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Trash and Vaudeville

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Trash and Vaudeville is actually two stores – Vaudeville, full of colorful, ornamented clothing pieces, is a more kitsch environment, while Trash “is one of the seminal punk and goth stores of NYC.”

Founded in 1975 by Ray Goodman, Trash and Vaudeville began adorning Rockers, Mods, Punks, Goths, and Rockabillies – “everyday working class heroes who just wanted to walk and dress on the wild side.” Today, the store continues to cater to a similar audience, dressing rock stars, such as Lady Gaga, counter culturists, as well as the average New Yorker and tourist.

Besides the bright colors, feather boas, and rubber dresses, the store’s character is derived from the people working here – most notably, Jimmy Webb. He is the epitome of rock n’ roll and an era gone by - wearing tight pants that hug his body, a leather studded vest, metal bracelets that coil up his arm, and a shag haircut that shields his eyes. Jimmy's tough appearance is marked with the gentlest of souls. He tells us that he loves Iggy Pop, that he wants to be a “little piece of a great big thing happening,” but most importantly that he loves this store. In fact he is completely devoted to it.

As he bops from left to right, Jimmy cannot help but charm every visitor...and he treats each of them with the utmost kindness, whether it be a star who walks in, a music lover, or someone who is simply exploring - like us. While the store is aesthetically memorable, Jimmy makes it much more noteworthy.

A few years after our interview with Jimmy, Trash and Vaudeville moved from its longstanding home on St Marks to a location on 7th Street. However, the spirit, punk vibe, and killer style (not to mention Jimmy!) followed the store. We have left up our photographs of the St. Marks store as an homage to the location that started it all.

Can't get enough? See more of our interview with Jimmy here.

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Tokio 7

Most business owners know how difficult it is to bounce back after being robbed. Makoto Wantanabe has done it twice and, ironically, has a thief to thank for the very birth of Tokio 7. Makoto was globetrotting in the early 1990s when he arrived in Southern California on what was supposed to be the penultimate stop on his tour. He befriended a homeless man and let him stay in his hotel room for the night, but Makoto awoke to find everything except for his passport was stolen. Stranded with no money and far from his home in the Japanese countryside, Makoto called one of his only contacts in the U. S., who worked at a Japanese restaurant in Manhattan. He scrounged up enough money for a bus ticket and was off. While in New York, Makoto felt that men’s clothing suffered from a lack of style. Having always had a knack for fashion, he knew he could change that but lacked the funds to open a store with brand new clothing. So, after several years of saving his wages as a waiter, he founded one of the first consignment shops in New York City. Tokio 7 now carries men’s and women’s clothes, with the overarching theme being, as Makoto says, that they are simply “cool. ” The clothes are mostly from Japanese designers and name brands with unique twists. In the store, clothing that has been donated with a lot of wear is labeled “well loved. ”Despite its importance in the community, the shop fell on tough times during the COVID-19 pandemic. To make matters worse, Tokio 7 was looted in the summer of 2020 and had 300 items stolen. When Makoto contemplated closing his doors permanently, longtime customers begged him to reconsider. Resilient as ever, he set up a small photography area in the back of the shop and sold a portion of his clothes online to compensate for the decline of in-person purchases. Reflecting on his journey, Makoto marveled at the whims of fate. Had he not been robbed all of those decades ago in California, he had planned to start a life in the Amazon rainforest

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D.L. Cerney

Since 1985, D. L. Cerney has been a treasure-trove for any lover of vintage clothing. Heedless of changing fashion and consumer trends, as well as the general loss of public appreciation for well-made, long lasting, beautiful clothing that they have noticed, creators Linda St. John and Duane Cerney continue to stay true to their increasingly rare style. The creation of D. L. Cerney was entirely serendipitous: Linda and John arrived in Manhattan in 1984 to visit a friend with the intention of staying only for the week. Instead, they fell in love with the city. The ease with which they obtained their much-loved, first location on 7th Street was like “magic, " as was the contents of their store. As great admirers of vintage clothes, both Linda and Duane used all of their money throughout their 20s to amass the collection — culminating in the 26-foot U-Haul full of unworn, vintage clothes in the original factory boxes that they would sell in their new store. Knowing their collection was finite and irreplaceable, Linda and Duane began to slowly reproduce the vintage clothing they loved, relying on their far-reaching background with clothing design and creation. Linda taught herself to sew when she was 12 and always loved the beauty of well-made clothing. "We were so poor I would go to the junk stores. I looked at what rich ladies were throwing away and knew it was out of style, but marveled at the quality, " Linda explained. "And the quality of clothing back then lasted until around the late 60s because the consumer… expected quality for their money. Quality’s out the window now — it’s all hype, advertising, and just total BS. "Linda creates “statement maker” clothing in the style of the 1930s through 60s and emphasizes “quality, flattering fit, and beautiful fabrics. ” After closing their 7th St. location in 2013 and opening a studio in upstate New York, in 2017 the East Village once again had the good fortune of having D. L. Cerney open in the neighborhood. Today on 9th Street, D. L. Cerney enjoys a dedicated following of long-term customers and newcomers alike. The store also frequently provides clothes for period piece TV shows as well as numerous Broadway plays, including The Color Purple, Memphis and South Pacific. Linda's designs are influenced by Broadway, old movies, her research and her own memories. As we walked through her store, she excitedly pointed out a few of her favorites, including brightly patterned blouses in the style she remembers her aunts wearing, the timeless, high-waisted “field trouser” that dominate almost all old Hollywood movies and a row of reversible, wool jackets in the style of the '50s reversible jacket fad. Passing by a patterned tent dress with wide, square front-pockets, she plucked it off the rack and deemed it perfect for a day at the beach “with a pair of little red tennis shoes. ”D. L. Cerney not only displays clothing, but is also Linda's studio. “When I’m not busy with people, I am working with all my projects, ” she said. These projects include her critically acclaimed memoir, Where Dogs Go to Die, as well as her exhibit of dolls, 1000 Skinny Girls in a Dirt Yard, shown in the American Visionary Art Museum. The dolls’ clothing features junk food wrappers, potato bags and other traditionally discarded items. Linda is especially frustrated that many fashion businesses use plastic in their fabrics and wishes that more people would be interested in investing in clothing with fabrics that are wonderful, last for a long time, and naturally decompose.

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Spark Pretty

Amanda Dolan and Meagan Colby have a wild, wacky, sparkly, and generally outrageous sense of style. On 9th street, they fit right in. Spark Pretty, their pop-up shop turned permanent storefront, has garnered plenty of attention since opening in the East Village in September 2017. The Manhattan Sideways team was eager to learn more about the story behind the store, and so we caught up with Amanda and Meagan on a quiet Tuesday in January. After stepping inside, the term “visual lifestyle brand” will make perfect sense to even the most fashion-hapless visitor. Amanda and Meagan have transformed the space from floor to ceiling with a spectacular collage of posters, lights, memorabilia, and clothing that is a work of art in itself. The design is anything but random. It does not take long to realize that everything has been carefully curated to reflect a particular aesthetic from the 1970s, 80s, and 90s, and that when it comes to the clothing, a great deal of effort has gone into acquiring each vintage dress, pant, jumpsuit, skirt, jacket, and curated T-shirt. In fact, Spark Pretty is the result of a lifelong passion for iconoclastic style. Amanda, who grew up in Greenwich, CT, stuck out among her peers who dressed in the "latest shades of beige. " She cites childhood visits to thrift shops with her grandmother as one of the reasons she enjoys looking different. Meanwhile, in California, Meagan made fashion statements of her own, whether it was with purple hair, piercings, or a pair of oversized dad jeans. The two women agree that they were lucky. They always knew who they were and what they wanted to wear to reflect their personalities. Careful not to come off as shaking their fingers at the younger generation, the pair insist that searching for buried treasures in bins and boxes helped them hone their personal style in a way that has become less common in the internet age. "Sometimes you don’t know what you are looking for until you find it, " Meagan admitted. The two friends first met as stylists working at Betsey Johnson, but when the retail chain filed for bankruptcy, they decided to strike out on their own. As part of their inventory at Spark Pretty, they have a selection of one-off items from the Betsey Johnson showroom. Both women agreed that working at Betsey Johnson was their "apprenticeship. " After over fifteen years of friendship, road trips, and shopping, the Spark Pretty brand was born. Now, along with in-house designer Thomas Knight (whose custom work has appeared on Usher, Lady Gaga, Madonna, and Rihanna), they are sharing their treasures with the world. During our conversation, something else became clear: Amanda and Meagan are committed to the East Village community. When it came time to decide on a permanent location, they discovered that 9th street made perfect sense. For one, it is a great shopping street with funk that fits the Spark Pretty vibe. More than that, they immediately recognized that it is a real neighborhood with a "tight knit family of fellow small business owners, " the type of place where they can plant real roots. That is not to say that running the store is easy. Even if their work is a labor of love, there is still plenty of labor involved and Amanda and Meagan have set high expectations for themselves. “9th Street is magical, ” said Amanda. "This is our little jewel box. "

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Tokio 7 1 Consignment Women's Shoes Mens Shoes Women's Clothing Mens Clothing undefined

Tokio 7

Most business owners know how difficult it is to bounce back after being robbed. Makoto Wantanabe has done it twice and, ironically, has a thief to thank for the very birth of Tokio 7. Makoto was globetrotting in the early 1990s when he arrived in Southern California on what was supposed to be the penultimate stop on his tour. He befriended a homeless man and let him stay in his hotel room for the night, but Makoto awoke to find everything except for his passport was stolen. Stranded with no money and far from his home in the Japanese countryside, Makoto called one of his only contacts in the U. S., who worked at a Japanese restaurant in Manhattan. He scrounged up enough money for a bus ticket and was off. While in New York, Makoto felt that men’s clothing suffered from a lack of style. Having always had a knack for fashion, he knew he could change that but lacked the funds to open a store with brand new clothing. So, after several years of saving his wages as a waiter, he founded one of the first consignment shops in New York City. Tokio 7 now carries men’s and women’s clothes, with the overarching theme being, as Makoto says, that they are simply “cool. ” The clothes are mostly from Japanese designers and name brands with unique twists. In the store, clothing that has been donated with a lot of wear is labeled “well loved. ”Despite its importance in the community, the shop fell on tough times during the COVID-19 pandemic. To make matters worse, Tokio 7 was looted in the summer of 2020 and had 300 items stolen. When Makoto contemplated closing his doors permanently, longtime customers begged him to reconsider. Resilient as ever, he set up a small photography area in the back of the shop and sold a portion of his clothes online to compensate for the decline of in-person purchases. Reflecting on his journey, Makoto marveled at the whims of fate. Had he not been robbed all of those decades ago in California, he had planned to start a life in the Amazon rainforest

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Most business owners know how difficult it is to bounce back after being robbed. Makoto Wantanabe has done it twice and, ironically, has a thief to thank for the very birth of Tokio 7. Makoto was globetrotting in the early 1990s when he arrived in Southern California on what was supposed to be the penultimate stop on his tour. He befriended a homeless man and let him stay in his hotel room for the night, but Makoto awoke to find everything except for his passport was stolen. Stranded with no money and far from his home in the Japanese countryside, Makoto called one of his only contacts in the U. S., who worked at a Japanese restaurant in Manhattan. He scrounged up enough money for a bus ticket and was off. While in New York, Makoto felt that men’s clothing suffered from a lack of style. Having always had a knack for fashion, he knew he could change that but lacked the funds to open a store with brand new clothing. So, after several years of saving his wages as a waiter, he founded one of the first consignment shops in New York City. Tokio 7 now carries men’s and women’s clothes, with the overarching theme being, as Makoto says, that they are simply “cool. ” The clothes are mostly from Japanese designers and name brands with unique twists. In the store, clothing that has been donated with a lot of wear is labeled “well loved. ”Despite its importance in the community, the shop fell on tough times during the COVID-19 pandemic. To make matters worse, Tokio 7 was looted in the summer of 2020 and had 300 items stolen. When Makoto contemplated closing his doors permanently, longtime customers begged him to reconsider. Resilient as ever, he set up a small photography area in the back of the shop and sold a portion of his clothes online to compensate for the decline of in-person purchases. Reflecting on his journey, Makoto marveled at the whims of fate. Had he not been robbed all of those decades ago in California, he had planned to start a life in the Amazon rainforest

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East Village Hats

Looking out onto the street from inside the confines of the little storefront window, long necked silhouettes and busts wrapped in black lace stared at the ground. Amelia, a member of the Manhattan Sideways team, told me that she could almost imagine them glancing up from beneath the brims of their hats with a coy smile, could almost hear them whispering and enticing her to enter. Originally from England, East Village Hats owner Julia Knox’s background is in clothing design and the English Language. Eight years ago, after living all over the world teaching English as a foreign language, she moved to New York to continue her work in fashion design. One day, however, she decided to take a millinery class and has been hooked on hats ever since. Julia’s professor at the Fashion Institute of Technology (FIT) introduced her to Barbara Feinman, who had owned her shop since the late 1990s, but was looking to retire and pass the business along to somebody else. In 2011, Julia became that somebody. In 2016, the lease was up on the old shop, Barbara Feinman Millinery, so Julia made the move just a few doors down from the original storefront to her present location on East 7th, and renamed the shop East Village Hats. It was important to stay close to the original boutique, Julia explained, because “one block can be a million miles in New York. ”When Amelia inquired about how business was, Julia confidently replied, “They sell like hotcakes. ” Amelia then paused with her questions as she observed Julia trimming a man’s fedora with a green and white striped ribbon. Julia then continued on, telling Amelia a bit about the hat making process. First, the hats are formed on wooden blocks. Then they are sewn with a 130 year-old sewing machine, which used to be operated by a treadle, but now has a motor for modern efficiency. At that moment, an older woman walked in and began to look around. Julia asked her politely if she could help her find something, to which the woman replied in a soft Irish accent: “You have some lovely blocks here. ” She pointed to the wooden hat molds lining the brick wall. Amelia listened as they began to discuss all manner of hat things... hats in the United Kingdom versus hats in the United States, the hats at the royal wedding of Kate and William, how Princess Diana rarely wore hats. It was wonderful for Amelia to simply observe and listen. Later, Julia revealed to Amelia that she has been hosting hat making classes in her small shop. “This little workbench is the center of our universe, ” she said, motioning to the bench in front of her, whose drawers seemed to be filled to the brim with lace and feathers and ribbons. She went on to say how the bench rolls out into the middle of the room to make the entire shop a classroom. These classes range from workshops on making fascinators, a dainty head piece she described as “decorative bits of nothing, ” to more serious classes for people in the fashion business, to which she brings teachers from here and abroad to share their art. People do not necessarily need to have experience. “We spend three hours, we drink wine. It’s a lot of fun. ”The community interaction Julia has fostered is a feature specific to the new location; so, she said, is their restoration and repairs. Now, in addition to making custom-made and ready-to-wear hats with a modern minimalist aesthetic and touches of vintage, she often receives beautiful old hats whose owners are looking to restore them to their former glory. With a smile on her face, she told me about an old collapsible top hat that she was recently given. She describe how modern felts and materials are nothing like the fine, smooth felts with which old hats were made. “Recently, I heard about some old felts just sitting in a warehouse in the Garment District. ” Laughing a bit to herself, she added, “I went and cleaned them out! ” Just then, an older man and his wife walked in to pick up the fedora that Julia had been trimming during our conversation. They walked up to the workbench with big smiles on their faces as Julia greeted them. She handed over the green and white trimmed straw hat to the man, who immediately put it on. “You look very smart, ” she announced to him. One might think that in the technological, mass-produced modern age, handmade hats would not be in fashion. However, this is simply not the case, according to Julia. She finds that people are becoming increasingly weary of “fast fashion. ” They appreciate, instead, to see the kind of care that goes into the products made at East Village Hats and to meet the person who made them. Chains simply cannot offer the range of sizes that independent fashion businesses can. Nor can they provide the kind of custom work that Julia offers with her hats. “Hats are making a kind of renaissance, and I can stand by my product. It is designed to last a lifetime. ”

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Most business owners know how difficult it is to bounce back after being robbed. Makoto Wantanabe has done it twice and, ironically, has a thief to thank for the very birth of Tokio 7. Makoto was globetrotting in the early 1990s when he arrived in Southern California on what was supposed to be the penultimate stop on his tour. He befriended a homeless man and let him stay in his hotel room for the night, but Makoto awoke to find everything except for his passport was stolen. Stranded with no money and far from his home in the Japanese countryside, Makoto called one of his only contacts in the U. S., who worked at a Japanese restaurant in Manhattan. He scrounged up enough money for a bus ticket and was off. While in New York, Makoto felt that men’s clothing suffered from a lack of style. Having always had a knack for fashion, he knew he could change that but lacked the funds to open a store with brand new clothing. So, after several years of saving his wages as a waiter, he founded one of the first consignment shops in New York City. Tokio 7 now carries men’s and women’s clothes, with the overarching theme being, as Makoto says, that they are simply “cool. ” The clothes are mostly from Japanese designers and name brands with unique twists. In the store, clothing that has been donated with a lot of wear is labeled “well loved. ”Despite its importance in the community, the shop fell on tough times during the COVID-19 pandemic. To make matters worse, Tokio 7 was looted in the summer of 2020 and had 300 items stolen. When Makoto contemplated closing his doors permanently, longtime customers begged him to reconsider. Resilient as ever, he set up a small photography area in the back of the shop and sold a portion of his clothes online to compensate for the decline of in-person purchases. Reflecting on his journey, Makoto marveled at the whims of fate. Had he not been robbed all of those decades ago in California, he had planned to start a life in the Amazon rainforest

Lost Gem
Spark Pretty 1 Vintage Women's Clothing Mens Clothing undefined

Spark Pretty

Amanda Dolan and Meagan Colby have a wild, wacky, sparkly, and generally outrageous sense of style. On 9th street, they fit right in. Spark Pretty, their pop-up shop turned permanent storefront, has garnered plenty of attention since opening in the East Village in September 2017. The Manhattan Sideways team was eager to learn more about the story behind the store, and so we caught up with Amanda and Meagan on a quiet Tuesday in January. After stepping inside, the term “visual lifestyle brand” will make perfect sense to even the most fashion-hapless visitor. Amanda and Meagan have transformed the space from floor to ceiling with a spectacular collage of posters, lights, memorabilia, and clothing that is a work of art in itself. The design is anything but random. It does not take long to realize that everything has been carefully curated to reflect a particular aesthetic from the 1970s, 80s, and 90s, and that when it comes to the clothing, a great deal of effort has gone into acquiring each vintage dress, pant, jumpsuit, skirt, jacket, and curated T-shirt. In fact, Spark Pretty is the result of a lifelong passion for iconoclastic style. Amanda, who grew up in Greenwich, CT, stuck out among her peers who dressed in the "latest shades of beige. " She cites childhood visits to thrift shops with her grandmother as one of the reasons she enjoys looking different. Meanwhile, in California, Meagan made fashion statements of her own, whether it was with purple hair, piercings, or a pair of oversized dad jeans. The two women agree that they were lucky. They always knew who they were and what they wanted to wear to reflect their personalities. Careful not to come off as shaking their fingers at the younger generation, the pair insist that searching for buried treasures in bins and boxes helped them hone their personal style in a way that has become less common in the internet age. "Sometimes you don’t know what you are looking for until you find it, " Meagan admitted. The two friends first met as stylists working at Betsey Johnson, but when the retail chain filed for bankruptcy, they decided to strike out on their own. As part of their inventory at Spark Pretty, they have a selection of one-off items from the Betsey Johnson showroom. Both women agreed that working at Betsey Johnson was their "apprenticeship. " After over fifteen years of friendship, road trips, and shopping, the Spark Pretty brand was born. Now, along with in-house designer Thomas Knight (whose custom work has appeared on Usher, Lady Gaga, Madonna, and Rihanna), they are sharing their treasures with the world. During our conversation, something else became clear: Amanda and Meagan are committed to the East Village community. When it came time to decide on a permanent location, they discovered that 9th street made perfect sense. For one, it is a great shopping street with funk that fits the Spark Pretty vibe. More than that, they immediately recognized that it is a real neighborhood with a "tight knit family of fellow small business owners, " the type of place where they can plant real roots. That is not to say that running the store is easy. Even if their work is a labor of love, there is still plenty of labor involved and Amanda and Meagan have set high expectations for themselves. “9th Street is magical, ” said Amanda. "This is our little jewel box. "