The Smile

Blue Ribbon was off to a terrific start when I visited the first weekend after it opened in 2013. There was good music and a lively crowd enjoying the offerings in this brightly lit space with large picture windows. The manager stopped by our table and remarked that the “young cool people” frequenting Blue Ribbon seemed to have perpetual smiles on their faces as they indulged themselves at the tables furnished with an array of honeys (mustard, wildflower, and chipotle) and habanero hot sauces. Whether people are munching on the menu staple of crisp-skinned moist chicken breast or the “chicken on the edge” choice of Beak to Butt (crispy necks and backs with hot sauce and pickled peppers), the chicken is cooked to perfection. Any chicken dish paired with a side of potato wedges dusted with chilli powder certainly makes for an excellent quick meal – and all of this can be washed down with a beer. The restaurant is a venture of the Bromberg brothers who have been exciting New Yorkers with their excellent food since 1992. This is their first “fast food” endeavor, and it appears to already be flying high.

There is a unique atmosphere of un-presumptuous masculinity, with comfortable, modern seating, warmly lit globes, and pictures of horses and cows on 1st Street’s latest restaurant addition. When Olivia, from the Manhattan Sideways team, announced that it looked like “Madmen meets the ranch, ” Josh Capon, owner and chef of Bowery Meat Company, raised his eyebrows in humorous consideration. Within only months of first opening towards the end of 2014, Josh already had diners tell him that they had returned eight times. This is exactly what he loves to hear, since one of his primary goals is to create an “eatable and approachable” place in the East Village. He went on to say that he is pleased to be on a side street, as being off the beaten path translates to more locals and, hopefully, regulars. Josh and his partner, John McDonald, opened the Bowery Meat Company to be a “meat-centric” restaurant with an emphasis on sourcing and seasonality. As Josh explained, “Seasons are nature’s way of saying what we should eat and when we should eat it. ” They get a lot of their meat from Diamond Creek Ranch, which is producing “some of the best meat in the country, ” according to Josh. The feedback he has received from customers has generally been very positive. “People are freaking out over our broiled oysters, ” he said, as he placed a plate of the breaded, garlicky delicacies in front of the Manhattan Sideways team, surrounding us with their tantalizing smell. When Josh returned to the kitchen, one of the managers, Lindsey, brought us a plate of fried Arancinis. These scrumptious rice balls are placed on the table at the start of every meal. Lindsey picked up where Josh left off telling us that even though the restaurant stresses meat, they can easily feed vegetarians and vegans. For instance, the standard arancinis are oxtail, but they also have basil pesto versions. “We are very mindful of our guests’ preferences, ” she said. Next up, we were introduced to the pastry chef, Katie McAllister, who is in charge of the masterfully created desserts, such as the S’mores Sundae and “Brookies, ” which are “what would happen if a brownie and a cookie had a baby. ” Lindsey told us that thanks to Katie, the kitchen smells like toasted marshmallow each and every morning. Every aspect of the restaurant appears to click into place to generate a relaxed, comfortable, modern dining experience. Josh’s final words to us were, as he stepped back into the kitchen, “I’m very proud of this restaurant. ” As well he should be.

A look at Manhattan’s most long-standing bars would be lacking without McSorley’s, which is hailed as the oldest Irish saloon in the city. It was founded by Irish immigrant John McSorley as a working-class pub named The Old House at Home. Known for serving beer for the price of pennies and free plates of cheese and crackers, the bar stayed alive during Prohibition by selling “Near Beer” to its loyal patrons. Throughout its long history, McSorley’s has preserved its famous golden rule, ordering customers to “Be Good or Be Gone. ” Its previous slogan of “Good Ale, Raw Onions, and No Ladies” remains true on the first two counts. As for the latter, although McSorley’s was indeed one of the last men-only bars in the city, a court ruling forced it to admit women in the 1970s. It was eventually purchased by a night manager, Matthew Maher, who then passed it on to his daughter, Teresa. She has made history at this well-loved institution by becoming the first woman to work behind the bar. Aside from this, little has changed. The memorabilia on the walls and the sawdust-covered floor speak to McSorley’s storied past. There is even a chair that Abraham Lincoln sat in when he stopped by for a drink in 1859. A more somber memento can be found hanging from the electric lamps along the bar. Soldiers leaving to fight in World War I were given a turkey and ale dinner, and the wishbones were then placed on the lamps with the hope the men would come back, collect them, and celebrate their safe journey home. Dozens of aged wishbones remain there today, in remembrance to the soldiers who were unable to return. Unsurprisingly, given its enduring popularity, McSorley’s has been featured in numerous works of art, literature, and media. Most notably, it was immortalized in E. E. Cummings’ poem “Sitting in McSorley’s” and by New Yorker writer Joseph Mitchell, who was so taken with the bar as a microcosm of old New York that he published an anthology of essays in its honor.

Vicki Freeman and Mark Meyer are an accomplished couple in the New York restaurant business. They are the creators behind Cookshop, Hundred Acres, and the latest addition to the family, Rosie’s. Their story as restaurateurs goes back to 1993, when Freeman opened her first restaurant, VIX Café, in SoHo. She hired Meyer as her head chef, and as they say, the rest is history. Vic’s opened in 2014 in the space that used to house Five Points, another restaurant by Freeman and Meyer. While the owners emphasized that Five Points was not struggling, they felt it was time for a change. Opening Vic’s allowed Freeman and Meyer to bring their restaurant group full circle, its name a nod to those early beginnings with VIX Café in 1993. When I visited Vic’s, I was struck by the bright, open décor. Sitting in the back dining area, with natural light spilling in from the skylight overhead, I was allowed my favorite view - that of the kitchen. Chatting with general manager, Hely, I learned that Freeman and Meyer used to live in an apartment just upstairs, and that their son works for the restaurant group. In addition to speaking with Hely, I also had the pleasure of spending some time with Hillary Sterling - the head chef of Vic’s. “Hillary’s food is the easiest thing in the world to sell, ” said Hely, and then Chef Sterling went on to elaborate about her inspiration for the restaurant’s culinary concept and menu. “It’s all about history and honoring tradition, ” she told me. She prepares the restaurant’s traditional Italian and Mediterranean cuisine using food sourced from American farms, and admits that it is a challenge to create authentic flavors with local ingredients - It is a challenge, however, that she proudly declared that she has met with the exceptions being seven imported ingredients: 00 flour (for their famous Borsa), capers, anchovies, pecorino, calabrian chilies, and balsamic vinegar. As Hillary presented a few of her favorite dishes, she went on to say that traditional Italian and Mediterranean cuisine requires “a lot of herbs and acid, ” adding that it is all about achieving the perfect balance and appreciating the ingredients themselves. The heirloom carrots, served with dill, capers, and roasted shallots, were tangy and bright, with a complexity of flavor. As she set the "cheeseless" anchovy pizza with tomato, spring garlic, oregano, and fresh orange zest, Hillary told me that making good pizza dough is just as demanding as making homemade pasta, but it is clear that she has mastered it. The crust was perfect – thin, but bubbling up around the edges, and ever so slightly charred. Finally, I tasted the famous Borsa, the homemade pasta served al dente, with a lemon ricotta filling. The soft and creamy center of these amazing "little purses" with hazelnuts sprinkled on top is definitely the signature dish at Vic's. Chef Sterling said that the Borsa and the bathrooms are the most instagrammed things in the restaurant, and joked that her food has to "compete with the lavatories. " The facilities are whimsical and fun with pink flamingoes decorating the room for the ladies, while the men's room is wallpapered in zebras. In my mind, however, there is no competition: Chef Sterling’s food is what truly stands out.

Clinton Hill Classic Menswear store is filled with an edited selection of comfortable American and European clothing for that Bond Street kind of guy — stylish, but not over the top.

Off-off Broadway is still alive and well here on Bond Street with a theatre that was founded in 1949 and continues to keep the thespian arts exciting by seeking out new talent and offering creative classes.

Had we not been personally escorted through the unmarked double doors that lead to Kenkeleba Gallery, Manhattan Sideways might not ever have known it was here. The only sign on the building reads Henington Hall, etched into the stone facade along with the year it was built, 1908. According to Joe Overstreet, in the 70’s the building was condemned until he and his wife, Corinne Jennings, were able to strike a deal with the city in 1978. Although 2nd Street was teeming with drug activity back then, the arrangement proved worthwhile for Overstreet, as it gave him, his wife, three children and the emerging Kenkeleba House a home in an area that eventually cleaned up its act and became one of the most important neighborhoods for the arts in New York City. Since its founding, Kenkeleba House has flown under the radar as a not-for-profit gallery space and artist workspace. Joe and Corinne were only interested in promoting new ideas, emerging artists, experimental work, and solo shows for those deserving of the recognition. They preferred to showcase artists whose works were not typically featured in commercial galleries, focusing primarily on African American art. Joe and Corinne’s vision of Kenkeleba House - as a space for artists to grow, to showcase African American that oftentimes would have been lost, and teaching African American history through gallery shows - was only possible due to their extensive background in art as well as their immense individual efforts. Corinne was born into a family of artists in an isolated part of Rhode Island, and until she was about twelve or thirteen, she thought “that’s what everyone did- I thought people made things. ” Her father, a talented printmaker who studied under Hale Woodruff, is widely known for his black and white wood engravings and costume jewelry. The Wilmer Jennings Gallery - across the street on 2nd Street - is named for him. Jennings’ mother was a Yale graduate and painter. Corinne came to New York in the 1960’s, originally wanting to be a scenic designer. Even though she was qualified, she was turned away by the head of the scenic designer’s union with the explanation that they did not want any women or black people. She instead started to do art projects, and eventually decided to “tackle some of issues that prevented African American artists from fully developing. ”Corinne and Joe spent a lot of time speaking with artists from different parts of West Africa and the Caribbean, eventually coming upon the realization that “they needed to find a different way for people to develop, for people to have space to work, [and] to find alternative educational routes for people. ” In 1978, Joe and Corinne purchased an abandoned building on second street, fixed it up, and opened up their first art exhibition in 1980. From then on, they began amassing their extensive and remarkable collection. The exhibits on display in this gallery recognize the rarely explored contributions that people of African descent have made to the art world. It is here, hanging on the walls and filed away in the deepest recesses of their private collection, we were showed a portrait of Dr. John DeGrasse painted by a largely forgotten African-American artist by the name of Edward Mitchell Banister (1828-1901). Banister won a national award for his most famous painting, “Under the Oaks. ” The magnificent framed picture of Dr. DeGrasse is easily worth more money than we could count, but the history lesson we received from Joe was priceless. Dr. DeGrasse was a native New Yorker and also one of the first African-Americans to receive a medical degree. He gained acceptance to the Boston Medical Society in 1854, making him the first African-American to belong to a medical association in that state. And to boot, he was also the first African-American medical officer in the U. S. Army serving as Assistant Surgeon in the Civil War. In addition, Manhattan Sideways viewed works dating back to 1773, by the late Hale Woodruff, an African-American abstract painter who lived in New York City from 1943 until his death in 1980. In addition to being an artist who aspired to express his heritage, Woodruff was also an art educator and member of the faculty at New York University. “We are African-American, so that is what we do, ” said Corinne, “but we are also interested in artists from the Lower East Side. ” Corinne’s personal art collection reflects much of her parent’s amazing work, as well as that of other African-American artists, both well-known and yet undiscovered. Kenkeleba Gallery aims to teach the younger generations about African-American history. “Every nationality walks by here on a daily basis, but they have no idea who we are as a people. ” Joe and Corinne were well aware of the contribution African-Americans have made to the arts that began right here in this community. Their private collection is made up of over 30, 000 paintings, artifacts, art books and jazz records that tell the rich history of African-Americans in this country.

The space is fabulous at Billy Reid, furnished with vintage southern pieces and housed in an amazing Bond Street building. Billy began his fashion business in Alabama and opened up his inviting menswear enclave here in 2008. Soft flannel shirts, great suede boots, woven skinny ties, colorful bow ties, well-made blazers, beautiful striped shirts and more…I love everything about this boutique, and each time I stop by, I am inspired to make over the men in my family. Billy designs much of the clothing in the store (minus the Levi jeans). He has gorgeous fabrics to choose from for suits and sport jackets. And there is a tasteful selection for women, too.

When in the market for vintage Danish furniture from the mid-fifties, look no further.

We had the pleasure of dining here on Christmas Eve. Every table was filled, the energy was positive, and the staff was incredibly jolly. Oh, and the Italian dinner that we had was good too!

Biking with my husband on a beautiful August day, I stopped short when I noticed something new and picturesque on 5th Street. It was three o’clock in the afternoon, but I had been holding out until I discovered the perfect place to grab a bite to eat, and I certainly landed in an ideal spot. The rustic charm indoors, with replicas of the farm equipment used in Italy hanging from the ceiling, captured our hearts immediately, but it was the food – the outstanding rice dishes – that solidified Risotteria Melotti indefinitely on my list of top restaurants to recommend. Since the restaurant was quiet at this odd hour, we were able to chat casually with the staff throughout our meal, and we learned not only about the history of the restaurant, but also about the world of rice. Back in 1986, a couple began producing rice on one acre of land in Verona, Italy. Almost three decades later, together with their three sons, Rosetta and Giuseppe now farm 544 acres of land, all devoted to growing award-winning rice that is sold the world over. There are basically two different textures of the grain that they produce. Vialone, the more traditional rice, is rich in proteins and vitamins and, because it absorbs liquid better, is used for their delicious risottos. Carnaroli rice, “considered one of the best in the world, ” is more readily used in salads because it remains al dente when cooked, adding a chewiness to the superb insalata di riso that we shared. We both marveled at the combination of chopped tomatoes, cucumbers, roasted red and yellow peppers, capers, fresh mozzarella and, of course, brown rice. When we first sat down, a bread basket was placed on the table. Their take on focaccia was very good, but I could not stop sampling their rice cakes throughout our meal – the basic recipe is made in Italy and then flown here to be tossed with olive oil, salt, pepper and fresh rosemary and then baked for fourteen minutes. I cannot say enough about how amazing the second dish that we tried tasted. We never knew that you could make polenta from anything but cornmeal, but we had our eyes opened to something new and wondrous when we had our first taste of polenta fritta con caciottina – a fried rice polenta with mushrooms and cheese that was perfectly moist in the middle with an added crunch on the outside. Every mouthful was rich and heavenly. This brand new restaurant – the first outside of Italy – serves about thirty people, making for an intimate setting, especially when evening falls, the lights are dimmed and the candles are lit. Up front there is a little “shop” that sells many of their rice products. The staff explained that the family has made an across-the-board decision to only offer Melotti’s gluten-free rice merchandise in the States. Thus, anyone eating gluten-free can come to their restaurant and be served a carefree, excellent meal. Anyone fortunate enough to live in the area can either have their food delivered to them in their home or office, or stop by, browse the menu, and take it to go. I have no doubt that we would be eating a lot more rice if we lived in the East Village, but we will visit as often as we can.

Vicki Freeman and Mark Meyer are an accomplished couple in the New York restaurant business. They are the creators behind Cookshop, Hundred Acres, and the latest addition to the family, Rosie’s. Their story as restaurateurs goes back to 1993, when Freeman opened her first restaurant, VIX Café, in SoHo. She hired Meyer as her head chef, and as they say, the rest is history. Vic’s opened in 2014 in the space that used to house Five Points, another restaurant by Freeman and Meyer. While the owners emphasized that Five Points was not struggling, they felt it was time for a change. Opening Vic’s allowed Freeman and Meyer to bring their restaurant group full circle, its name a nod to those early beginnings with VIX Café in 1993. When I visited Vic’s, I was struck by the bright, open décor. Sitting in the back dining area, with natural light spilling in from the skylight overhead, I was allowed my favorite view - that of the kitchen. Chatting with general manager, Hely, I learned that Freeman and Meyer used to live in an apartment just upstairs, and that their son works for the restaurant group. In addition to speaking with Hely, I also had the pleasure of spending some time with Hillary Sterling - the head chef of Vic’s. “Hillary’s food is the easiest thing in the world to sell, ” said Hely, and then Chef Sterling went on to elaborate about her inspiration for the restaurant’s culinary concept and menu. “It’s all about history and honoring tradition, ” she told me. She prepares the restaurant’s traditional Italian and Mediterranean cuisine using food sourced from American farms, and admits that it is a challenge to create authentic flavors with local ingredients - It is a challenge, however, that she proudly declared that she has met with the exceptions being seven imported ingredients: 00 flour (for their famous Borsa), capers, anchovies, pecorino, calabrian chilies, and balsamic vinegar. As Hillary presented a few of her favorite dishes, she went on to say that traditional Italian and Mediterranean cuisine requires “a lot of herbs and acid, ” adding that it is all about achieving the perfect balance and appreciating the ingredients themselves. The heirloom carrots, served with dill, capers, and roasted shallots, were tangy and bright, with a complexity of flavor. As she set the "cheeseless" anchovy pizza with tomato, spring garlic, oregano, and fresh orange zest, Hillary told me that making good pizza dough is just as demanding as making homemade pasta, but it is clear that she has mastered it. The crust was perfect – thin, but bubbling up around the edges, and ever so slightly charred. Finally, I tasted the famous Borsa, the homemade pasta served al dente, with a lemon ricotta filling. The soft and creamy center of these amazing "little purses" with hazelnuts sprinkled on top is definitely the signature dish at Vic's. Chef Sterling said that the Borsa and the bathrooms are the most instagrammed things in the restaurant, and joked that her food has to "compete with the lavatories. " The facilities are whimsical and fun with pink flamingoes decorating the room for the ladies, while the men's room is wallpapered in zebras. In my mind, however, there is no competition: Chef Sterling’s food is what truly stands out.