Ezrath Israel was originally established as a Jewish Community Center in 1917 by the West Side Hebrew Relief Association, a group of Orthodox Jewish shop owners. The area was known for its busy steamship ports, however, the entertainment business eventually became one of the biggest industries in this part of town. As show business grew, so did the number of congregants, and it became the place of worship for many prominent actors and performers, including Sophie Tucker and Shelley Winters. The Actors Temple continued to thrive until shortly after WWII when people in the industry began journeying across the country to Hollywood. The synagogue then found its membership slowly decreasing. By 2005, there were only twelve members left in the congregation. A year later, when Jill Hausman became the rabbi, she found herself resuscitating what had once been a proud shul. Rabbi Hausman was pleased to report to us that in the eight years that she has been there, membership has increased to about 150, a marked improvement. Still, she has hope that the Actor's Temple will continue to grow. "We are a well-kept secret, " she says, "but we don't need to be. " To help maintain the synagogue, the sanctuary is shared with an Off Broadway theater company that performs on their "stage, " just a few feet in front of their sacred arc and collection of eleven torahs. Today, Rabbi Hausman welcomes all denominations of Judaism, even those who are "on the fringes of society. " She is a warm, sweet, bright woman who not only has her door open to everyone, but her heart as well. She emphasizes the importance of love and acceptance in her sermons and is adamant that the Actors Temple is a "no-guilt synagogue. " People should come if they feel compelled to pray – Rabbi Hausman's only goal is to have them leave with a desire to return.
The Manhattan Theatre Club is dedicated to helping artists in theater by offering educational programs and a varied repertoire in which they can get involved. Founded in 1970, it took off two years later under the leadership of Lynne Meadow, the organization's Artistic Director. She worked tirelessly to encourage and support growing playwrights, actors, and directors. The MTC has flourished and become a Theater District institution – garnering multiple Tony Awards, Pulitzer Prizes, and dozens of other distinctions. Well into its fifth decade, it remains a vital part of New York's artistic community. The Club moved into the Samuel J. Friedman Theatre on 47th street (previously known as the Biltmore Theatre) when it was newly renovated in 2008, and continues to produce shows and inspire the Broadway community at large.
Built in 1900 by famous impresario Oscar Hammerstein I, New Victory Theater was a relative newcomer to theater row on west 42nd Street. The venue was originally named Theatre Republic, but a series of ownership changes saw the name and theme changed every few years. It had a stint in the '30s as Minsky's Burlesque, New York's first Broadway burlesque theater, and a subsequent time as Victory movie theater (so named for the United States' success in WWII), later the first theater on the street to show pornographic films. This more sinful time coincided with the neighborhood falling on hard times. In 1990, New York City took over the theater together with a handful of others in an effort to refurbish the area, returning the theater to a more mainstream focus. In 1995, the Victory reopened as the New Victory and became New York's first theater aimed entirely at children and their families, making the return from vice to virtue complete. It now holds the distinction of being New York's oldest continually operating theater.
I can attest to the immediate success of Carmine's on the Upper West Side of Manhattan in the early nineties as my family and friends stood on the lines to get in on a number of occasions. Owner Artie Cutler's concept of serving large, family-style portions to guests, in a warm, friendly atmosphere connected with diners immediately. It did not take Mr. Cutler long to realize that he had a success on his hands and that it was time for expansion. In 1992, the theater district had another hit in Times Square, in the form of a grand, traditional Italian restaurant.
Teddy Roosevelt, Amelia Earhart, and Charles Lindberg are among the noteworthy clients that E. B. Meyorwitz & Dell has been crafting “made-to-measure” frames for since 1875. Today, be it in their New York, London or Paris shops, one can still be fitted for a pair of the same classy, high quality spectacles.
The staff that provides us with all the news that's fit to print resides in this incredible structure that has entrances on both 40th and 41st Streets. Also referred to as the Times Tower, the building was constructed by the New York Times Company in partnership with others to house their flagship newspaper and related ventures. Upon its completion in 2007, it became the fourth tallest building in New York City, tied for the honor with the nearby Chrysler building and clocking in at nearly a fifth of a mile high (1, 046 feet). Standing as it does across the way from a principal entrance to Port Authority, the Times building serves to welcome city newcomers with an ode to one of New York's most prominent and eminent institutions. There are numerous art installations throughout the building, but it is only in the lobby that the public is invited to view their changing exhibits. "Movable Type, " is the current show. It is a display of words culled from articles written throughout the paper's history, as well as real-time input from users of its website, and splashed across a series of screens. The snippets, so decontextualized, ring with mystery, emerging from their historical roots to bare themselves self-contained and spur the imagination. It is data as art, news as poetry, and well worth a look.