Located inside the trendy Hotel Gansevoort, we walked into Chester through the side street entrance one afternoon. The restaurant was not open, but we were treated to an exciting exhibition of women practicing for the evening's entertainment. Apparently, the team behind the restaurant joined with Phoenix Entertainment in an effort to provide something unique to guests on Thursday, Friday, and Saturday evenings. They have designed an aerial structure (a dodecahedron) that hangs from the ceiling and allows their incredibly fit and well-trained acrobats to perform. It was sensational.
In keeping with the original nautical theme from the 1960′s, each room in the hotel has a porthole window and is decorated with teak wood. In 2014, the hotel’s restaurant La Bottega closed to make room for La Sirena by Mario Batali. The Cabanas, open in the spring and summer, is on the rooftop and offers a welcome reprieve from the city streets when the weather permits.
Trendy and filled with beautiful people, the Dream Hotel has created quite an aura around it. Sitting in the lobby is certainly entertaining at any hour of the day, but in the evening the action really kicks in. There is a DJ in the lounge area right off the lobby and not far from the entrance is Bodega Negra, with a Mexican menu. Also attached to the hotel is a restaurant called Fishbowl, with a 5000 gallon fish tank behind the bar. On the rooftop, the PHD Club tends to play top 40's music, and downstairs is the Electric Room, which is described as a rock club.
The Corner Bistro is a beloved neighborhood bar in New York City's West Village that has endured for over 60 years. Though lacking the storied literary pedigree of other downtown haunts, it has cultivated a loyal following thanks to its unpretentious charm, congenial atmosphere and its signature flame-broiled burgers — declared among the city's best by New York Times food critic Mimi Sheraton in 1978. We certainly enjoyed ours (with a side of tater tots) when we visited. We got chatting to Jim, who was managing and bartending on the Wednesday lunchtime we popped by — he shared his longtime love of the fabled bar. "We're open late. So even when I was living uptown in my young twenties, I would come downtown, drink with my friends and then stumble in here to have a burger at two in the morning, " he said. His enthusiasm and memories are matched by the customers too. Jim recalls: "Every day people come in saying 'I used to come here in the seventies' or "I met my wife here'. So every day we have people coming back to New York and say this is a memory of their past. "Longtime Corner Bistro owner Bill O'Donnell, who turned the unassuming West Village burger joint into an iconic New York City destination during his 45 year tenure, died in 2016 at age 80 after a battle with cancer. ""The owner passed away before the pandemic. And his daughter just seamlessly took over, " said Jim. Corner Bistro retains its consummate neighborhood bar character, giving locals and visitors alike a taste of an ever-rarer old New York — and it's the western gateway to 4th Street!
The Arabic name of this Mediterranean cafe translates to welcome and peace, and its colorful, wordly decor effectively brings this atmosphere to life. Its owner, Bassam Omary, left his home of Damascus in the 1980s and came to New York, where he worked at his cousin’s Greenwich Avenue Syrian restaurant. When his relative was ready to hand over the reins, Bassam bought the business with his wife, Joan, and relocated to 13th Street. “We always had a good feeling about this place, ” Joan explained. The space is adorned with pillows, pictures, and tapestries from Syria and mosaic-patterned Moroccan tables. A small, private dining area allows groups to experience the Middle Eastern custom of sitting on cushions on the floor. Loyal patrons visit time and again for the succulent tagines, grilled kebabs, and what Joan says is the undisputed customer favorite: uzis — crispy phyllo dough stuffed with rice, raisins, and the protein of one’s choice. As the only chef, Bassam is constantly experimenting, returning to the traditional dishes his mother taught him how to prepare while freely exploring the spices, ingredients, and flavors he is passionate about.
When we first visited the Walker Hotel, it was known as the Jade. The 1920's speakeasy theme became obvious to us immediately as we entered the hotel and walked through the lobby, but it was quite fun to see that it was carried through to the guest rooms with their antique-looking rotary telephones by the side of the bed. The comment from the young people with me that day was that it immediately reminded them of "Boardwalk Empire. " This pleased the woman showing us around tremendously. Built from the ground up - the land was a vacant lot when Gemini Hospitality bought it in the early 2010s - the goal for the hotel is for guests to feel welcomed from the moment they step inside. There is a warm and embracing atmosphere with a fireplace and library as the focal points. We appreciated that the collection of books on the shelves will be by well-known favorite authors who once lived in the vicinity. This boutique hotel has 113 rooms on eighteen floors. We had the pleasure of previewing some of them all the way up. Besides the standard queen being perfectly lovely with all of the amenities one would need, it also sports an amazing view - with no obstructions. From the north, we could see the Empire State Building, and from the South we looked downtown to the Freedom Towers. Just spectacular. We certainly applaud the concept of the hotel, which is to introduce guests to the wonderful places, people and atmosphere that surrounds 13th Street. Rather than encouraging visitors to leave the area to explore the popular tourist spots around the city, they are providing guests with lists of things to do right in Greenwich Village and Union Square. A philosophy that matches ours completely. In 2016, the Jade became the Walker Hotel Greenwich Village. We were happy to hear that it is still spearheaded by the same management.
Originally, an offshoot of David Chang’s award-winning restaurant group Momofuku, 13th is one of the fortunate streets to have one of his well-loved milk bars open. Today, acclaimed pastry chef Christina Tosi takes the combination of baked goods and milk to a whole new level at each of her locations – yes, I have had many a treat. Soft serve “cereal milk” or jugs of this tasty milk to go, the infamous crack pie, cornflake or compost cookies... and then there are the packages of cake truffles – these are slices of cake that are condensed into supremely dense balls of sugary goodness. Definitely worth a bite or two... or three. Milk Bar also donates a portion of every dairy sale to various independent and family dairy farmers in need. All in all, Milk Bar is a dessert lover’s heaven.
Peridance Capezio Center is a mecca for dance in NYC, fostering the arts in the local and international dance communities, for over 30 years. Peridance offers multiple platforms for dancers and non-dancers alike, including more than 250 weekly open classes, a Professional Training Programs, an F-1 Visa Program for International Students, and The School at Peridance - a comprehensive children and teen program. Their adult open classes are offered in all styles and levels, from Absolute Beginner to Advanced. Peridance Capezio Center is also home to the professional dance company, Peridance Contemporary Dance Company and its affiliated Peridance Youth Ensemble. In conjunction with their renowned faculty and partners (Capezio, Djoniba Dance Centre, Limón Dance Company, Baila Society, and Dance Informa), Peridance has gained an international reputation for the programs it offers. The Center is housed in a beautiful landmark building featuring six spacious studios, The Salvatore Capezio Theater, the Peridance Coffee Shop, and the Capezio dance-wear Boutique. One afternoon, I had the privilege of stopping by the Peridance Capezio Center to observe their students training. I witnessed the explosive athleticism and technical discipline at play in Shannon Gillen’s Advanced Contemporary class, as students tested the strength of their bodies in an array of conditioning and floor exercises. Later, in the large upstairs Studio 1, bathed in the sun’s rays from the skylights above, I watched as dancers chasséd and pirouetted across the room in Breton Tyner-Bryan’s Advanced-Intermediate Ballet class. I would not be surprised to find any one of these talented performers on stage someday.