I would not have guessed, walking through the room hung with sparkly princess dresses and pink china, that Judy Famigletti used to be a hockey mom. The owner of Let's Dress Up, an event center for little girls, told me that she has two sons who both played ice hockey through college. She would go with them to their different games and formed her own business while traveling: she designed sports-themed Christmas ornaments, which developed into a broader home accessories business. While she greatly enjoyed painting, sewing, and decorating, most of Judy's creative power was directed towards sports and practicality. She had no use for frills and sparkles. Once her sons were grown, Judy moved to the city and set off on a new path. She knew that she wanted to have her own business that involved home decorating and that she wanted to work with little girls, since she was already very familiar with the world of boys. She reminisced about how she used to walk around her neighborhood when she was little, asking people for old jewelry and wearing her big sister's dresses. Judy began designing the concept for Let's Dress Up, meanwhile getting in touch with her feminine side. Needing to be resourceful in her first few years, as she no longer had a house in which to hold Let's Dress Up, she decided to barter with a restaurant. They allowed her to use their private room in return for decorating the eatery for the holidays. In 2005, she began holding events in the restaurant's back room, decking it out with her old hats and dolls. Shortly thereafter, Judy was able to move into her own space on 85th Street, followed by another location in Connecticut in 2010 - in an effort to be closer to her son and three of her grandchildren. "My granddaughter practically lived in the store until Kindergarten, " she said with a smile. Her sons also helped her with the business. In 2015, tragedy struck. Because the traveling was starting to become a hassle, Judy decided to close the Connecticut location and focus on the 85th Street spot. Shortly after making that decision, however, a fire broke out, ruining all of her old hats and dolls, and causing the space to require a complete overhaul. When I had the pleasure of meeting Judy at the end of 2015, her feathers did not appear to be ruffled. She had just finished renovating and moving her Connecticut dress-up things into the store. "After the fire, I decorated it based on the new girl, " Judy shared, showing me a wall hung with Disney princess outfits. Instead of her classic, vintage items, she had bright, shiny new things, with an emphasis on Disney's Frozen. "Elsa has replaced Ariel as the favorite princess. "Judy was inspired by the number of little girls who stopped by when she was renovating to ask, "When are you going to open? " She began thinking of new ways to expand Let's Dress Up, beyond the tried-and-true birthday parties. When I visited, she had just started offering special "Classes in the Castle" that little girls could come to with a play date. During these classes, the girls do craft projects, play with the dress-up items and learn the rules of princess etiquette from "Lady Judith" - Judy's persona in her shop. Judy showed me an example of one craft, in which little girls dressed a Pinkalicious dress-up doll after listening to one of the stories in the series by Victoria and Elizabeth Kann. Judy has now expanded into a summer camp and occasionally holds seasonal workshops; however, she assured me that her main passion will always be the parties. Each of the parties is all-inclusive, beginning with a special tea party invitation that is sent to the guests. On the day of the event, the hosting family arrives fifteen minutes early so that the birthday girl can select her favorite dress and be ready to greet her guests. Once all of the girls are dressed in the various gowns, purses, tiaras, wands, and jewelry, they get glitter nail polish and sparkly, clear lip gloss. Judy then puts a pink screen up so that the girls can take group and individual photos. The various parts of the party last only fifteen minutes, which Judy feels is the perfect amount of time for short attention spans. When I inquired about the age range, Judy told me, "The most common age is five. I can tell when they outgrow it because they start asking why there's no prince. "Once the pictures are taken, all the little princesses sit down to their tea party, set with proper china. I asked if any of the china ever breaks and Judy shook her head vehemently, saying, "When they dress like princesses, they act like princesses. " Judy took all the tea party equipment out of pretty striped hatboxes, laying everything out on a doily. "The piece de resistance is the glass slipper, " she said, putting a tiny slipper at the top of the place setting. She also showed me the little party favors, composed of sparkly bracelets in a mesh bag. Judy has used the same party favor throughout the years "because it's the right one. "Each tea party is comprised of the same ingredients: a bagel with cream cheese or butter, strawberries, cheese sandwiches cut in the shape of a heart, and cupcakes or cake. After listing the different courses of the princess feast, Judy informed me that she used to do her parties for the Museum of the City of New York. They requested that she hold high-end birthday parties in their Dollhouse Room. Though the parties were fun and the room was beautiful, it was a massive undertaking. Today, Judy sticks to her spot on 85th Street. Judy has also allowed others to take over her space, as there is enough room for a long table. She is looking forward to the day when someone chooses to have a baby shower in her space. Until then, Judy already has a lot on her beautiful pink china plate, with as many as four parties in one day. On my way out the door, I saw a wall full of knightly coats of armor, often used by little boys who are invited to the parties (although there are times when the boys are perfectly content to wear the dresses). I asked if the girls could be knights, instead of princesses. Judy answered with a benevolent smile, "They can be anything they want to be. "
I have often commented on how I wish there were more places to write about for children on the side streets of Manhattan. Each business that I have discovered has been fantastic; I just always want to come upon another. That is why I was so excited to find this fascinating indoor petting zoo and activity center. The Art Farm has been on the Upper East Side since 2002. Valentina Van Hise, the director, visited the Art Farm that Mari Linnman formed in the Hamptons in 1999. She worked and trained there as a teacher before deciding to open a location in Manhattan. When the Art Farm in the City first began, it catered to Mommy and Me classes. Today, the center offers activities for children up to eight years old, although everyone must be accompanied by an adult. Everywhere I looked I saw animals: examples of children’s art projects hung on the walls, depicting different creatures; murals of underwater scenes covered the bathrooms; and illustrations from animal-centric books like The Very Hungry Caterpillar decorated the first floor. In addition to a cozy playroom with a green carpet that imitates grass, the ground floor has a full kitchen, which is used both for baking and arts and crafts. Art Farm has what it calls “Friend Fridays, ” where children can come and do projects in the kitchen each week. “There’s no craft we don’t know, ” one of the staff members said with a smile. “The Farm, ” located downstairs, was the most remarkable feature. Impossibly fuzzy chinchillas rested in cages while bunnies hopped around a large central pen across from a chicken coop. We met Fluffy (a chinchilla who is “in a kind of retirement home to herself"), Maggie the guinea pig, and Russian tortoises named Boris, Natasha, and Yeltsin. In the back of the room, we found creatures without fur, including insects, amphibians and reptiles. I gazed in awe at the large orange Halloween Moon Crab and the walking stick insect. Farther back, there is a large birdcage and a fish tank. The Manhattan Sideways team was overcome, petting everything in sight and gazing into tanks at hissing insects, bearded lizards, and salamanders. The piece de resistance for us, however, was when one of the staff members quietly brought out a few baby chicks that had recently hatched. Happily, every class and activity involves the animals in some way. Even during baking activities, as soon as the treats are in the oven, the children are escorted down the steps to play with the creatures.
The Loop of the Loom, tucked below street level on 87th Street, is a center for SAORI weaving, a special practice that combines the art of weaving with the principles of Zen. The founder of Loop of the Loom, Yukako Satone, began her career as a graphic designer for fifteen years in both Japan and New York. She claims that she did not consider herself a “craft person” until she was introduced to SAORI weaving when her daughter was five years old. She became a certified SAORI instructor in Japan, thanks to a talented teacher, Misao Jo. Shortly thereafter, Yukako made the decision to open a studio in Manhattan, hoping to introduce this specific type of weaving to New Yorkers. The Loop of the Loom encourages anyone who walks through the door to find their own unique style while embracing earthy materials and the Japanese idea of “Mottainai" ("non-waste”). The threads are made from natural fibers and many of the tools are created from recycled materials. The repetitive, calming nature of the work is said to introduce mindfulness and healing to the weaver. When I visited Loop of the Loom, a group of young children were gathered for a special children’s class, celebrating a child's eighth birthday. It was a special sight to watch them calmly sitting at their looms, eager for their next instruction. In addition to her studio, Yukako often takes her portable loom out into the city to do demonstrations. She loves that her “happy weaving” can bring smiles and a sense of calm to passersby.
Asphalt Green is a non-profit organization that provides facilities and programs to all ages in the hopes of promoting health and fitness. The Upper East Side campus is composed of an entire city block between York Avenue and the FDR Drive. The organization was founded in 1972 by Dr. George E. Murphy, a Cornell professor of pathology, and his wife, Annette. Asphalt Green got its name from the fact that it was built on the site of the abandoned Municipal Asphalt Plant, which was declared a city landmark in 1976, thanks to the couple’s efforts. In 1984, the Upper East Side campus officially opened. Today, facilities include an enormous outdoor turf field, an Olympic-size pool, and a 15, 000 square foot fitness center. In 2013, a second location opened in Battery Park City.
I never miss the opportunity to gaze upward when entering a space in the hopes of discovering a chandelier (Check out our Sideways Story on the stunning chandeliers of the Side Streets). Peeking inside Annunciation Greek Orthodox Church on a Sunday afternoon, it was the dazzling, yet unlit, fixture that captured my attention first. I could still decipher its glistening in the dim shafts of light filtering through the stunning figurative stained glass "Transfiguration of Christ" by L. C. Tiffany (containing over 17, 561 individual pieces of glass). When I returned to the church with members of our team and Chrissi Nicolas, the office manager, turned on a few of the lights, we were able to see the spectral beams produced by the Czechoslovakian crystal. The entire sanctuary appeared to work in tandem, with the stained glass projecting light on the chandelier, which in turn reflected it onto the artwork surrounding the altar. For those who attend and work at Annunciation, it is considered a miraculous place. Chrissi told us that it was built in 1894 as the Fourth Presbyterian Church. The Greek Orthodox Church bought the location in 1953, after having met in various locations since its founding as the “Evangelismos” (“The Good News”) church in the late nineteenth century. At the beginning, the entire space was lit with a combination of electricity and gas lighting. They used an ingenious series of vents that allowed the gas to escape while turning on every light in the room with a single flint switch. “For its time, this building had amazing engineering, ” Chrissi said. We ascended to the loft, where we received a view of the magnificent pipe organ. Annunciation's organ is one of the few tonally unaltered organs designed by E. M. Skinner that remain in existence today. We learned a lot about the traditions and practices of the Greek Orthodox Church through Chrissi. For example, one always knows the feast day is celebrated by the church by looking to the left of the Royal Doors of the altar to see what icon appears there. Chrissi also provided us with an interpretation of the surrounding religious art imagery. For example, in the painting of the Annunciation, the angel has his feet apart to show that he is running towards the Virgin Mary. In 1957, the congregation installed an intricate iconastasis screen of linden and lime tree wood designed and executed in Greece by noted Byzantine-style woodcarver Theophanis Nomikos, with inset icons hand-painted by New York iconographer Konstantinos Youssis of the Bronx. There are many coincidences contained within the church’s history. For example, the Greek Orthodox congregation that would become Annunciation was founded in 1892, the same year the church at 91st Street was starting to be built. Also, the congregation moved into the building on March 25th, the day of the Annunciation of Christ, hence the name. Possibly the most mysterious fact about the church, however, is that one of the priests is said to have been visited by St. Xenia, a little-known saint. After his vision, the priest was hesitant to tell anyone, since it was the twentieth century, and he was afraid that no one would believe him. But he did some research, and discovered that St. Xenia did, in fact, exist. In his vision, she asked him to paint her icon. He did, and today the icon he painted holds a special position in the sanctuary and in the history of the parish
The Cooper Hewitt Smithsonian Design Museum first opened in 1897 thanks to three of Peter Cooper’s granddaughters: Amy, Eleanor, and Sarah. Their grandfather was an industrialist who founded The Cooper Union, a renowned art school. The museum was created as part of the Cooper Union and officially became a branch of the Smithsonian Museum in 1967. As for the building that houses the exhibitions, it was originally Andrew Carnegie’s mansion. Today, it is known for being the only museum in the country devoted to educating the public about both historic and contemporary design. There is also an entrance to the museum through the garden on East 90th Street.