School of Rock NYC

Ronald McDonald House is a very special place that provides a "temporary 'home away from home' for pediatric cancer patients and their families. " Having had an apartment, for a short time, just a few doors down from their 73rd Street location, I was aware of the wonderful work that they do. When I mentioned to Sophie, one of our Manhattan Sideways team members, that I wanted to feature them on 73rd, she lit up and shared her close connection to the organization on the West Coast. Sophie told me that she was honored to visit and help her mother volunteer with her miniature horses at the Los Angeles and Pasadena chapters. "I was immediately won over by their mission, but even more important, by the children themselves. A significant aspect of their programming is to provide children with the opportunity to just be kids, first and foremost. Seeing the kids interact with the miniature horses showed me how much excitement and exuberance these children have. The smiles on the faces of their parents were always equally heart-warming. "Ronald McDonald House New York has been providing care and support to families since 1978. They "coordinate emotional and physical services, psychological care, ministry support, wellness programs, tutors, music, art, transportation, activities for siblings, holiday and birthday parties, and camaraderie for parents struggling with their child's cancer diagnosis. " In addition, this particular location has a Greek Division that provides services for families from Greece and Cyprus, Camp Ronald McDonald in the summer, classes in English as a second language, therapy for dogs (Angels on a Leash), and Weird Science, where the kids conduct intriguing and engaging experiments. Love and care are Ronald McDonald's central tenants. New York has its own set of angels in the way of the volunteers who play a major role in the day to day lives of the children. The Day Team leads afternoon activities and the Evening Team coordinates birthday parties, holidays, and dinners. The volunteer sign up is a major commitment to help provide a sense of normalcy and strength to the children and their families. If interested in volunteering, please visit their website.

In 1832, the Reverend Dr. McVickar found a large group of "destitute" boys playing on Stanton Street. He asked them why they were not at church, and they replied that there was no church. He immediately started raising money to start one. He managed to find a place to worship in a tiny room over an engine house. The first assembly occurred on January 6th, 1833, on the Festival of the Epiphany, hence the church's name. Since then, it has had many homes throughout the city and merged with a few other congregations before finding its current location on 74th Street. The parish moved in 1944, over a hundred years after it was first formed. At the time, the "Far East Side" had no Episcopal churches, but Epiphany chose to move in order to meet the needs of the New York Hospital complex.

Before he discovered the intriguing land of miniatures, Leslie Edelman practiced as an attorney. This all changed when he befriended a couple that owned a doll house business on Lexington Avenue in the 1980s. “The next thing I knew, I was working with them. ” Leslie would go to shows and spend his spare time doing odd jobs in the shop. When the couple was ready to retire, they asked if he wanted to purchase the shop. Enchanted with the idea of opening a niche business, building tiny furniture, and traveling the world collecting doll house pieces, Leslie said yes. Today, he is also the mastermind behind many of Tiny Doll House’s designs. In the mid-1990s, the store moved to East 78th, where it has seen its clientele change over the decades. Initially, the business attracted people from around the globe who had an interest in the hobby. “They would come to us as we were the tourist center of the world. ” There were also local families interested in building their children a doll house, and then it turned to collectors as later generations became immersed in electronics. “Today, we are seeing more and more young people have a renewed interest in miniatures. ”Who would not be fascinated by the rows of tiny watches, tea sets, board games, bottles of wine, minuscule cakes, and musical instruments? Modern leather couches, mini televisions, and beautifully crafted Lilliputian antiques decorate the various houses that also run the gamut. There are stores, workshops, Tudor cottages, and federal mansions. Leslie even sells the mini people who go inside each model, ranging from a small rendering of the Mad Hatter to a woman in an elaborate sari sitting next to a hookah. A standout moment for Leslie and his partner, Tim Porter, was the day “Joan Rivers flung open the door, threw her shoes to one corner and her fur coat to another, and the next thing we knew we were building a house for her. ” She used it as a prop on QVC to promote her charm bracelets. “She sold a hell of a lot of them! ”

Founded in Prague by philosopher Dr. Miroslav Tyrs in 1862, Sokol (the Slavic word for “falcon”) has numerous international branches all devoted to physical, educational, and cultural growth. Sokol New York was begun by Czech and Slovak immigrants with a vision that still holds true today — “a sound mind in a sound body. ”“When the building was being constructed, hundreds of people gathered to support this project. There is so much history involved in this building, and through it all, we have remained a community-centered organization, ” said President Donna Sbriglia. Sokol New York maintains a perfect intersection of culture and recreation. Each year, local chapters convene to compete against one another, and every four years, an international competition known as the Slet (a gathering of falcons) is held in an alternating Sokol branch. There are also Czech and Slovak cultural activities such as wine tastings and holiday festivities to bring families together, and language classes are offered to youngsters eager to learn Czech. Housed in a stunning building, there is a “retired” bar in the front replete with old signage and dark wood. The main floor has a gym surrounded by a balcony lined with dozens of Czechoslovakian prints from 1923. Upstairs, the 1896 Meeting Room doubles as a ballet studio, and downstairs is a Tae Kwon Do room and a tots’ gym that was previously a space for billiards. “It is important to have a place like Sokol in the neighborhood. It brings everyone together to have a multicultural experience, which is excellent for kids. ”

The magic of Mark Rosenthal’s instruction is that he knows exactly what children are capable of and how far he should push them with their art. He admitted, “I discovered the exact difficulty of each grade. That's why this works. ” As he showed me around the Art Center, I was continually surprised by the work and the advanced skills that the children were able to exhibit. I became aware early on in my exploration that the Art Center does not just foster good technique, they "teach skills and love of the creative process. ”Mark started the Art Center nearby in 1994, but he had already been teaching in the neighborhood since 1985. He worked at the Town School, and because he was not formally trained as a teacher, he was sure to read all the books he could find on child development, teaching styles, and art in the classroom so that he could keep up with his peers. Mark spoke to me at length about Howard Garner’s idea that art should be reinstated as a discipline in schools and the Erikson theory of psychosocial development. After a few years at the Town School, Mark qualified for a sabbatical and it was then that he officially began his Art Center by renting space from other schools in the area. Like Mark, who studied painting at Cooper Union and NYU, many of the other teachers in the Art Center are professional artists. I met Paul, an illustrator, and Melissa, a sculptor. Mark explained that he tries to have teachers from a number of different disciplines in order to make classes more interesting and to provide greater range of instruction to the students. The Art Center is set apart from other schools by the fact that the classes are strictly kept to a five to one student/teacher ratio. This ensures that each student is able to receive individual instruction. The space allows two classes to happen simultaneously, with the age range from first grade up through adult. Looking at the curriculum for the different grades, Mark pointed out how the children will approach the same project from a different perspective as they get older. For example, first graders will create simple two dimensional self-portraits, but third graders are instructed on how to use shading. Though I recognized a few projects as common to most children’s art classes, I was impressed by how many unique assignments Mark has given his students and how many fascinating pieces the children are encouraged to create. Even the 3D paper mache animals, which are a staple of most school art classes, were unlike any I had seen before. “A lot of kids do these, but we like to do it on steroids, ” Mark boasted. One distinctive series I noted was a collection of Chinese paintings of toys. Mark told me that he found a book of famous Chinese toy art and thought that it would be a fun project for the kids, especially since each toy has a folk story attached to it. Some of their one-of-a-kind art projects arise out of serendipity: one year, the paint shipment did not arrive in time, so Mark created a workshop that involved coloring in different shapes. This assignment continues today. It is evident that Mark is proud of what he has created, as well he should be, with the amount of research and training that has been put into the school. “We think of it as the best art school for kids out there. That’s how I designed it, ” he said, matter-of-factly. He listed his experience in the field, his highly honed curriculum, and especially his amazing fellow instructors as the driving force behind his success. As Mark continued to flip through books of children’s work, appreciating much of it, he stopped, smiled, and announced, “The kids are what I love. ”

J. D. Merget, the owner of Oslo Coffee Roasters, a company that began in Williamsburg in 2003, noticed a dearth of independent coffee shops on the Upper East Side and decided to fix the problem. Fortunately, J. D. had a friend who owned a garden store that he was looking to sell. Thus, Oslo Coffee Roasters moved into the cozy space in 2011 in order to provide high quality coffee to the neighborhood. After speaking with J. D., it became clear that he knows a lot about coffee. Originally from Seattle, he had his first introduction into the world of coffee at the age of twenty-one, while working for Starbucks. He explained that the company “got [him] very excited about coffee” and that it fueled his need to find out more about the product and introduce people to better brews. He has been in the coffee business ever since, working for different companies from Seattle to Dallas to New York. It was his wife, Kathy, whom he met while working in New York, who encouraged him to venture out on his own, saying, “You know so much about coffee – you’ve got to open your own store. ” And so he did. The name comes from the fact that Kathy's family is from Norway, where they are still known for drinking more coffee per capita than most other countries in the world. J. D. wanted to steer his customers away from the idea that Italian coffee is the only good coffee and highlighting the Northern European coffee tradition seemed to be the best way to do that. They do not specifically feature Scandinavian coffee, preferring to focus on farmers who use sustainable and fair practices, rather than a specific geographic location. The result is a high quality coffee that can be sipped guilt-free. When I asked if there were plans for more locations, JD says he is happy where he is and that he prefers to focus on connecting with customers and selling a better quality product, rather than expanding. He loves the Upper East Side and is so happy to have been embraced by the neighborhood. “The support from the community is outstanding. ” He is very proud of his staff, and is glad that they have received love and recognition from a community that has been waiting for an independent coffee shop. “You become a rockstar, ” he said, telling a story of how he was recognized by customers as far south as China Town. His general manager, Liz Pasqualo, echoed his sentiments. She even added that some people double-park in order to get their coffee. For many of the children that live in the area, they are often on autopilot as they enter Oslo, assuming that their parents will follow for one of their frequent visits. Liz told me, “I am really proud of the sense of community, ” and how comfortable the place has become. “Strangers sit down and chat together about current events. " I was able to witness this sense of camaraderie when a gentleman named Hugh Fremantle, who has been coming to Oslo for the last four years, sat next to Liz while sipping on his coffee to ask how she was doing. “I’m being interviewed! ” she said gleefully. Hugh turned his attention to me and said with a big smile, “In that case, you are talking to a very happy customer. ”

After visiting many century-old synagogues, it was a refreshing change of pace to tour the modern facilities of Temple Israel of the City of New York. Sun shone through the colorful stained glass throughout the 1960s building and a winding spiral staircase occupied the front hall. The Manhattan Sideways team and I were met by Michele Amaro, the Communications Manager, who took the time to guide us through the eight floors. She led us into the sanctuary, which, as she explained, has “that mod curvy look like the Metropolitan Opera. ” The space is enormous, seating 330 people on the first floor and 500 more in the balcony. The congregation was started in Harlem in 1870 and has since been providing a place of worship for many. Today, on East 75th, it is Rabbi David Gelfand - who joined in 2006 - who continues to keep the traditions alive. According to Michelle, it is he who has helped to revitalize the Temple. Cantor Irena Altshul, Rabbi Melissa Buyer, and Rabbi Jim Stoloff round out the clergy team. Michele mentioned some of the more modern programs that Temple Israel offers, including a “Rockin’ Shabbat” (an interactive worship using modern methodologies and technologies) with Sheldon Low, artist-in-residence, , and a Lunch & Learn talk on “kosher-style sex” by Logan Levkoff, a sex therapist and clergy. on Fridays, which uses multimedia screens in worship, and a talk on “kosher-style sex” by Logan Levkoff, a sex therapist. “This is an extremely, extremely active synagogue. We have things going on all the time. ”Michele continued showing us around, taking us by multiple display cases full of Judaica, including an exquisite menorah donated by Herbert G. Lane, who was one of the chairman of the board of directors for the temple. We also passed multiple pieces of art, photos of smiling congregants, and teaching tools. On one wall, there is a Visual Torah with cartoon-like drawings so that children can better understand the stories. Michele emphasized that education is deeply important to the Temple before taking us to see the religious school, run by Rabbi Melissa Buyer. I was most impressed by the amount of space dedicated to teaching children, including a lounge for the older ones, and “Mitzvah Gardens” where students can plant food that will later be donated to those in need. The preschool rooms, which are color coded, also sport two terraces with playgrounds. We were impressed by their use of the latest technology complete with Macs and smart boards. Though the school plays a significant role in preparing children for their Bar and Bat Mitzvah, Michele stressed that the school is K-12 and covers every stage of religious instruction, creating a foundation of lifelong Jewish learning. Located underneath the sanctuary, we were amazed by the ballroom, an enormous space, that is in continuous use for various celebrations, including Hanukkah concerts, and Passover seders. When we visited, we observed an early childhood program, headed by director Lisa Samick. The space was filled with toys, and very young children were being rocked to sleep by mothers and nannies in an adjoining room. When I commented to Michele that there was no doubt this is a warm and welcoming community, she beamed, and let me know how proud she was to be a part of Temple Israel.

When we were walking by the firehouse of the Fighting Forty Four, founded in 1881, we were thrilled to find the door wide open. Children on their way home from school were gaping wide-mouthed at the fire engines while smiling firefighters looked on. We joined the ogling children and met the men, Wayne, Kenny, and Bobby, who showed us around the house and spoke about the history of the New York Fire Fighters. Over the course of our conversation, an occasional call would come in to the men. Not knowing what it meant, I asked, “Do you need to run? ” “Oh no, ” Wayne replied, “We don’t need to run. If we’re running, it means you should be running, too. ”One of my first questions was about the number “44. ” I learned that it is essentially arbitrary. It refers to when the squad was formed, long before the Brooklyn and Metropolitan fire departments merged. 44, however, is a designated specialty unit, meaning that only men who have a certain level of experience are assigned. This is because they are a Hazmat division. The men showed us the Hazmat truck, which has a big sticker that says “Zombie Outbreak Response Team. ” It matches a sticker on the main truck that imitates the “Ebola Emergency Outbreak Response Team” symbol, only with zombies. Smiling they said that little children often ask, “Is that for real? Do you really fight zombies? ”Although full of good humor, the men became somber when I commented on a memorial for Michael Lyons, a firefighter who was killed while responding during 9/11. Wayne and Bobby began sharing stories about several of their friends who were present at the World Trade Center that day. One survived by diving under a truck, while The 9th Battalion lost all of its men. Many of the firefighters from 6 Truck in Chinatown also responded that day, but not everyone came back. Men who turned one way coming down the stairs lived, and the men who turned the other way did not. As Bobby said, “If they had yin-ed when they had yang-ed, they would've have made it. ”We continued our tour of the house: There is the old hose tower, painted red, as well as the cubbies where the men keep their uniform. I was like a child, gazing at the two traditional firemen’s poles stretching to the upper floor. When I asked if they still slide down them, the answer was a definitive "yes. " I appreciated the fact that they had photos of men who have retired. I never realized that even though there are about thirty men assigned to 44, they are frequently traded around to different houses. As a rule, this firehouse usually has six men present at any given time, and never fewer than five. Another interesting fact that I never stopped to think about, of which Bobby informed us as he showed us a map, is that on the East Side, there is a firehouse right by every subway stop. Irish history is still deeply woven into the culture of the fire department. I noticed that along with the Leprechaun in the logo for the “Fighting Forty Four, ” there were many other references to Irish heritage scattered around the firehouse, including little Irish flags on the fire engine. Historically, there is a huge Irish connection to many service jobs in the city, including police work. As Bobby explained, “No one else would take the shit jobs. So they’d send in the Irish. ” There are no longer any Irish accents in this firehouse - as Wayne stated, “We’re all Bronx guys. ” Coming from uptown, the men told us that they respect the fact that they can keep their firehouse open and wave to smiling children of the Upper East Side. As if to demonstrate this, Wayne’s daughter ran into the firehouse and skipped upstairs to do her homework before heading to a hockey game with her dad. “It’s a good neighborhood, ” Wayne continued, “So we can keep the door open. ”