Established in Brooklyn in 1997, this vintage store purchases and sells clothing and shoes. Drop by any day of the week during store hours and bring in unwanted clothing that is in good condition. The staff at Beacon is happy to assess your items and give you either 35% cash on the retail value that they decide on, or a 55% credit towards shopping in their store.
I learned of Agnes B's clothing while in college and studying abroad back in the '70's. Somehow, even then, I knew to appreciate her simple French designs for women. It wasn't until I was much older, however, that I was able to purchase a few of her pieces for myself, and I truly treasure them. It seems that many of Agnes B's stores are closing around the country, but here's to hoping that she can continue here in New York.
Walking into Shop Untitled, which features exquisite clothing, chunky crystal necklaces, fierce leather boots, and gloves galore, is like walking into a fashion wonderland. Along the walls there are long black coats with leather spines, a full body piece that looks like something a ninja might wear, and effortlessly hip hooded shirts. “We don’t buy safe things,” Kevin Kelly said to me, “They end up on the sales rack. We do risky things. They’ll sell the first day.”Manhattan Sideways had the chance to sit down and talk with Kevin and Gapu Suri who have been partners in the shop since 1983. Kevin informed us that the store was originally located across the street until 2009, when it moved to its current location. After relocating, people thought they were the new kids on the block. “New Yorkers don’t turn around,” Kevin jokingly said, but then explained that he and Gapu chose to stay in the neighborhood because of their loyal clientele. Young women who shopped here years ago are now mothers who bring their daughters to browse in this haven of chic clothes.As we perused the wares, we learned that Shop Untitled is a place that changes with the times, keeping up to date on all the newest trends - because it has always been for young people. Its racks are filled with the lines of up-and-coming designers. Gapu and Kevin do not carry the same things as other boutiques: they mostly feature smaller designers who prefer to be in a finely curated shop. They are proud that a number of the designers that they represent choose to work exclusively with Shop Untitled. “Customers like being surprised that they’ve never heard of someone,” Kevin said, adding that it makes them feel unique in a sea of familiar brands.Talking with Kevin and Gapu was a wonderful experience. They have strong convictions and take great pride in being a launching pad for new designers. “We love what we do – we wake up and love doing it,” Gapu exclaimed with a big smile on his face. Together, they run the store like a well-oiled machine. Gapu, who moved from India to go the Fashion Institute of Technology, said that he travels to Paris about four times a year to do the buying for the store. He does “tons and tons of research” to seek out new and fashion-forward designers. Kevin has not had any formal training in design, but definitely, as he says, has a “flair for it.” Decked out in cool, architectural clothing, their aesthetic is evident.The Manhattan Sideways team gave Kevin the impossible task of picking just three designers to highlight. He landed on two edgy, eco-conscious artists: Barbara I Gongini, who makes sure her fabrics and pieces are sustainably attained, and Demobaza with an “end of the world, beginning of the next world” vibe. To round it out, Kevin mentioned the House of Malakai, a company that makes very special face masks that caught the eye of Madonna herself. Rihanna even flew Malakai to New York for the Met ball. Gapu and Kevin have a lot of interaction with the music, film, TV, and theater crowd. Recently, a designer had work featured in The Hunger Games movies after a buyer for the film came by the store.The two men place a heavy emphasis on seeking out new talent. Gapu told us that he is always on the hunt for designers that are “raw and fresh.” These talented men and women enter into a strong legacy: Shop Untitled carried John Galliano’s and Alexander McQueen’s work straight out of school. In ending our conversation, Gapu announced emphatically that the clothing and accessories that Shop Untitled carries must have “a soul behind the creation.”
At times, living in New York City can become a bit chaotic - and it is this moment when Muji feels like a breath of fresh air. So different from our busy and cluttered apartments, Muji is the epitome of minimalist class. There is no rhyme or reason to what items are carried, and yet, while there are a million trinkets to browse through, the atmosphere remains effortlessly crisp and clean. Everything is made in neutral colors and simple materials, and labeled with clear descriptions. After wandering around I suddenly had the urge to go home and clean everything out of my closet and start fresh. The store has a definite calming and almost meditative effect on people. The vast variety of items includes furniture, clothing, home goods - and yet everything feels unified. Some of the hidden treasures can be found within the office supplies - pens that glide beautifully across the page and notebooks that rival Moleskine for utility and sophistication, but at a fraction of the price. Even the clothes are in soft, soothing colors, but made from fine fabrics and sold at very reasonable prices. Step inside to escape the bustle of the city, and do not be surprised if you leave with a new toothbrush or a pair of slippers.
Our senses all perked up as we experienced the exotic scents in this Mediterranean café where the Arabic name translates to welcome and peace. Bassam Omary came to New York thirty-five years ago as a student and worked at his cousin’s Greenwich Avenue Syrian restaurant. With his wife Joan, he bought and moved the restaurant to 13th street, where they have been cooking traditional Middle Eastern dishes and satisfying culinary cravings for fifteen years. The food is superb. After a long day of interviews, we stopped back at Salam for a late lunch. We were served a platter with an array of food: hummus with a lemon flair, babaganouj with fresh pita, grape leaves stuffed with cheese, crispy falafel, a filo dough spinach pie, and a cup of sweet Arabic coffee to perk us up. Bassam, Joan explained, has a stake in the restaurant both as owner and chef. He is constantly experimenting, returning to the traditional dishes his mother taught him how to cook, and using the freedom he has as owner to explore the spices, ingredients, and flavors he is passionate about. Thank you, Joan and Bassam, for genuinely welcoming us into this lovely restaurant.
When we first visited the Walker Hotel, it was known as the Jade. The 1920's speakeasy theme became obvious to us immediately as we entered the hotel and walked through the lobby, but it was quite fun to see that it was carried through to the guest rooms with their antique-looking rotary telephones by the side of the bed. The comment from the young people with me that day was that it immediately reminded them of "Boardwalk Empire." This pleased the woman showing us around tremendously. Built from the ground up - the land was a vacant lot when Gemini Hospitality bought it in the early 2010s - the goal for the hotel is for guests to feel welcomed from the moment they step inside. There is a warm and embracing atmosphere with a fireplace and library as the focal points. We appreciated that the collection of books on the shelves will be by well-known favorite authors who once lived in the vicinity. This boutique hotel has 113 rooms on eighteen floors. We had the pleasure of previewing some of them all the way up. Besides the standard queen being perfectly lovely with all of the amenities one would need, it also sports an amazing view - with no obstructions. From the north, we could see the Empire State Building, and from the South we looked downtown to the Freedom Towers. Just spectacular.We certainly applaud the concept of the hotel, which is to introduce guests to the wonderful places, people and atmosphere that surrounds 13th Street. Rather than encouraging visitors to leave the area to explore the popular tourist spots around the city, they are providing guests with lists of things to do right in Greenwich Village and Union Square. A philosophy that matches ours completely. In 2016, the Jade became the Walker Hotel Greenwich Village. We were happy to hear that it is still spearheaded by the same management.
Originally, an offshoot of David Chang’s award-winning restaurant group Momofuku, 13th is one of the fortunate streets to have one of his well-loved milk bars open. Today, acclaimed pastry chef Christina Tosi takes the combination of baked goods and milk to a whole new level at each of her locations – yes, I have had many a treat. Soft serve “cereal milk” or jugs of this tasty milk to go, the infamous crack pie, cornflake or compost cookies...and then there are the packages of cake truffles – these are slices of cake that are condensed into supremely dense balls of sugary goodness. Definitely worth a bite or two...or three. Milk Bar also donates a portion of every dairy sale to various independent and family dairy farmers in need. All in all, Milk Bar is a dessert lover’s heaven.
Peridance Capezio Center is a mecca for dance in NYC, fostering the arts in the local and international dance communities, for over 30 years. Peridance offers multiple platforms for dancers and non-dancers alike, including more than 250 weekly open classes, a Professional Training Programs, an F-1 Visa Program for International Students, and The School at Peridance - a comprehensive children and teen program. Their adult open classes are offered in all styles and levels, from Absolute Beginner to Advanced. Peridance Capezio Center is also home to the professional dance company, Peridance Contemporary Dance Company and its affiliated Peridance Youth Ensemble. In conjunction with their renowned faculty and partners (Capezio, Djoniba Dance Centre, Limón Dance Company, Baila Society, and Dance Informa), Peridance has gained an international reputation for the programs it offers. The Center is housed in a beautiful landmark building featuring six spacious studios, The Salvatore Capezio Theater, the Peridance Coffee Shop, and the Capezio dance-wear Boutique.One afternoon, I had the privilege of stopping by the Peridance Capezio Center to observe their students training. I witnessed the explosive athleticism and technical discipline at play in Shannon Gillen’s Advanced Contemporary class, as students tested the strength of their bodies in an array of conditioning and floor exercises. Later, in the large upstairs Studio 1, bathed in the sun’s rays from the skylights above, I watched as dancers chasséd and pirouetted across the room in Breton Tyner-Bryan’s Advanced-Intermediate Ballet class. I would not be surprised to find any one of these talented performers on stage someday.
Today, Shareen Mitchell is a bicoastal business owner, a sought-after entrepreneur with fourteen employees and a celebrity following. But no one would have guessed it eleven years ago, when Shareen was, in her own words, “broke, in debt, and selling at a flea market.” That flea market booth soon grew into a 7,000 square foot vintage warehouse in LA, and within a few years, Shareen had expanded to New York City.In spite of her success, Shareen’s location on West 17th Street is one of the best-kept secrets in Manhattan. Hidden away on the second floor of an old walk-up, the only sign of its existence is a red dress hanging from the fire escape, and sometimes—like the day I visited—not even that. Fortunately, a friendly employee from the salon next door pointed me in the right direction, but if I had not been in the know, I would have missed Shareen entirely.This secret location may seem like a bad business decision, but it is actually one of the keys to Shareen’s success. Her stores have always fostered a sense of exclusivity, and Shareen told me that her warehouse, especially in the early days, was not only the hottest vintage store in LA, but also a gathering place for a society of hip young women. “It was a crazy, fun secret,” she told me. “No one knew where they were getting their vintage.”Because there are no dressing rooms at Shareen—women change out in the open—both store locations have the same “no boys allowed” policy. But the resemblance between Shareen’s two stores ends there. While the LA warehouse is constantly buzzing with youthful energy, the New York location has a quiet, sophisticated feel that caters to a slightly older crowd.The reason for the difference, Shareen explained, is that by 2009, many of her original customers at the LA warehouse were now young professionals living in New York City. “They told me there was nothing like Shareen in the city,” she said, “so I decided to test the waters.” She opened a shop in a train station parking lot on Long Island, above an auto shop. “People like Ivanka Trump would get off the train,” she told me, laughing, “and walk into this auto shop with their dogs and babies and everything.” But after a while, the trip to Long Island became exhausting, and Shareen decided to open a location in the city. “It was kind of a secret,” she said. “I had no money for a sign, so I put the red dress out on the fire escape.”Though she did not put much effort into the store’s exterior, Shareen transformed the inside. The former apartment is now an elegant retail space, filled with ornate mirrors and old-fashioned couches, and yet it still manages to feel warm and welcoming. One large room is devoted entirely to wedding dresses, while another two rooms are filled with vintage clothing of all kinds, from evening gowns to 1950s prom dresses.When I asked Shareen about the bridal section, she told me that the store is in the process of transitioning. “A lot of my clients are starting to get married,” she told me, “but they don’t want to look like traditional brides.” These young women, many of whom get married in unorthodox venues—upstate farms, Brooklyn lofts, and Manhattan rooftops—are looking for unique dresses that will express their personalities. Over the past few years, the demand for these “indie wedding dresses” has grown so much that Shareen predicts that the store may soon be entirely bridal. “A year ago, we were half bridal and half vintage, and now it’s more like seventy-thirty,” Shareen told me. “We’re double-booked on the weekends with brides.”The New York location may be transitioning into bridal wear, but Shareen insisted that the store will not abandon its vintage roots. Along with her bridal collection, which is all under $2,000, many of the wedding dresses for sale in the store are reworked vintage. Shareen added that her collection is designed to flatter all kinds of body types, to celebrate women rather than inhibit them. She always tells her brides, “I want to see you looking beautiful, not you in a beautiful dress.”
There are two separate-but-connected shops offering visitors a brief trip to another era. The jewelry shop is the only one visible from the street and draws walkers in with its promise of antique sparkly gems. The real hidden gem, however, is the home furnishings shop in back. To enter, it required us to exit the first store and walk through a tunnel lined with antique mirrors, which made us feel a bit like we were in Alice in Wonderland. We then found ourselves in a cozy backyard leading into the second storefront. Once inside, the warbling old music and thick vanilla scent instantly drew us even further away from the bustle of Manhattan. Every corner of the shop was lined with antique knick-knacks - from black and white photos to intricately decorated piggy banks, music boxes, and glasses galore. We adored chatting with the gentleman working there. For those of us who appreciate kitsch, this store may just be the Holy Grail.