors, as opposed to the usual browns and golds that dominate antique shops. The salesperson, Fiona, said that adding bold colors to antique pieces is one of Kate's trademarks. She showed me some traditional chairs with bright olive green seats as an example, saying, "Green's a big color for her, " before pointing out Kate's love for French opaline. Fiona went on to say that Kate could be inspired by anything. She spoke of a box of old cameos that Kate found. When Fiona inquired, "What are you going to do with those? " Kate answered matter of factly, "I don't know, but I'll figure it out. " Kate elaborated, "I like to reinterpret old things. " By this, she means both in the pieces, as with the chairs, and in the way they are used. She told me that there are many beautiful finger bowls out there that are no longer used - or at least not as finger bowls. Kate encourages customers to use them in new ways, by putting votive candles in them or a small scoop of strawberry ice cream. "I like taking things out of their original context, " she admitted. As another example, she told me about the tric trac tables, tables used to play a precursor to backgammon. The board is so similar to backgammon that the tables have been able to be repurposed. "I get very attached to furniture, " Kate admitted, likening different pieces to rescue animals. "I want them to have good homes. " She realizes, however, that people have different styles and that she may have to wait a while for the right person to come along. She added that although her mother heavily influenced her, the two women do not always see eye to eye on design. "We have our own taste, " she said. Despite their differences, the store is still inspired by her mother's extraordinary career. "I always love watching her, how she explains to people how to incorporate beauty into their life. "There is the possibility that a third generation of Rheinstein women might enter the world of design. In 2015, Kate was the proud mom of new daughter number three. "I love that my children comprehend what I do, " she told me. When they ask her where she is going, she can answer "to the store" and they know exactly where she will be. Owning the boutique means she has a flexible work schedule and can easily spend a lot of time with her children. She specifically opened on the Upper East Side to be near her family – and other families. She wanted to be in a place where people could stumble upon her and buy a housewarming present, rather than in a design-industry-heavy neighborhood. "I just hope I'm on people's path. I encourage them to come look.... browsers welcome. " As for her daughters and what they think of her boutique, Kate told me that her five-year-old recently told her teacher that when she grows up, she wants to be "a mommy and a shopkeeper. "
Nestled between Madison and 5th Avenue on E 73rd Street is a jewelry box of worldly treasures. Ivar Jewelry by Ritika Ravi, opened December 2022, is the first New York outpost for the designer — a graduate of the London College of Fashion who splits her time between India and the United States, sourcing inspiration for her next piece. “My idea was to take traditional Indian craftsmanship and give it a more contemporary aesthetic, ” Ritika told us when, entranced by the store’s gorgeous pod-like display cases, we found ourselves poring over the delicate filigree and vibrant gemstones of several stackable rings. “There’s always this incredible gold Indian jewelry, that’s so beautifully made — it's so intricate, ” said Ritika, “but it can be very large and not really wearable. I took that concept and the jewelry making techniques and gave it more of a contemporary twist. ” After launching the brand in 2018 and a successful store opening in the Maldives, Ritika set her sights on New York. “It took me almost a year to find the right space, ” she said, adding that it took several trips from India and extended stays in the city to settle on the 825-square foot space on the Upper East Side. Ivar, a woman-owned business, employs a mostly female workforce, “from the front office to stores. ” Now, Ritika is happy to bring traditional Indian jewelry-making techniques and materials like polki (the art of using untreated raw, uncut diamonds) and enamel to the city, as well as incorporate sustainable sourcing practices and a commitment to global outreach — employing skilled artisans who have generations of jewelry-making experience and donating to the Andrea Bocelli Foundation, an organization dedicated to empowering communities in poverty. And after one trip in to meet the talented designer and marvel at each delicate, glittering pod, we’re certain we’ll be back for more than just window shopping.
Whenever I step inside Via Quadronno, I feel like I have been lifted out of Manhattan and gently dropped onto a pedestrian street in Italy. The walls are lined with wines and jars of honey, jam, and olive oil. On the day when I descended into the warm, rustic dining area, there was the smell of cappuccino wafting through the air that attracted my senses. It was the owner, Paolo Della Puppa, however, as authentically Italian as his restaurant, who captured my heart. Paolo spoke to me about the history of Via Quadronno, which is intertwined with his own story as well as the social history of the world. He began his career publishing music through his own company, Anyway Music. He went on to sell Anyway to Warner Brothers in 1992. In 1983, Paolo moved to New York while continuing to run the business, but when the conversion rate jumped to 2000 lira for every dollar, he realized he needed to find a new job. Friends encouraged Paolo to speak with Hans Pauli, owner of the recently opened Sant Ambroeus on Madison Avenue. At this point in his story, Paolo took a moment to explain Hans Pauli's background. I had previously heard a bit of this story, as I had visited Sant Ambroeus on West 4th Street when I first began walking the side streets. Nevertheless, it was fascinating to hear Paolo share what he knew about Hans. He told me that Hans had bought Sant Ambroeus, which originally opened in the fashion district in Milan in 1936 and was regarded as one of the nicest cafes in the city. Apparently, when Hans Pauli became the highest bidder to purchase this Italian icon - all in cash - he created quite a stir. Enthusiastically, Paolo went on to tell me that the reason why Hans had the money was because of his success with Bar Quadronno, the hottest paninoteca in Milan. Paolo, who had owned a discoteca from 1972-1974, explained that paninotecas had become popular because of the social revolution of the 60s. As discotecas became the default entertainment for young people - who now could go out and dance without any dress code or elaborate partner rituals - Italians were looking for grab-and-go food that would fit their lifestyle. Bar Quadronno opened in the late 60s and turned the original Panini, which was traditionally just ham and cheese, into a new food sensation with the help of a man named Giuseppe Tusi. Giuseppe Tusi turned a two-ingredient sandwich into a seven-ingredient masterpiece, using tomatoes, mozzarella, prosciutto, boar’s ham, and countless other traditional Italian foods. Returning to his personal story, Paolo went on to tell me that when he inquired about a position at Sant Ambroeus, Hans simply asked him if he could make a good cup of cappuccino. Paolo replied, “Do I need to show a diploma? ” Paolo laughed and declared to me, "any true Italian knows how to make a cappuccino. " He then added that Martha Stewart has taped a show in Via Quadronno about how to prepare the perfect cup. Paolo worked at Sant Ambroeus for years before opening Via Quadronno with Hans on 9/9/1999 - “My partner is a little superstitious, ” he explained with a grin. Taking the story full circle, he ended by telling me that the two men then brought in Giuseppe to train the Panini chefs, allowing Via Quadronno to churn out the exact paninis that made Bar Quadronno an instant hit in Milan over fifty years ago. Ultimately, Paolo began to fly solo, turning his restaurant into an Upper East Side sensation. He continued to join in other successful ventures in New York, as well as opening a second location of Via Quadronno. Paolo proudly said that even after so many years, his first restaurant is “still very much loved” among its neighbors. He even mentioned numerous actors and actresses who are known to stop in for the tiramisu and other classic dishes. Despite the flock of familiar faces to this Upper East Side institution, Paolo assured me that he treats all of his customers the same - from tourists to celebrities. “Everyone is equal - everyone waits for a table. " He then went on to say, “We are not pretentious, in fact, we receive compliments on how friendly we are. ”Of the many stories that Paolo shared with me, the one that involved a successful businessman was my favorite. Apparently, several years ago, this gentleman requested that Paolo open a bit earlier in the morning to accommodate his schedule. If Paolo complied, and began his day a half an hour sooner, the man would then invest the hundreds of thousands of dollars needed to open a Miami location of Via Quadronno. Check, check. Although the Florida restaurant has since closed, the Manhattan restaurant continues to open its doors every weekday morning at 8: 00am. Paolo will never forget this kind man who did not want shares or a percentage in his business, he just wanted breakfast. Paolo said that he returns to Italy multiple times each year, either to visit family or to attend the restaurant show, Host, in Milan. He then grinned and admitted that he loves New York, and has no desire to move away. As he so brilliantly summed it up, “New York is Tokyo, Paris, Madrid, Milano, Hong Kong, and Shanghai in one. And all the best parts of each! ”