Operated by the Salvation Army, this large pre-war apartment complex offers housing to women - ages 18 through 50 - who are either enrolled in school or are employed. There is someone at the desk 24/7, two meals a day are offered, and each simply furnished apartment has its own bathroom.
“My only connection to chess is through my son, ” confessed Noah Chasin, the unlikely leader of the Marshall Chess Club. Grandmaster Frank Marshall, a native New Yorker and longstanding U. S. Chess Champion, established the club as a haven for chess buffs. It relocated several times, beginning at Keens Steakhouse — featured in the first Walking Manhattan Sideways book — until it finally found its home on 10th Street in 1931. Perhaps the most famous chess club in the world, every champion has played a game here over the past century. “It’s essentially an obligation for all of the top players at some point. ” This is also where the illustrious Bobby Fischer rose to prominence. Fittingly, parts of the film Searching for Bobby Fischer were later filmed on the Marshall’s premises. Though some might be intimidated by the Marshall’s storied reputation, Noah emphasized that the atmosphere is more welcoming than one might expect. The club’s regular tournaments are typically a fifty-fifty split between its members and those who simply possess a love for the pastime. Noah’s own son started visiting the Marshall when he was only eight years old and has since spent years attending some of the largest competitions around the globe, including the Philadelphia World Open. Though certainly no chess disciple himself, Noah was a devoted father, and as his son participated in workshops, camps, and matches at the Marshall, Noah was recruited to represent the parents of other scholastic members on the club’s board. In 2016, he became the president and is now “neck-deep in the chess world, which I never could have imagined before. ” He is delighted to see players old and young, from New York and abroad, find their way to the Marshall. Better yet, he relishes the second-hand thrill of witnessing opponents face off over one of the club’s elegant boards. “It’s not the trajectory I would have imagined as a parent, but it’s been such a spectacular one. ”
In the mid-twentieth century, Tibet — which is devoted to Buddhist practices and is led by the Dalai Lama — was invaded by the Chinese People’s Liberation Army, sparking a decades-long dispute over Tibetan sovereignty. China’s Communist Party has since destroyed vital elements of Tibetan culture, including over 6, 000 monasteries. With so many cultural centers demolished by the Chinese forces, the rich, centuries-old Tibetan way of life risks extinction. For this reason, the fourteenth Dalai Lama asked to establish Tibet House U. S. to preserve the heritage of his people. Thus, the intriguing institution was founded by prominent American Buddhists: composer Philip Glass, author Robert Thurman, and actor Richard Gere. Since the 1990s, Executive Director Ganden Thurman has dedicated himself to Tibet House U. S. ’ mission of protecting and presenting Tibetan culture to society at large. Having spent time in India as a child while his father — a professor of Buddhist studies — did research, Thurman came to appreciate the “poise, humility, and perspective” of the Tibetan lamas and academics who frequented his family’s home. Though he considers himself more secular than religious, he clarified that Tibet House is neither a political nor religious organization. However, there are often times when they find themselves engaged in conversation on such topics. Through art exhibitions, lectures on subjects including medicine and mind sciences, and classes such as “Developing Compassion” that fuse Buddhist practices with Western psychology, Tibet House allows visitors to draw their own conclusions. With its library and permanent installation of Tibetan artifacts — open regularly to the public — this precious museum safe-guards the culture of the region within its walls. Since members of Tibet House are considered too political to attain travel visas by the Chinese authorities, the House does not have the ability to source artworks on its own. Instead, generous collectors donate the majority of the pieces on display. According to Thurman, such artists and art aficionados are the House's greatest supporters, as they tend to feel a personal connection to the fight for freedom of expression. This collaboration was evidenced by the prints we observed of the current Dalai Lama, donated by Richard Avedon, hanging above a printer, and musician Philip Glass' name listed on the roster of the Executive Officers. Thurman revealed to us that during the course of the Tibet-China conflict, over 100 Tibet nationals have resorted to self-immolation in order to catch the world’s attention and direct it towards their struggle. They are desperate to be seen - and through its efforts Tibet House US is providing them the right to be present in the narrative of world heritage.
“We’re a space for organizing and connection, ” is how Communications Director Helen Buse described the LGBT Community Center. Though the seeds of The Center were planted following the 1969 Stonewall riots, it took nearly fifteen years for it to be founded at the site of a former trade high school on 13th Street. Since then, it has been the birthplace of a bevy of key advocacy organizations that went on to gain national prominence, including the Gay and Lesbian Alliance Against Defamation (GLAAD), Queer Nation, and the ACT UP coalition to fight AIDS. It is now home to hundreds of groups that run the gamut from drawing classes to political associations to twelve-step programs. The Center’s own resources are equally as wide-ranging, including substance abuse recovery and wellness services, mental health support, economic advancement initiatives, career guidance, and an abundance of arts activities such as film screenings and in-house exhibitions. The Center has long been a locus for artists, activists, and academics to discuss and create work that celebrates the queer community and addresses the relevant issues it faces. Its first cultural event, known as Second Tuesday, has been running uninterrupted since 1985. It serves as an opportunity for those in academia, politics, and a myriad of other fields to read their work and converse with the LGBTQ+ community. Speakers from Black writer Audre Lorde to AIDS historian Sarah Schulman have lectured under this series, which is a Center favorite. Helen is proud to say that these direct resources are continually growing to respond to the needs of all who flock to the organization. “It makes me excited for what the future holds because the Center has a track record of expansion and evolution that is part of what makes it so special. ”The Center’s significance is not merely limited to what it provides, but also the building where it is housed. In the 1980s, a host of artists were invited to paint murals across the walls, many of which are still visible today. A piece by Keith Haring located in the second-floor bathroom is especially popular, and Helen always urges visitors to take a look. “They are a great part of history. ”
Our senses all perked up as we experienced the exotic scents in this Mediterranean café where the Arabic name translates to welcome and peace. Bassam Omary came to New York thirty-five years ago as a student and worked at his cousin’s Greenwich Avenue Syrian restaurant. With his wife Joan, he bought and moved the restaurant to 13th street, where they have been cooking traditional Middle Eastern dishes and satisfying culinary cravings for fifteen years. The food is superb. After a long day of interviews, we stopped back at Salam for a late lunch. We were served a platter with an array of food: hummus with a lemon flair, babaganouj with fresh pita, grape leaves stuffed with cheese, crispy falafel, a filo dough spinach pie, and a cup of sweet Arabic coffee to perk us up. Bassam, Joan explained, has a stake in the restaurant both as owner and chef. He is constantly experimenting, returning to the traditional dishes his mother taught him how to cook, and using the freedom he has as owner to explore the spices, ingredients, and flavors he is passionate about. Thank you, Joan and Bassam, for genuinely welcoming us into this lovely restaurant.
When we first visited the Walker Hotel, it was known as the Jade. The 1920's speakeasy theme became obvious to us immediately as we entered the hotel and walked through the lobby, but it was quite fun to see that it was carried through to the guest rooms with their antique-looking rotary telephones by the side of the bed. The comment from the young people with me that day was that it immediately reminded them of "Boardwalk Empire. " This pleased the woman showing us around tremendously. Built from the ground up - the land was a vacant lot when Gemini Hospitality bought it in the early 2010s - the goal for the hotel is for guests to feel welcomed from the moment they step inside. There is a warm and embracing atmosphere with a fireplace and library as the focal points. We appreciated that the collection of books on the shelves will be by well-known favorite authors who once lived in the vicinity. This boutique hotel has 113 rooms on eighteen floors. We had the pleasure of previewing some of them all the way up. Besides the standard queen being perfectly lovely with all of the amenities one would need, it also sports an amazing view - with no obstructions. From the north, we could see the Empire State Building, and from the South we looked downtown to the Freedom Towers. Just spectacular. We certainly applaud the concept of the hotel, which is to introduce guests to the wonderful places, people and atmosphere that surrounds 13th Street. Rather than encouraging visitors to leave the area to explore the popular tourist spots around the city, they are providing guests with lists of things to do right in Greenwich Village and Union Square. A philosophy that matches ours completely. In 2016, the Jade became the Walker Hotel Greenwich Village. We were happy to hear that it is still spearheaded by the same management.
Originally, an offshoot of David Chang’s award-winning restaurant group Momofuku, 13th is one of the fortunate streets to have one of his well-loved milk bars open. Today, acclaimed pastry chef Christina Tosi takes the combination of baked goods and milk to a whole new level at each of her locations – yes, I have had many a treat. Soft serve “cereal milk” or jugs of this tasty milk to go, the infamous crack pie, cornflake or compost cookies... and then there are the packages of cake truffles – these are slices of cake that are condensed into supremely dense balls of sugary goodness. Definitely worth a bite or two... or three. Milk Bar also donates a portion of every dairy sale to various independent and family dairy farmers in need. All in all, Milk Bar is a dessert lover’s heaven.
Peridance Capezio Center is a mecca for dance in NYC, fostering the arts in the local and international dance communities, for over 30 years. Peridance offers multiple platforms for dancers and non-dancers alike, including more than 250 weekly open classes, a Professional Training Programs, an F-1 Visa Program for International Students, and The School at Peridance - a comprehensive children and teen program. Their adult open classes are offered in all styles and levels, from Absolute Beginner to Advanced. Peridance Capezio Center is also home to the professional dance company, Peridance Contemporary Dance Company and its affiliated Peridance Youth Ensemble. In conjunction with their renowned faculty and partners (Capezio, Djoniba Dance Centre, Limón Dance Company, Baila Society, and Dance Informa), Peridance has gained an international reputation for the programs it offers. The Center is housed in a beautiful landmark building featuring six spacious studios, The Salvatore Capezio Theater, the Peridance Coffee Shop, and the Capezio dance-wear Boutique. One afternoon, I had the privilege of stopping by the Peridance Capezio Center to observe their students training. I witnessed the explosive athleticism and technical discipline at play in Shannon Gillen’s Advanced Contemporary class, as students tested the strength of their bodies in an array of conditioning and floor exercises. Later, in the large upstairs Studio 1, bathed in the sun’s rays from the skylights above, I watched as dancers chasséd and pirouetted across the room in Breton Tyner-Bryan’s Advanced-Intermediate Ballet class. I would not be surprised to find any one of these talented performers on stage someday.