Uncle Tetsu's Japanese Cheesecake

New York has more than its fair share of yakitori houses and sushi bars, but this Japanese transplant is concerned with presenting Teishoku, or home-style cooking, to its American diners. Since 1958, Japan has been fortunate enough to have access to this chain's nourishing, traditional fare, where a "healthy body and mind" are top priority. Throughout Asia, there are over three hundred Ootoya restaurants, and as of 2012, New Yorkers can dine in the light, airy interior of their elegant US flagship restaurant on 18th Street or their latest addition on 41st.

A giant rhomboid patterned installation hovers just below the ceiling, slithering enormously down the back wall and giving the impression of being inside a dimly lit, atmospheric basilisk. Browns, oranges, and tans, along with natural greens of bamboo lining the walls, make for an incredibly pleasant dining experience. The sushi and the crispy rice are well-regarded, and deservedly so. The chic restaurant first opened its doors in Los Angeles, and then found its way eastward into the Bryant Park Hotel with its latest location being Abu Dhabi.

The entrance to Sushi By Bou consists of wooden steps leading down to an unmarked doorway adorned with unchecked graffiti. Inside, the Manhattan Sideways team found a space that it is barely larger than one's average bedroom. The décor is an explosive battle between colorful Japanese designs and minimalist, mid-century modern designs. Four barstools sit in front of a counter, behind which works the American-born David Bouhadana. David, himself, is part of the allure: his looks and roguish irreverence evoke the archetype of the wisecracking best man at a wedding. The crisp Japanese quips that he often fires at the grim-faced guest chef working next to him, who often responds with a boisterous laugh, hint that David is as comfortable in that language as he is in English. Indeed, his omnipresent half-smile and conversational, thinking-out-loud tone show him to be truly at home behind the sushi counter. The obvious question is probably how David found himself there wearing a hachimaki headband. He is quick to respond to with a phrase that, coming from anyone else, would seem cliché - “I didn’t choose sushi, sushi chose me. ” In his case, this is simply a statement of fact: on his first day as an eighteen-year-old waiter in Boca Raton, the chef tossed him an apron, proclaiming, “Tonight, you make sushi! ” David found himself suddenly thrust into a new, fast-paced world, one that demanded not only the self-discipline and love of labor required to cope with a rigorous routine but also the drive to push oneself and to constantly improve on yesterday. As it turns out, he had what it took, and he soon found himself on a one-way-trip to Japan. Studying under his sensei’s wing, he was quickly accepted by the local talent as he developed his own techniques and hand movements. His master, whose life was saved by American medicine, gave David a mission along with the tutelage: to repay the west by teaching them about sushi. “Sushi is an educated food, ” he explained to us as he rapidly prepared uni. “The more you know, the more you’ll enjoy it. ” According to David, western appreciation for food cannot compare with that of Asian cultures. “Food is simply more important in Asia, ” he claimed, describing how food in the Far East is in tune with even the turning of the seasons. He calls his somewhat educational approach "Sushi for the People. " It’s not inexpensive, as $50 will earn one an omakase selection, which in this case is a spread of twelve sushi types that David called the "New Basic. " However, David pointed out that compared to similar New York City fare, "it’s a steal, " and it complements the approachability David strives for. He elaborated by telling us that he also carefully selects guest chefs to be welcoming and approachable, deliberately avoiding the "tough angry chef. " He wants customers to feel encouraged to ask questions, which necessitates the intimate design of the restaurant. As for why he chose New York City, David thinks the accepting environment and pervasive mindset of equality will draw the type of person who is open to learning about other cultures. But he also chose the city for what he describes as a “wild, crazy, allure, ” a fast paced testing ground where one can come with nothing but become whoever they want. David chose sushi.

New York has more than its fair share of yakitori houses and sushi bars, but this Japanese transplant is concerned with presenting Teishoku, or home-style cooking, to its American diners. Since 1958, Japan has been fortunate enough to have access to this chain's nourishing, traditional fare, where a "healthy body and mind" are top priority. Throughout Asia, there are over three hundred Ootoya restaurants, and as of 2012, New Yorkers can dine in the light, airy interior of their elegant US flagship restaurant on 18th Street or their latest addition on 41st.

When I mentioned to a friend that I was up to 33rd Street, she reacted immediately, "You know that this is the street that Wolfgang's is on, don't you? " I loved the description that she and her husband shared with me. "It is an old world man-cave that has incredible charm and certainly appeals to the serious eater. " Situated in the former historic Vanderbilt Hotel with magnificently tiled low vaulted ceilings, my husband and I agree that this is a splendid restaurant to dine. Wolfgang's, located in the sleek New York Times building on West 41st Street, is equally pleasant, but offers an entirely different ambiance. During the daytime, the sunlight streams in through the floor-to-ceiling windows, allowing the steaks to glisten even more as they are being brought to the tables. The businessmen in their suits still dominate during the lunch hour; however, theatergoers and tourists fill the restaurant in the evening. Wolfgang Zwiener spent some forty years digesting the world of steak by working in the iconic restaurant, Peter Luger's. Think of it this way, Wolfgang received a veritable master's degree in meats in Brooklyn, and now has earned his doctorate in his own restaurant, where he has written a top-notch thesis. When others might have chosen to slow down a bit or even to retire, he began opening his own restaurants. Over the years, I have been to the four in Manhattan, with the 33rd Street flagship location being the one where we have chosen to celebrate many special occasions. As noted, it is a favorite of friends of ours, and when I asked them to speak to me further about Wolfgang's, the immediate response was, "Personally, of all the steak houses in New York, this is the one to go to. " They went on to describe the menu as not only having excellent steaks, but they also always look forward to ordering seafood, and then brace themselves as the kitchen presents them with a seafood platter appetizer that is "utterly outrageous. " There are jumbo shrimp (my number one oxymoron) and lobster with huge pieces to devour, and thrown in for good measure, some oysters and clams. "Even if you leave the steak out of the equation, it makes for an incredible meal. " But, who can leave the steak out? According to my husband, a man who is passionate about his meat, Wolfgang gets it right every time whether he decides on a filet or a porterhouse. And I, of course, am all about the side dishes and salads, which Wolfgang continues to deliver.

Notorious bikini bar Tobacco Road will finally get a new lease of life as a four-story venue for the Queer community when Red Eye NYC opens on W41st Street. The once-gritty dive bar at 355 W41st Street between 8th and 9th Avenue was shuttered in 2017 for failing to pay its rent, but five years on, a round-the-clock space offering coffee, bagels, shared workspaces and rehearsal rooms by day and high-end entertainment and cocktails at night is to rise from Tobacco Road's ashes in spectacular style. Red Eye NYC is the brainchild of Taylor Shubert, Daniel Nardicio, Samuel Benedict and Adam Klesh, who were determined to bring a "whole new concept" to Hell's Kitchen for the Queer community. Their work is nearing completion and they hope to have permissions from the city in place within weeks, allowing them to open by the end of the year. The venue has a long history — including as a concert venue that played host to luminaries including Thelonius Monk and Etta James — and that history has inspired the Red Eye NYC team. By day, the theater will offer rehearsal space, with Queer performers a priority. When not rented, it will be open for everything from piano playing to ballet practice. Red Eye NYC will also host streamed events, and plans to have its own podcast, recording on-site. By night it will be a raucous venue for burlesque and boylesque personalities, DJs, drag royalty and stars of Broadway and television. They will have a happy hour and promise to have some sort of event every night somewhere between 7 and 9pm. The four founders have spent the past few months on a massive program of renovations, detailing their work on the Red Eye NYC Instagram feed, including stripping the building back to the studs, pouring concrete and installing up-to-date appliances. They even helped out with the caulking. The team has deep Hell's Kitchen roots. Klesh opened W52nd Street's Industry Bar and Shubert has been a bartender at 9th Avenue's Flaming Saddles for almost eight years. He has also represented Hell’s Kitchen as a Democratic Party judicial delegate and a member of its New York county committee. The foursome say they want the "pink dollar" to stay in the gay community, and plan to champion Queer-owned suppliers for every part of the business, including wine-makers and other drink suppliers. This story originally appeared on W42ST. nyc in October, 2022 as "Red Eye NYC will Revive Bikini Bar Site with a Coffee-to-Cocktails Queer Venue. "

In a city where cultural fads and neighborhoods change frequently, one necessity has remained the same - men continue to be in need of a haircut. That simple fact has kept Olde Tyme Barbers in business since 1929. Or at least that is how Joe “the Boss” Magnetico explains being successful, despite the way midtown has changed since his grandfather opened his doors. Joe is the third generation of barbers, and his daughter Anne-Marie is the fourth and first female barber in the family. Joe’s grandfather, the original “Joe the Barber, ” first opened his shop at the Statler Hilton Hotel. In 1945, his son, Frank Magnetico, moved the barbershop to the current location on 41st Street underneath the Chanin building, a New York City national landmark. This makes Olde Tyme Barbers the oldest retail establishment currently in business on 41st from the East River to the New York Public Library. It is easy to tell that Joe, his family, and his staff take pride in the work that they do and the history they have created. Joe still uses the original chairs from the barbershop his grandfather opened. Sitting behind the cash register, Joe stated, “We’re not a business you can do on the internet. ” By this he means that despite the way business and the neighborhood has changed in the past years, Joe and his family have survived for so long by remaining true to their trade. He charges what is fair and treats everyone who comes in with respect. Joe told me, “you have to be able to make relationships in business: it’s how you survive. ” This is why Joe’s regulars are so loyal. Generations of men in the same family continue to come from all over the Metropolitan area to get their hair cut by his staff. They have been able to do something special in midtown - to create a neighborhood environment in an area of Manhattan that is not considered a neighborhood anymore. Joe ended our conversation by mentioning that he does not believe that he could open a barber shop in today’s market for the price that he charges on this block. "We are a dying breed in the sense that there is not much room in midtown for small owned businesses. " In his opinion, all the chains in midtown do not bring the same sense of community or character to the area like the businesses that use to be there.

Juice Press has a small presence at Equinox, selling the bottled juices and a few other products.

From inauspicious beginnings as a cake wholesaler in 2001 has arisen a giant of the dessert world. The wholesale business, directed toward restaurants and hotels, expanded rapidly, necessitating a move to a larger space and eventually begetting a boutique cake shop on the Upper East Side in 2004. After opening a second location in the Plaza Food Hall in 2012, Lady M opened this shop in 2013, and has seen business continue to boom. The Japanese chain now spans international borders to Singapore, in a demonstration of the power of a quality product. The specialties here are the Lady M Mille Crepes, cakes made by stacking alternating layers of ultra-thin crepes and sweet light pastry cream. The vanilla Mille-Feuille is a classic; the green tea rendition demonstrates the signature blending of French and Japanese styles. But the roster goes deeper than its star player: the cheesecake won New York Magazine's best cheesecake award in 2006, the coronne du chocolat was featured as one of the chicest chocolate cakes in the city by Vogue Magazine. It is a treasure trove for the sweet-toothed. The simple, airy, elegant architecture of the space, with only a few tables to sit at, perfectly enhances the experience.