Public House

For Sammy, a member of the Manhattan Sideways team, walking into the Overlook, and "being hit by the smell of burgers and beer, was a feast for the nose and an appropriate cologne for any watering hole worth its salt. " For me, I was initially intrigued by the back walls filled with what were clearly drawings by an accomplished cartoonist. In chatting with the owner, we learned of its storied past. Inspired by James Thurber who, in the 1940s and 50s, use to draw on the walls of a nearby bar in an effort to reduce his drinking tabs, the Daily News cartoonist, Bill Gallo continued this tradition and made his mark, decades ago, on the walls of what was then called Costello's. Years later, he was asked back to add more of his illustrations on the other side. Today, both walls are filled with entertainment, particularly to those of us who remember many of the characters being depicted. A bar's bar, ultimately named the Overlook offers ales galore and TVs aplenty, enough to serve as host of New York's Chicago Bears fan club. A rooftop deck offers a place to unwind during the warmer months. The Overlook is helped by the steady flow of customers from the hotel on one side and apartment building on the other.

As part of the restoration of Grand Central Terminal in the late '90s, Pershing Square Cafe opened under the Park Avenue viaduct. The fare is American and straightforward, with burgers and chicken pot pies, steaks and fish. The pancakes, served all day, are a big crowd pleaser. Up front, commuters sipping coffee, reading, and chatting while awaiting the next train, inhabit a more cafe-esque area. When speaking with the manager one day, he was proud to tell me that both Friends with Benefits and the Avengers were filmed at Pershing.

A traditional Irish bar, The Perfect Pint has an impressive variety of beers on tap - forty to be exact. Gold lettering and dark woods are reminiscent of British pubs and give the bar a warm and homey feeling. Inside, beer-themed decor reigns supreme, with the tap knobs as faucet handles and re-vamped kegs as the base for bar stools. Sandwiched between the two black-and-white pictures of the old Guinness wagon is a flat-screen TV, the perfect juxtaposition of the Irish bar culture with that of today. The hidden gem, however, is the rooftop bar. Going up the three flights of stairs, we found outdoor seating overlooking 45th Street. Bookended by exposed brick walls and a thatched roof, it can easily transport one back to a quaint Irish village. Below the cast-iron gas lamps, guests sit at tables made from old casks of beer that showcase international coins, beer memorabilia, and other odds and ends. Even the bathrooms are consistent with the theme.

Growing up in France, one cannot help but gain a thorough education about good food. Although she admitted to not having any formal culinary training, Sandrine, the warm and delightful woman behind Ratatouille, avidly observed her mother in the kitchen. Her passion for authenticity brought her to 39th Street where she prepares everything on the premises. In addition to the chickens that are well-seasoned with Herbes de Provence, and spin on a rotisserie that was delivered straight from her homeland, there are chicken meatballs, a pulled chicken honey Dijon coleslaw sandwich, homemade soups, healthy salads, an array of vegetarian options, including rice balls and their star dish: lentil loaf. Each of these seem to go beyond the restaurant's name. The desserts are baked fresh everyday, and the marble cake, vanilla tart, and chocolate carrot cake are the absolute standouts. The yellow and red decor captures a feeling of the south of France, and there are a few tables and chairs that are used by people in the community. Sandrine often sits down and strikes up a conversation with her neighbors. When I asked why she chose to be on 39th, Sandrine explained that she had been looking for six months and when the realtor showed her this space, she knew it fit the bill. She loves the area (she lives only two blocks away) and her survey of the surrounding community revealed no comparable food places. Having first met Sandrine while she was painting and preparing for her spring, 2014 opening, we left feeling confident that Ratatouille would receive an enthusiastic welcome. “This is our dream location, " Sandrine told us, ” and we keep hearing people say that “we need flavor in this neighborhood. ” Well now they have it.

New York has more than its fair share of yakitori houses and sushi bars, but this Japanese transplant is concerned with presenting Teishoku, or home-style cooking, to its American diners. Since 1958, Japan has been fortunate enough to have access to this chain's nourishing, traditional fare, where a "healthy body and mind" are top priority. Throughout Asia, there are over three hundred Ootoya restaurants, and as of 2012, New Yorkers can dine in the light, airy interior of their elegant US flagship restaurant on 18th Street or their latest addition on 41st.

When I mentioned to a friend that I was up to 33rd Street, she reacted immediately, "You know that this is the street that Wolfgang's is on, don't you? " I loved the description that she and her husband shared with me. "It is an old world man-cave that has incredible charm and certainly appeals to the serious eater. " Situated in the former historic Vanderbilt Hotel with magnificently tiled low vaulted ceilings, my husband and I agree that this is a splendid restaurant to dine. Wolfgang's, located in the sleek New York Times building on West 41st Street, is equally pleasant, but offers an entirely different ambiance. During the daytime, the sunlight streams in through the floor-to-ceiling windows, allowing the steaks to glisten even more as they are being brought to the tables. The businessmen in their suits still dominate during the lunch hour; however, theatergoers and tourists fill the restaurant in the evening. Wolfgang Zwiener spent some forty years digesting the world of steak by working in the iconic restaurant, Peter Luger's. Think of it this way, Wolfgang received a veritable master's degree in meats in Brooklyn, and now has earned his doctorate in his own restaurant, where he has written a top-notch thesis. When others might have chosen to slow down a bit or even to retire, he began opening his own restaurants. Over the years, I have been to the four in Manhattan, with the 33rd Street flagship location being the one where we have chosen to celebrate many special occasions. As noted, it is a favorite of friends of ours, and when I asked them to speak to me further about Wolfgang's, the immediate response was, "Personally, of all the steak houses in New York, this is the one to go to. " They went on to describe the menu as not only having excellent steaks, but they also always look forward to ordering seafood, and then brace themselves as the kitchen presents them with a seafood platter appetizer that is "utterly outrageous. " There are jumbo shrimp (my number one oxymoron) and lobster with huge pieces to devour, and thrown in for good measure, some oysters and clams. "Even if you leave the steak out of the equation, it makes for an incredible meal. " But, who can leave the steak out? According to my husband, a man who is passionate about his meat, Wolfgang gets it right every time whether he decides on a filet or a porterhouse. And I, of course, am all about the side dishes and salads, which Wolfgang continues to deliver.

Notorious bikini bar Tobacco Road will finally get a new lease of life as a four-story venue for the Queer community when Red Eye NYC opens on W41st Street. The once-gritty dive bar at 355 W41st Street between 8th and 9th Avenue was shuttered in 2017 for failing to pay its rent, but five years on, a round-the-clock space offering coffee, bagels, shared workspaces and rehearsal rooms by day and high-end entertainment and cocktails at night is to rise from Tobacco Road's ashes in spectacular style. Red Eye NYC is the brainchild of Taylor Shubert, Daniel Nardicio, Samuel Benedict and Adam Klesh, who were determined to bring a "whole new concept" to Hell's Kitchen for the Queer community. Their work is nearing completion and they hope to have permissions from the city in place within weeks, allowing them to open by the end of the year. The venue has a long history — including as a concert venue that played host to luminaries including Thelonius Monk and Etta James — and that history has inspired the Red Eye NYC team. By day, the theater will offer rehearsal space, with Queer performers a priority. When not rented, it will be open for everything from piano playing to ballet practice. Red Eye NYC will also host streamed events, and plans to have its own podcast, recording on-site. By night it will be a raucous venue for burlesque and boylesque personalities, DJs, drag royalty and stars of Broadway and television. They will have a happy hour and promise to have some sort of event every night somewhere between 7 and 9pm. The four founders have spent the past few months on a massive program of renovations, detailing their work on the Red Eye NYC Instagram feed, including stripping the building back to the studs, pouring concrete and installing up-to-date appliances. They even helped out with the caulking. The team has deep Hell's Kitchen roots. Klesh opened W52nd Street's Industry Bar and Shubert has been a bartender at 9th Avenue's Flaming Saddles for almost eight years. He has also represented Hell’s Kitchen as a Democratic Party judicial delegate and a member of its New York county committee. The foursome say they want the "pink dollar" to stay in the gay community, and plan to champion Queer-owned suppliers for every part of the business, including wine-makers and other drink suppliers. This story originally appeared on W42ST. nyc in October, 2022 as "Red Eye NYC will Revive Bikini Bar Site with a Coffee-to-Cocktails Queer Venue. "

In a city where cultural fads and neighborhoods change frequently, one necessity has remained the same - men continue to be in need of a haircut. That simple fact has kept Olde Tyme Barbers in business since 1929. Or at least that is how Joe “the Boss” Magnetico explains being successful, despite the way midtown has changed since his grandfather opened his doors. Joe is the third generation of barbers, and his daughter Anne-Marie is the fourth and first female barber in the family. Joe’s grandfather, the original “Joe the Barber, ” first opened his shop at the Statler Hilton Hotel. In 1945, his son, Frank Magnetico, moved the barbershop to the current location on 41st Street underneath the Chanin building, a New York City national landmark. This makes Olde Tyme Barbers the oldest retail establishment currently in business on 41st from the East River to the New York Public Library. It is easy to tell that Joe, his family, and his staff take pride in the work that they do and the history they have created. Joe still uses the original chairs from the barbershop his grandfather opened. Sitting behind the cash register, Joe stated, “We’re not a business you can do on the internet. ” By this he means that despite the way business and the neighborhood has changed in the past years, Joe and his family have survived for so long by remaining true to their trade. He charges what is fair and treats everyone who comes in with respect. Joe told me, “you have to be able to make relationships in business: it’s how you survive. ” This is why Joe’s regulars are so loyal. Generations of men in the same family continue to come from all over the Metropolitan area to get their hair cut by his staff. They have been able to do something special in midtown - to create a neighborhood environment in an area of Manhattan that is not considered a neighborhood anymore. Joe ended our conversation by mentioning that he does not believe that he could open a barber shop in today’s market for the price that he charges on this block. "We are a dying breed in the sense that there is not much room in midtown for small owned businesses. " In his opinion, all the chains in midtown do not bring the same sense of community or character to the area like the businesses that use to be there.

Juice Press has a small presence at Equinox, selling the bottled juices and a few other products.

For Sammy, a member of the Manhattan Sideways team, walking into the Overlook, and "being hit by the smell of burgers and beer, was a feast for the nose and an appropriate cologne for any watering hole worth its salt. " For me, I was initially intrigued by the back walls filled with what were clearly drawings by an accomplished cartoonist. In chatting with the owner, we learned of its storied past. Inspired by James Thurber who, in the 1940s and 50s, use to draw on the walls of a nearby bar in an effort to reduce his drinking tabs, the Daily News cartoonist, Bill Gallo continued this tradition and made his mark, decades ago, on the walls of what was then called Costello's. Years later, he was asked back to add more of his illustrations on the other side. Today, both walls are filled with entertainment, particularly to those of us who remember many of the characters being depicted. A bar's bar, ultimately named the Overlook offers ales galore and TVs aplenty, enough to serve as host of New York's Chicago Bears fan club. A rooftop deck offers a place to unwind during the warmer months. The Overlook is helped by the steady flow of customers from the hotel on one side and apartment building on the other.

A traditional Irish bar, The Perfect Pint has an impressive variety of beers on tap - forty to be exact. Gold lettering and dark woods are reminiscent of British pubs and give the bar a warm and homey feeling. Inside, beer-themed decor reigns supreme, with the tap knobs as faucet handles and re-vamped kegs as the base for bar stools. Sandwiched between the two black-and-white pictures of the old Guinness wagon is a flat-screen TV, the perfect juxtaposition of the Irish bar culture with that of today. The hidden gem, however, is the rooftop bar. Going up the three flights of stairs, we found outdoor seating overlooking 45th Street. Bookended by exposed brick walls and a thatched roof, it can easily transport one back to a quaint Irish village. Below the cast-iron gas lamps, guests sit at tables made from old casks of beer that showcase international coins, beer memorabilia, and other odds and ends. Even the bathrooms are consistent with the theme.

With architecture like a roman amphitheater, Pod 39's rooftop beautifully frames the view of the city.

To spend time inside the Wheeltapper is to take a trip back in time to Ireland, as the pub pays homage to their locomotive system. Numerous pieces of railway equipment adorn the walls and every other possible inch of available space. Even the metal bar stools and wood tables are reminiscent of a long gone Irish era. There are several rooms to meander through and grab a mug of beer. In the back, is a pleasant garden, with heat lamps during the colder months, which is connected to the Fitzpatrick Hotel next door.