After visiting the newly opened Renwick, Olivia, Tom and I walked west to its sister hotel, the Gregory. Originally built in 1903 and known as “The Gregorian,” its purpose was to house spillover guests from the Waldorf Astoria. It was designed to be reminiscent of Upper West Side homes, with rooms that were double the height of normal hotels. In the mid-twentieth century, the Gregorian closed and the building passed through the hands of different hospitality groups. In 2015, however, the Gregory opened with the goal of recreating the hotel’s former glory. Susan Richardson, the Director of Marketing at the time, was pleased to give us a tour of the newly renovated hotel and to share some of the history, while also pointing out the various amenities and features. The overall design of the hotel is inspired by elements of the fashion world, as it is located in the garment district. Susan also mentioned that the Gregory is the only hotel that is a member of the Save the Garment Center movement and that they have recently formed a partnership with Fashion Institute of Technology (FIT).
Susan explained that the hotel was designed with the goal of feeling "homey." The lobby was built to have the comfort of a living room, complete with the bar, called “The Liquor Cabinet.” The whimsical idea behind the name is that guests can “raid the Liquor Cabinet” during happy hour. While chatting, the bartender made one of their signature drinks, the Ginger Bootlegger, made with Bootlegger vodka, Cointreau, and ginger beer. The cozy, home-away-from-home atmosphere is enhanced by the concierge desk, where guests are encouraged to sit down in an armchair as they check-in and to feel the warmth of the fireplace during the colder months of the year.
Similar to the Renwick, the Gregory focuses on trying to manufacture many of the features of the hotel in New York City. The lobby’s wood floors were not only made in Manhattan, but cut right here in the building. The shelves, which held fashion books, sewing machines, and other relics of the design world, were also cut in the lobby. Adding to their strong link to its history, we observed the pictures of the original hotel on the wall, along with an old menu and various artworks from the early twentieth century.
Before heading into the elevator, we stopped into Brendan’s, the lively Irish pub connected to the hotel. The restaurant used to be the Gregorian’s Palm Court. “They are a great neighbor,” Susan said. Upstairs, we stepped inside an impressive guest room. It was remarkable how different the Gregory and the Renwick are, but with the same careful attention to detail and emphasis on guest comfort. Where the Renwick has eclectic images and outside-the-box design, the Gregory has clean lines and simple patterns. As Susan so aptly described it, “The Renwick is the artist and the Gregory is the tailor.” There are hints of the fashion world everywhere, including Do Not Disturb signs made of ties and framed clothing patterns on the walls. Like the Renwick, each of the beds are custom made for the hotel. Although both hotels are designed for the transient traveler, Susan feels that the Gregory appeals to a slightly younger crowd - one that wants a warm, communal place to work and network. With that in mind, guests are encouraged to come down to the lobby for coffee in the morning and mingle with one another. The tech industry has started drifting into the neighborhood and Susan feels that members of the tech world appreciate the chance to meet people and work in the living room environment of the lobby. “We are creating a culture of offering guests an experience,” she said, smiling.
How is this for an architect’s resume: The Dakota (known today as the apartment building where John Lennon was shot), the original Waldorf and Astoria hotels, (subsequently torn down to make room for the Empire State Building), the Plaza Hotel, the Willard Hotel in DC and the Copley Plaza Hotel in Boston. Henry Janeway Hardenbergh designed the Hotel Martinique in two phases: the first part opened in 1898, and was then completed in 1910, with 600 rooms in total. The intricate mosaic flooring remains intact, as does the winding staircase that climbs eighteen stories.
Having a personal guided tour by sales manager, Jason Sturtevant, made me aware of many details I might otherwise have never learned, as well as making my experience at The Archer a superb one. Since the hotel is located in what was once the thriving, garment district, the interior of the lobby is designed to be reminiscent of the 1940s, with large steel structures stylishly cutting through the room. The entrance features a small bar, Bugatti, named after the brand of restauranteur, David Burke’s beloved car. With a garage-style door that opens to the street in warmer weather, and a bright yellow decor, the atmosphere of the bar is charming and laid back. Viewing several different rooms, Jason explained that each one displays slight variations of beautiful designs and color schemes. Averaging 200 square feet, the rooms, as Jason put it, are “intimate in size, in true New York fashion. ” The use of the space has been done in an elegant fashion with the floor-to-ceiling windows working wonders to open up the rooms. Many have hardwood floors and exposed brick walls, creating a tasteful and stylish atmosphere throughout. While guests will not meet the eponymous Archer, who functions as “the personification of gracious hospitality, ” they are certain to feel his presence during their stay. Each room is made ready for arrival with a personalized note, bottled New York City water, his and her robes and slippers, and a selection of books, including Archer favorites Gift From The Sea and The Little Prince. There is a well-stocked minibar with one side of the fridge allowing for personal storage, and complimentary espresso and grab-and-go coffee are available in the lobby. Encouraging their guests to work out “with New Yorkers, like New Yorkers, ” Archer also offers passes to a nearby gym. Additionally, the Archer is environmentally conscious with sensors and efficient solutions for saving energy implemented throughout the building. The selection of art found in the hotel is remarkable. Curated by art consultant Deborah Davis Goodman, almost every piece on display in the Archer was created by New York artists. This commitment to supporting local artists and businesses is further established in the curated retail section at the front of the hotel where jewelry, trays, sea salt caramels, and pocket squares, all made by New York City artisans, are proudly on display. From the captivating art to the jar of homemade peanut brittle, it is the impressive attention to detail that makes the Archer stand out. The New York City Archer opened at the end of May 2014, and two more hotels are expected to open in Napa, California and Austin, Texas by 2016. Filled with personal touches, the hotel certainly comes across as welcoming, detail-oriented, and cohesively designed. Having gained four diamonds by AAA and in the process of getting its four star rating from TripAdvisor, the Archer seems to have already established itself amongst the favored New York City boutique hotels.
All my assumptions about the Hyatt Herald Square were dashed upon entering the lobby. I assumed that the Hyatt Herald Square, as part of such a well-known, far reaching hotel brand, would be a reasonably generic, glamorous hotel like one would find in any other major city. I could not have been more wrong. As soon as I stepped inside and saw the fascinating art pieces, chic espresso bar, and unique layout, I realized that this was something special. The concierge is hidden at the back of the lobby, rather than the front, which invited me to explore the lobby’s many treasures before speaking to the staff. A series of clocks on the wall, inspired by Salvador Dali and echoing the shape and color of gourds, displayed the time zones of all the major fashion capitals. Plug ports were located by every seat so that guests could easily rejuice phones or work on laptops. Winding my way to the back, I met Nina Jones, the director of sales and marketing. She explained that all the main Hyatt hotels try to draw inspiration in their décor from the surrounding area’s history and culture. For the Hyatt Herald Square, that means drawing on the publishing and fashion worlds. Nina pointed out that the front desk was made from layers of old newspaper, and the brightly colored books creating a rainbow on the back wall were influenced by media and fashion. Nina went on to say that “Herald Heart, ” the spiraling mobile at the entrance, is made up of 151 sentences, carved from wood, representing the past and present of Herald Square. Having spoken with executive chef Gunnar Steden at Up on 20, I knew that the cuisine at the Hyatt uses local ingredients as much as possible and that even the snack counter around the corner stocks mostly treats from the Tri-State area. As I sipped on a Double Standard Sour in a classy pink hue at the lobby bar, Nina wowed me with the fact that most of the surfaces in the lobby are made from repurposed water tower wood. I left the Hyatt that day feeling like I had received a lesson in the history and culture of New York, as well as having been given a dose of highly-honed hospitality.
In the Ace Hotel, the lobby reigns king. Comfortable chairs and stone tile work make for a comfy spot to work in the daytime, particularly over a cup of adjacent Stumptown coffee. At night, the scene heats up and soft drinks are replaced with harder ones, and the furniture is sometimes cleared out to host live bands. Grand columns squat like sequoias in the middle of the floor. At the hotel desk, a record collection curated by Other Music is kept for retail. And if this is not enough to entice a traveler to make reservations, Koloman, a trendy restaurant awaits.
Elaborate carpet of pink and teal lines the entrance to The Hotel Wolcott, leading to evermore elegance. The ceiling of glass chandeliers lighting the way to the majestic staircase capture the scene of midtown in New York at the time of the hotel’s opening in 1904. Designed by John H. Duncan, the celebrated architect of Grant’s Tomb, The Wolcott received much attention for its aesthetic audacity. Articles appeared, dubbing Duncan’s creation a fusion of neo-Classical and Beaux-Arts style. Over the years, The Wolcott has hosted many notable guests and residents such as Isadora Duncan, Buddy Holly, Edith Wharton, Henry Miller and Mark Twain. If not to be a guest at the Wolcott, then at least make an effort to stop in and admire the restored, extravagantly decorated lobby. And take note of the grandfather clock, a personal favorite of mine.
The West Side’s airy Bella Abzug Park, designed by landscape architects Michael Van Valkenburgh Associates Inc, features a new seating area of plentiful benches as well as wire-rimmed tables and chairs complete with umbrellas for shade. The team behind the West Side green space is known for its large-scale public plazas, including recent renovations on Brooklyn Bridge Park as well as the downtown Jacob K Javits Plaza. Bella Abzug (originally known as Hudson Park and boulevard) began renovations in 2010 at W33rd Street between 10th and 11th Avenues to expand the park to accommodate for the extension of the 7 train to 11th Avenue, as well as the rapid influx of residential, retail and commercial development in Hudson Yards over the past decade. The park was renamed in 2019 to honor Bella Abzug, the stalwart Bronx-born lawmaker and activist known as “Battling Bella” who championed civil rights, LGBTQ and women’s equality in New York State and nationwide. “As any observer of New York politics would tell you, Bella Abzug was a potent force for the West Side and, in fact, the entire country, ” said former Manhattan Borough President and current City Council Member Gale Brewer at the dedication. “She was a friend and mentor, and naming this new park for her will, in however small a way, educate and inform future generations about this one-of-a-kind, larger-than-life New Yorker. ”The Hudson Yards Hell’s Kitchen Alliance — a West Side Business Improvement District not-for-profit organization — maintains the care of the park and curates its programming, which features seasonal events ranging from yoga to concerts to movie nights. The park also hosts frequent temporary art installations, including the BIG APPLE statue by Canadian artist Félix Marzel, King Nyani — a 4-and-a-half ton gorilla sculpture by Australian Artists Gillie and Marc Schattner, and the recent Photoville summer gallery showing. This story was adapted from the W42ST article, "There’s More Room for Relaxation as Bella Abzug Park Expands at Hudson Yards. "
At Gallery 35, we were charmed, entertained and educated on the staff's commitment to their own work and the art community as a whole. Sharing space, one flight up, with others affiliated with the Community Church next door, Gallery 35 is only open on Saturday evenings. Each week they showcase the work of a collective of artists, using media and styles across the board – water colors, digital media, glass painting, quilts, wood cuts. Once a year, the gallery hosts shows featuring artists from around the world. The most recent rendition featured paintings and quilts from Cuban and Brazilian artists. I was particularly taken by the story behind the art that was exhibited in the winter of 2013. Vidho Lorville, a native of Haiti, who had been painting for over twenty years before the earthquake struck his country, was chosen to be the guest artist. His commitment to the people and the celebration of the rebirth of Haiti were not only displayed in his work, but he also chose to donate a portion of the proceeds from Gallery 35 towards programs in Haiti.
Stepping off the elevator on the 18th floor, we had the feeling that we might run into the Queen of Hearts lounging and looking out over the city. Our visit was not during peak hours, so we missed bumping elbows with the chic crowd that normally populates Monarch, but we did get a sense of the futurist atmosphere and the ever-lovely views afforded by a visit. The Empire State Building, long a favorite of our crew, towers majestically in unimpeded splendor to the south. Brick walls give way to geometric, angular wooden walls and ceilings. Lights hang down in mobile-like formations, while chandeliers drip aquatically nearby in a tented heated area that can be utilized throughout the year. The furniture is comfortable and swoopingly high-backed. When our friends want to feel like City royalty, we certainly know where to send them.