Nestled between Madison and 5th Avenue on E 73rd Street is a jewelry box of worldly treasures. Ivar Jewelry by Ritika Ravi, opened December 2022, is the first New York outpost for the designer — a graduate of the London College of Fashion who splits her time between India and the United States, sourcing inspiration for her next piece.
“My idea was to take traditional Indian craftsmanship and give it a more contemporary aesthetic,” Ritika told us when, entranced by the store’s gorgeous pod-like display cases, we found ourselves poring over the delicate filigree and vibrant gemstones of several stackable rings. “There’s always this incredible gold Indian jewelry, that’s so beautifully made — it's so intricate,” said Ritika, “but it can be very large and not really wearable. I took that concept and the jewelry making techniques and gave it more of a contemporary twist.”
After launching the brand in 2018 and a successful store opening in the Maldives, Ritika set her sights on New York. “It took me almost a year to find the right space,” she said, adding that it took several trips from India and extended stays in the city to settle on the 825-square foot space on the Upper East Side. Ivar, a woman-owned business, employs a mostly female workforce, “from the front office to stores.”
Now, Ritika is happy to bring traditional Indian jewelry-making techniques and materials like polki (the art of using untreated raw, uncut diamonds) and enamel to the city, as well as incorporate sustainable sourcing practices and a commitment to global outreach — employing skilled artisans who have generations of jewelry-making experience and donating to the Andrea Bocelli Foundation, an organization dedicated to empowering communities in poverty.
And after one trip in to meet the talented designer and marvel at each delicate, glittering pod, we’re certain we’ll be back for more than just window shopping.
When I entered FD Gallery, I was convinced I was walking into a bakery - drawn in by the delectable trays of pastries and beguiling tarts in the window. Only after I saw a dazzling array of gold and jewels did I realize that this was, in fact, an estate jewelry gallery. The painted cakes in the window were a display for the necklaces and brooches carefully exhibited around them. "We all have an affinity for sweetness, " Thomas Tolan, the gentleman who greeted me, laughed when I told him my mistake. He explained that the displays, which change every six to nine weeks, are meant to be fantastical: "We feature a lot of animal motifs and pieces of whimsy that transcend fine art. "Thomas went on to tell me that FD are the initials of the gallery's founder, Fiona Drukenmiller, a woman who had a successful career on Wall Street, but who left finance to raise her three daughters. When her youngest went off to school, Fiona decided to return to work. Recognizing that her passion and knowledge lay in estate jewelry - as she had amassed her own personal collection of jewelry over the years - she set out on a new career path. Thomas said that FD has a much understated business model, and that having a side street location allows for the anonymity of their clients. The gallery does very little advertising and relies on word of mouth. Perhaps because of this, FD provides excellent customer service. The staff essentially work as a concierge, welcoming people and tracking any items that are of interest to them. The pieces are all curated by time period and material. Although the jewelry was magnificent, and several pieces had interesting histories, I was particularly fascinated by a ruby Buddha that Thomas said dates back to fifteenth century China. It was evident that Thomas was passionate about his position at FD. This is definitely a "gallery as opposed to a jewelry store, " however, each item is meant to be used and appreciated. As he put it, "A piece of art like this should be worn and enjoyed. It would be sad to see it locked away in a safe. " He went on to say that he often gets attached to something, and then feels a special bond with the person who ends up purchasing it. In addition to the Cartier and sparkling Van Cleef & Arpels jewelry in the front of the boutique, there are rare books and other vintage items in the back, along with an espresso bar laden with treats. I was getting ready to step back outside when Thomas, full of smiles, confirmed my suspicions, saying "It really is fantastic to work here. Fiona is a remarkable woman. " And it was only a few days later while riding the subway that I looked up and spotted an advertisement for the upcoming AIDS Walk. Along with the corporate sponsors listed, there was one solitary individual donor: Fiona Drukenmiller. I was so pleased, not only to recognize her name, but to see that she is truly a philanthropic, altruistic, whimsical woman.
Expecting to gaze on the exquisite jewels housed in Marie-Helene de Taillac, I was surprised to find myself being looked at instead: Two giant eyes in the display case, containing colorful jewelry in their irises, stared at me from the other side of the window. This was just a taste of the sense of fun and whimsy that I found within the dazzling boutique. The space itself reminded me of a cross between Alice in Wonderland and a room in Versailles. Pink and purple plush sofas occupied the center of the area while crystal light fixtures and walls embroidered with the Marie-Helene crown and fish crest lined the room. The manager, Sarah, who entered the room with a tiny, fluffy dog, explained that Marie-Helene specifically wanted the room to look like a modern take on one of Marie Antoinette's chambers, as opposed to the Paris and Tokyo stores, which are very modern. She envisioned something cozy and elegant, in order to match the ambience of the Upper East Side. While showing me some of their stunning necklaces, earrings and rings, Sarah informed me that Marie-Helene's workshop is at the Gem Palace in India. After working with the family that owns the Palace during an internship, Marie-Helene fell in love with the techniques they used, the respect for handmade items, and attention to detail. Sarah, who has been working at the store since it opened in 2013, met Marie-Helene in India, and was immediately enchanted by the designer's use of stones and color. As Sarah showed me delicate pieces adorned with red spinels (Marie-Helene's favorite stone) and rainbow moonstone, she elaborated, "The beauty of each stone is that you can't find it anywhere else. At the store, we end up saving and saving until we can buy the piece we have been admiring. "Even though Marie-Helene's specialty is stones, she creates beautiful pieces with metal, as well. There was a bracelet made from woven 22 carat gold. It was so light in my hand that it seemed like string. I also took note of a small, new collection made simply with platinum and diamonds, for a "cocktail party" look. The real creativity, however, comes with the use of colorful stones. One collection drew on sky images, with jewels worked into stars and lightning bolts. Another used body parts, with tiny eye earrings and gems in mouth shapes. Another collection featured shells. I was taken with a set of rings that, instead of closing over the top of the finger, hugged it and held jewels in the gaps between the fingers. Sarah noted that the design was created by Marie-Helene's niece, and was inspired by the way jewels are displayed to show their color – between the fingers. Sarah then guided me upstairs to a private showroom, where industry meetings and private showings are held. It also functions as her office. No less colorful and spectacular, the room features a table containing 46, 000 carats of aquamarine. I noticed a gilded mirror on the table, similar to one in the downstairs display room, set with small gems. Sarah told me that Marie-Helene had found the set of mirrors in a flea market outside of Paris. I appreciated the fact that Marie-Helene works with fine stones, which result in jewelry ranging from $700 to $50, 000, but that she can also find joy in the treasures of local markets. Sarah agreed with me, and said that the same principle applies to Marie-Helene's designs: she can see the infinite glamor of an unadorned, well-cut stone. As Sarah so perfectly stated, "There is beauty in simplicity. "
Ronald McDonald House is a very special place that provides a "temporary 'home away from home' for pediatric cancer patients and their families. " Having had an apartment, for a short time, just a few doors down from their 73rd Street location, I was aware of the wonderful work that they do. When I mentioned to Sophie, one of our Manhattan Sideways team members, that I wanted to feature them on 73rd, she lit up and shared her close connection to the organization on the West Coast. Sophie told me that she was honored to visit and help her mother volunteer with her miniature horses at the Los Angeles and Pasadena chapters. "I was immediately won over by their mission, but even more important, by the children themselves. A significant aspect of their programming is to provide children with the opportunity to just be kids, first and foremost. Seeing the kids interact with the miniature horses showed me how much excitement and exuberance these children have. The smiles on the faces of their parents were always equally heart-warming. "Ronald McDonald House New York has been providing care and support to families since 1978. They "coordinate emotional and physical services, psychological care, ministry support, wellness programs, tutors, music, art, transportation, activities for siblings, holiday and birthday parties, and camaraderie for parents struggling with their child's cancer diagnosis. " In addition, this particular location has a Greek Division that provides services for families from Greece and Cyprus, Camp Ronald McDonald in the summer, classes in English as a second language, therapy for dogs (Angels on a Leash), and Weird Science, where the kids conduct intriguing and engaging experiments. Love and care are Ronald McDonald's central tenants. New York has its own set of angels in the way of the volunteers who play a major role in the day to day lives of the children. The Day Team leads afternoon activities and the Evening Team coordinates birthday parties, holidays, and dinners. The volunteer sign up is a major commitment to help provide a sense of normalcy and strength to the children and their families. If interested in volunteering, please visit their website.
Kate Rheinstein Brodsky, the creator of KRB, was immersed in the world of design and retail from a young age. Her mother, Suzanne Rheinstein, is an internationally recognized designer. Ever since Kate was a child, her mom has run Hollyhock, a Los Angeles furniture boutique. "I really loved retail, " Kate shared, telling me how she would go to Hollyhock after school and work there over summer breaks. As a teenager, she wanted to open a bookstore, but realized that this might be difficult in the digital age. As a "homebody" and frequent hostess, Kate knew that she enjoyed creating beautiful homes, both for herself and others. As she described it, "I loved the feeling of home, of having a nice place to live in. " Ultimately, her passion for retail manifested itself in a career in the design world. Upon graduating from New York University with a degree in art history, Kate worked for Jeffrey Bilhuber, the interior designer. "I love interior design... but I'm not an interior designer, " she said. Working for Jeffrey, however, she learned a lot of things that would help her later on in the world of retail. She realized the importance of customer service and doing things "correctly, in a thoughtful manner. " Following her time with Jeffrey, she worked at Elle Decor, which taught her discipline and introduced her to new looks. "I was exposed to so many different styles, " she explains. "Sometimes you don't know you like something until you see it. " Kate has maintained a good relationship with Elle Decor – they recently featured her Upper East Side apartment as part of their "House Tour, " which brought a collection of readers, impressed by her style, to Kate's boutique. When I visited KRB, I was taken by the variety of colors, as opposed to the usual browns and golds that dominate antique shops. The salesperson, Fiona, said that adding bold colors to antique pieces is one of Kate's trademarks. She showed me some traditional chairs with bright olive green seats as an example, saying, "Green's a big color for her, " before pointing out Kate's love for French opaline. Fiona went on to say that Kate could be inspired by anything. She spoke of a box of old cameos that Kate found. When Fiona inquired, "What are you going to do with those? " Kate answered matter of factly, "I don't know, but I'll figure it out. " Kate elaborated, "I like to reinterpret old things. " By this, she means both in the pieces, as with the chairs, and in the way they are used. She told me that there are many beautiful finger bowls out there that are no longer used - or at least not as finger bowls. Kate encourages customers to use them in new ways, by putting votive candles in them or a small scoop of strawberry ice cream. "I like taking things out of their original context, " she admitted. As another example, she told me about the tric trac tables, tables used to play a precursor to backgammon. The board is so similar to backgammon that the tables have been able to be repurposed. "I get very attached to furniture, " Kate admitted, likening different pieces to rescue animals. "I want them to have good homes. " She realizes, however, that people have different styles and that she may have to wait a while for the right person to come along. She added that although her mother heavily influenced her, the two women do not always see eye to eye on design. "We have our own taste, " she said. Despite their differences, the store is still inspired by her mother's extraordinary career. "I always love watching her, how she explains to people how to incorporate beauty into their life. "There is the possibility that a third generation of Rheinstein women might enter the world of design. In 2015, Kate was the proud mom of new daughter number three. "I love that my children comprehend what I do, " she told me. When they ask her where she is going, she can answer "to the store" and they know exactly where she will be. Owning the boutique means she has a flexible work schedule and can easily spend a lot of time with her children. She specifically opened on the Upper East Side to be near her family – and other families. She wanted to be in a place where people could stumble upon her and buy a housewarming present, rather than in a design-industry-heavy neighborhood. "I just hope I'm on people's path. I encourage them to come look.... browsers welcome. " As for her daughters and what they think of her boutique, Kate told me that her five-year-old recently told her teacher that when she grows up, she wants to be "a mommy and a shopkeeper. "
Mario Guerrero, a black belt, has made a name for himself in the martial arts world for helping at-risk kids by giving them training in discipline, fitness, and hand-eye coordination. He now has studios scattered throughout the city, from Tribeca to the Upper East Side, where children and adults alike can learn kickboxing, Brazilian Jiu Jitsu, and Mixed Martial Arts. Recently, Krav Maga, a form of Israeli street fighting, has been added to the roster. Modern Martial Arts advertises classes for everyone from "casual fitness seekers to trained, professional fighters. " The studio does more than offer classes; however: they also create a community. Mario and his trained teachers offer karate birthday parties, fitness-centered movie nights, and "Parent's Night Out" evening classes for kids. We met with Adam, who was teaching an adult mixed martial arts class. He greeted each of the students who walked in with warmth and humor. Once the class began, the group transitioned from generic fitness exercises to work with punching bags and finally horizontal punching bags where the studio members practiced their "ground pounds. " Watching Adam encourage his students to let out a "pshhh" sound each time they hit, I realized that the class was a terrific way to let off steam.
Whenever I step inside Via Quadronno, I feel like I have been lifted out of Manhattan and gently dropped onto a pedestrian street in Italy. The walls are lined with wines and jars of honey, jam, and olive oil. On the day when I descended into the warm, rustic dining area, there was the smell of cappuccino wafting through the air that attracted my senses. It was the owner, Paolo Della Puppa, however, as authentically Italian as his restaurant, who captured my heart. Paolo spoke to me about the history of Via Quadronno, which is intertwined with his own story as well as the social history of the world. He began his career publishing music through his own company, Anyway Music. He went on to sell Anyway to Warner Brothers in 1992. In 1983, Paolo moved to New York while continuing to run the business, but when the conversion rate jumped to 2000 lira for every dollar, he realized he needed to find a new job. Friends encouraged Paolo to speak with Hans Pauli, owner of the recently opened Sant Ambroeus on Madison Avenue. At this point in his story, Paolo took a moment to explain Hans Pauli's background. I had previously heard a bit of this story, as I had visited Sant Ambroeus on West 4th Street when I first began walking the side streets. Nevertheless, it was fascinating to hear Paolo share what he knew about Hans. He told me that Hans had bought Sant Ambroeus, which originally opened in the fashion district in Milan in 1936 and was regarded as one of the nicest cafes in the city. Apparently, when Hans Pauli became the highest bidder to purchase this Italian icon - all in cash - he created quite a stir. Enthusiastically, Paolo went on to tell me that the reason why Hans had the money was because of his success with Bar Quadronno, the hottest paninoteca in Milan. Paolo, who had owned a discoteca from 1972-1974, explained that paninotecas had become popular because of the social revolution of the 60s. As discotecas became the default entertainment for young people - who now could go out and dance without any dress code or elaborate partner rituals - Italians were looking for grab-and-go food that would fit their lifestyle. Bar Quadronno opened in the late 60s and turned the original Panini, which was traditionally just ham and cheese, into a new food sensation with the help of a man named Giuseppe Tusi. Giuseppe Tusi turned a two-ingredient sandwich into a seven-ingredient masterpiece, using tomatoes, mozzarella, prosciutto, boar’s ham, and countless other traditional Italian foods. Returning to his personal story, Paolo went on to tell me that when he inquired about a position at Sant Ambroeus, Hans simply asked him if he could make a good cup of cappuccino. Paolo replied, “Do I need to show a diploma? ” Paolo laughed and declared to me, "any true Italian knows how to make a cappuccino. " He then added that Martha Stewart has taped a show in Via Quadronno about how to prepare the perfect cup. Paolo worked at Sant Ambroeus for years before opening Via Quadronno with Hans on 9/9/1999 - “My partner is a little superstitious, ” he explained with a grin. Taking the story full circle, he ended by telling me that the two men then brought in Giuseppe to train the Panini chefs, allowing Via Quadronno to churn out the exact paninis that made Bar Quadronno an instant hit in Milan over fifty years ago. Ultimately, Paolo began to fly solo, turning his restaurant into an Upper East Side sensation. He continued to join in other successful ventures in New York, as well as opening a second location of Via Quadronno. Paolo proudly said that even after so many years, his first restaurant is “still very much loved” among its neighbors. He even mentioned numerous actors and actresses who are known to stop in for the tiramisu and other classic dishes. Despite the flock of familiar faces to this Upper East Side institution, Paolo assured me that he treats all of his customers the same - from tourists to celebrities. “Everyone is equal - everyone waits for a table. " He then went on to say, “We are not pretentious, in fact, we receive compliments on how friendly we are. ”Of the many stories that Paolo shared with me, the one that involved a successful businessman was my favorite. Apparently, several years ago, this gentleman requested that Paolo open a bit earlier in the morning to accommodate his schedule. If Paolo complied, and began his day a half an hour sooner, the man would then invest the hundreds of thousands of dollars needed to open a Miami location of Via Quadronno. Check, check. Although the Florida restaurant has since closed, the Manhattan restaurant continues to open its doors every weekday morning at 8: 00am. Paolo will never forget this kind man who did not want shares or a percentage in his business, he just wanted breakfast. Paolo said that he returns to Italy multiple times each year, either to visit family or to attend the restaurant show, Host, in Milan. He then grinned and admitted that he loves New York, and has no desire to move away. As he so brilliantly summed it up, “New York is Tokyo, Paris, Madrid, Milano, Hong Kong, and Shanghai in one. And all the best parts of each! ”