About usPartner with usSign up to our Newsletter

Mickey Spillane's

Opening Hours
Today: 2pm–4am
Fri:
1pm–4am
Sat:
1pm–4am
Sun:
1pm–4am
Mon:
3pm–4am
Tues:
3pm–4am
Wed:
3pm–4am
Location
350 West 49th Street
Location
Loading
Sign up to Sidestreet Updates
Mickey Spillane's 1 American Bars Hells Kitchen Midtown West Times Square
Mickey Spillane's 2 American Bars Hells Kitchen Midtown West Times Square

More Bars nearby

Lost Gem
FLEX interior Gay Bars Bars undefined

FLEX

FLEX is a new Hell’s Kitchen LGBTQ+ hotspot created in the former home of Posh — one of the original neighborhood gay bars back in the ’90s. Founders James Healy and Jason Wade Mann’s journey to open FLEX hasn’t been without its challenges. The process began with six months of paperwork to obtain a liquor license from the State Liquor Authority. Though they received approval from Manhattan Community Board 4’s Business Licenses and Permits Committee, lingering complaints about the previous establishment set the bar very high for proving FLEX would not fall into the same pattern. However, this meticulous attention to detail set the tone for what was to come. The bar’s design was a collaboration with two architects from Pratt Institute, who worked closely with students to ensure every aspect was carefully considered. James and Jason had the opportunity to shape FLEX exactly as they envisioned, with a focus on creating a visually stunning atmosphere. Local artist Jo Mar crafted the hand-sculpted mural that takes center stage. It is based on a photo shoot he did in the space with local friends who were more than happy to help bring his vision to life. The entire process took seven months to complete, with each of the four panels weighing approximately 250 lbs as the molds were being made. The attention to detail doesn’t stop at the artwork. The bar boasts original 120-year-old “Tiffany blue” glass windows salvaged from a Brooklyn warehouse, adding a touch of history to the contemporary design. The bar beams themselves come from a century-old Brooklyn townhouse, and the woodwork throughout the space is meticulously handcrafted. The dedication to preserving the legacy of the location is evident in the decision to keep FLEX as a safe space for the LGBTQ+ community. As James said: “It was a gay space for almost 30 years and that was one of the main reasons Jason and I decided to take over the space. We wanted to keep it as a safe space for the gay community, but very much welcome for all. Our theme is come alone and meet friends, come with friends and make more friends. ”But FLEX is not just about creating a visually appealing space; it also aims to be a hub for community events. With large screens and projectors installed, the bar can host gatherings, presentations and even screen major sporting events. This versatility ensures that FLEX will be a vibrant and dynamic addition to the neighborhood. Beyond the interior, the owners have also made significant efforts to enhance the building’s infrastructure and exterior. Extensive plumbing work was completed and the façade has been meticulously restored, with broken tiles fixed and a fresh coat of paint applied. A new awning, adorned with colorful PRIDE flags, further adds to the bar’s vibrant presence on the block. FLEX aims to be a highlight of the neighborhood, both inside and out. This story was adapted from the W42ST article, "Reviving PRIDE: New Bar FLEX Honors Posh’s Legacy with a Modern LGBTQ+ Twist. "

Lost Gem
Beer Culture 1 Bars Beer Bars undefined

Beer Culture

Beer Culture opened in the summer of 2013, offering beer, cider, whiskey, and bottled sodas. Customers can come in to pick up a bottle – or growler - of beer to take home, or grab a seat at the bar to chat with the friendly staff while noshing on some charcuterie. The record player behind the bar is usually going and if the owner, Matt Gebhard, and bar manager, Peter Malfatti, are around, they are bound to strike up a conversation and offer to guide patrons through their extensive beer selection. The beers are organized by region. The first door of their huge, glass-front fridge is full of beers from New York State, while the second is full of east coast beers, and the third and fourth is full of central and west coast beers. A bit further back into the room is their international fridge, proudly boasting selections from the UK, France, and three shelves worth of Belgian beers. For patrons who just want a nice, cold, familiar beer, grandpa's fridge is the place to go. Customers often mistake the old Kelvinator across from the bar as a prop and are always surprised when they open it up and realize that it works and that they recognize all of the brands inside of it. Matt included grandpa's fridge because he thinks that there is a place for all beers (except lite ones, which are not sold on the Beer Culture premises) and that some brands hold emotional value for customers. True to its name, the beers in the old Kelvinator are those that Matt had seen in his own grandfather's fridge growing up. Matt's first true exposure to beer and its culture was during a year he spent studying abroad in Belgium. When he came back home to upstate NY, Matt was nineteen and decided to pursue his newfound passion by working in a local Belgian brewery. He remained here for a few years until he met Peter, his future bar manager, who was living in Rochester, NY. Before opening their own place, Matt came to Manhattan and worked in a Belgian bar in Midtown. Although he enjoyed it, Matt told us that he wanted to do things his own way and fulfill his vision of what a bar should be. The bar that these two terrific guys opened is one that is dedicated to the simple, comfortable and unpretentious beverage that they adore. Nestled between Eighth and Ninth Avenue in a residential part of 45th Street, Beer Culture, is a hybrid bar and bottle shop offering its customers over 500 different types of beer. Although at the time of this write-up, Beer Culture had been around for less than a year, both Matt and Peter already feel like part of the block. As Matt stated, "We pride ourselves in being an establishment of beer nerds, not beer snobs. "

More places on 49th Street

Lost Gem
Oceana 1 American Seafood Breakfast undefined

Oceana

Opened in 1992 and originally located on the Upper East Side, Oceana moved to 49th Street in 2009. The Livanos family sowed the seeds for the glorious Oceana long ago when they ran a diner and realized their ambitions to develop it into something more. Having worked hard to make their dreams a reality, Oceana continues to pride itself on the freshness of its food and makes a point to have direct relationships with the fish mongers and farmers. Although some have called Oceana the Mecca of seafood, the restaurant's menu is notably diverse. The executive chef, Ben Pollinger, takes to the broad reaches of American cuisine and mixes elements of different dishes together, often in an unexpected way. The Manhattan Sideways team eagerly sampled a few of the marvelous dishes, including the Copper River Sockeye Salmon Crudo, featuring pickled ramps, parsley oil, and Amagansett sea salt, and the Sea Scallops Ceviche that is topped with peaches, ginger, and cinnamon basil. I was pleasantly surprised by the incredible vegetarian dish that the chef also prepared - Summer Squash & Cranberry Bean Salad, consisting of zucchini, gold bar and pattypan squash, pignoli, purslane and drizzled in lemon vinaigrette. Absolutely delicious. The last member of the Oceana team that we were introduced to was their wine director, Pedro Goncalves. Pedro, who began working at Oceana in 2001, makes a concerted effort to develop drink pairings to accompany the delectable food menu. Standing near the white marble bar, he proudly told us that Oceana has 1100 wine listings and 600 spirits. He went on to report that with forty-seven different gins, Oceana has one of the largest selections of in the city. "There is something to fit every personality, " Pedro said.

More American nearby

Lost Gem
The Palm 1 American Steakhouses undefined

The Palm

Upon entering the Palm, one can tell it lives and breathes New York. Whether it is the famous caricatures on the walls, the rich mahogany leather high chairs, the sizzling steaks or the unmistakable din of a successful New York City restaurant, the Palm has each and every trait of a staple. It is a restaurant where tradition is paramount and regulars are treated like family. Opened by Italian immigrants Pio Bozzi and John Ganzi on the east side in 1926, the restaurant has been family-owned from its inception. Surprisingly, the Palm began as somewhat of an accident. Bozzi and Ganzi intended to call their traditional Italian restaurant La Parma but, with their thick Italian accents, the city licensing clerk misunderstood. And so, the restaurant's name – and trademark – was born. The original location, on Second Avenue at 45th Street, served as a lunch and dinner club for members of the city's newspapers, whose offices were located within a few blocks of the restaurant. It was here that my husband first discovered the Palm some forty years ago with his college roommate. He recalls how the mustachioed maître d' took no names but remembered everyone in order, and being excited by seeing the fight promoter, Don King, at the very next table. Ever since, my husband has revered the Palm, particularly the softball-sized juicy filet mignons served charred on the outside and perfect-to-order on the inside. Four generations after Bozzi and Ganzi opened their restaurant, most of the Palm's traditions remain intact. The West 50th Street setting is true to the Palm's roots. Hospitality and consistency of service and quality of food is the mantra the Palm lives by, according to General Manager Richard Hammel. And while the city, and especially the neighborhood surrounding the restaurant, rapidly changes, the Palm serves as a reminder that tradition still sells. As Hammel said, "Hospitality knows no age. "When Lucy and Casey, two members of the Manhattan Sideways team, visited The Palm in November 2016, they had the pleasure of taking a tour with Robert, the restaurant’s hospitable and enthusiastic sales manager. He explained that the crowd is a mix of businesspeople, theatergoers, and families. Celebrities, politicians, and sports figures, many of whom are featured in The Palm’s constantly expanding collection of wall caricatures, can also regularly be spotted in one of The Palm’s dining rooms. (In the past, there was a "sing for your supper" policy - an artist could enjoy a free meal by drawing a portrait for the wall). When Robert first started working at the Palm three years ago, nobody wanted their faces on the back wall. Then, Robert added Hugh Jackman, who was performing in “The River” across the street, and the back wall suddenly became the spot to be for Broadway actors. Now, “Robert’s Wall” is filled with the caricatures of Broadway’s stars and their autographs. The Palm’s walls feature famous people alongside lesser-known faces and, in Robert’s words, “people we just love. ” If there’s a signature under a caricature, you know that person has visited The Palm. The Palm is all about loyalty. An estimated forty percent of its customers are return guests, according to Hammel, in part because of the 837 Club, the loyalty club that provides guests with points for dining there. But while regulars provide a large chunk of its business, there has been a surge of younger guests and tourists in the past few years. This is partly due to the new specialty drink and cocktail menu, intended to shake things up and diversify the clientele. Even Hammel admitted: "the Palm is still a men's club at times. " But the Palm is not afraid to adapt to changing times and, as Hammel said, "consistency and staying the same are different. "While the photographer was taking shots of the restaurant and the food, I also struck up an endearing conversation with Armando, a waiter who has been working at the Palm since this location's opening in 1989. He was standing below a caricature of Sarah Jessica Parker. A swirly cursive note next to her face read: "Just simply the only place for 'the folks. ' Much love and luck. SJP. "

Lost Gem
Joe Allen 1 American Brasseries undefined

Joe Allen

Joe Allen, founded in 1965, is the archetypal post-theater restaurant. With one of the longer histories on Restaurant Row, Joe Allen has been serving classic American cuisine in a brasserie setting since I was a little girl. I was always happy to come here with my parents and be able to order a hamburger rather than having to go out for a fancy meal. Mr. Allen - who also owns Orso, an Italian restaurant next door – had an initial concept to provide a comfortable, dynamic atmosphere with good food. And while the restaurant continues to serve some of the best comfort food around, spending time at night in the bar area, shows Joe Allen's real appeal. The high energy level from the post-theater crowd is contagious. The manager explained to us on one visit that they are the first phone call that people make after they have secured their seats for the next Broadway show. And, while he remained hesitant to divulge names, he shared how many actors and actresses have continued over the years to head immediately to Joe Allen after they perform - "here, " he elaborated "you're surrounded by theater, and we do all we can to promote that culture. " I can attest to the numerous actors who grace their tables, as I have had the pleasure of meeting a few over the years, as well as a highlight one evening when Barbara Walters sat right next to me. It is hard to say something new about Joe Allen, so long has it been a staple for theater goers. While the menu remains updated and contemporary, Joe Allen does not take any risks. Rather, it thrives on its reputation among patrons based on its long tradition of casual dining. Seeing the last of the pre-theater crowd during our visit, we were struck by how Joe Allen seemed appropriate equally for a quick burger and glass of wine in half an hour before a show, or a long, late into the night dinner where no one wants to head home.